Lines and Colors art blog
  • Mark Summers

    Mark Summers
    Mark Summers is a Canadian illustrator who works in the time-honored, but infrequently used, medium of scratchboard. (See my posts on Virgil Finlay and Elizabeth Traynor.)

    There is just something about the balance between black and white and the characteristics of the scratched lines that gives well-done scratchboard drawings a particular appeal. Summers is one of the best modern practitioners of the art.

    He has done illustrations for major publications like Time and The Atlantic Monthly and has received three gold medals from the Society of Illustrators and was the recipient of the Hamilton King Award in 2000.

    Summers is also the artist for the Barnes and Noble bookstores’ literary figures portraits. You can see them in the Prints and Posters section of the online bookstore. [2010 Update: Link is no longer valid]

    Though he doesn’t seem to have his own dedicated site, you can see his work on the Richard Solomon Artists Rep site.

    Addendum: 2010 update: Mark Summer’s illustrations are featured in the new book, Vanity Fair’s Presidential Profiles: Defining Portraits, Deeds, and Misdeeds of 43 Notable Americans–And What Each One Really Thought About His Predecessor.


    www.richardsolomon.com (Click on Mark Summers in right column)
    The iSpot

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  • Mélanie Delon

    Melanie DelonMélanie Delon is a French artist who trained in art history and archeology. She later attended school for game design, but decided that wasn’t the path for her. According to her site, she began to work digitally in Photoshop about a year ago.

    Since then has been doing digital painting in Photoshop and Painter. Digital painting, for those who are not familiar with the practice, involves using a pressure sensitive stylus and painting software to emulate the way one draws and paints in traditional media. This is in contrast to the other major branch of digital art, which involves the creation of “3-D” models and rendering.

    Since Delon began digital painting she has posted a number of images to her site. In most of them she portrays young women, usually in a fantasy or science fiction setting. She seems particularly fascinated with faces, and within the bounds of the fantasy or science fiction settings, paints them like portraits, though I don’t know if she is painting from live models.

    For someone who has only been painting digitally for a year or so, she seems quite accomplished and has created a tutorial for ImagineFX magazine. There is a zipped tutorial available on her site on the Misc page, along with avatars, wallpapers and prints. In addition to those sections and the main gallery, there is a Quicks section of sketches and exercises. There is also a “Close Up” section that is of particular interest because of the detailed nature of her work.

    Suggestion courtesy of Jack Harris

     

    www.eskarina-circus.com/
    Melanie Delon search on CGSociety
    Artist of the Month gallery on Infinitee
    Gallery on CG Channel
    Gallery on Epilogue.net

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  • Koji Morimoto

    Koji Morimoto is one of my favorite animators and directors working in the field of “anime” (essentially just meaning Japanese animation).

    Morimoto is well respected in Japan, but not well known in the U.S., possibly because he has directed mostly shorts and short segments of films rather than feature length animations.

    I first noticed him as the director of a segment called “Franken’s Gears” in Robot Carnival, a collection of short anime devoted to the subject of robots. There was just something about his handling of light and detail that made his segment stand out above the rest. At the time I didn’t think to try to find more about his work, and didn’t notice him again until years later when I came across his work in another collection.

    Contrary to popular belief, there actually was a good sequel to the original movie The Matrix , it just wasn’t one of the theatrical releases. In 2003, there was a DVD release called The Animatrix, a collection of short animations by various directors, mostly anime directors, dealing with subjects within the Matrix setting.

    The best of these was a wonderful short called “Beyond”, about a girl who goes looking for her lost cat and finds a “haunted house” where the normal rules of physics are broken. It’s a terrific short piece that is well written, beautifully drawn, luminously colored and smartly directed. As soon as I saw it, I said “Wow! Who was that?”, immediately played it again and looked to see who had directed it — Koji Morimoto.

    I then found out that in addition to directing several other shorts, Morimoto had, in fact, worked as an animator on a couple of of my favorite anime, Katsuhiro Otomo’s Akira and Hayao Miyazaki’s Kiki’s Delivery Service (see my post on Miyazaki).

    Morimoto has directed a number of memorable, imaginative and very different short animations.

    I don’t think he has an official site, but there is an extensive and professional level French site (that I assume is unofficial) at kojimorimoto.net. The English version isn’t online yet, but the French version isn’t too difficult for English speakers to navigate.

    I found the version of the site not in a popup easier to deal with. Once you enter any of the interior pages, you will see a link at lower left for the site map (“plan du site”) that opens in a convenient little pop-up window. Go to any of the sections under “Panorama” to see images and information about many of his shorts.

    Each section for an animation features a short video clip, preliminary drawings, scene backgrounds and screen caps; enough to get a feeling for the beauty and imaginative variety of his work. In particular, check out Beyond, Noiseman Sound Insect, Tekkon Kinkurito and Magnetic Rose (images above, top to bottom).

    There is also a page on Catsuka.com where you can download clips and trailers of Morimoto’s work.

     

    www.kojimorimoto.net (FR)
    Trailers on Catsuka.com (FR)
    Interview on intothematrix.com
    Bio on Pelleas.net
    Videography on IMDB
    The Animatrix (website) (Amazon link)

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  • Sergei Bongart

    Sergei Bongart
    Sergei Bongart was a Russian painter who was born in the Ukraine, studied at the Russian Academy of Arts in Kiev, and went on to paint and study in Prague, Vienna and Munich. He emigrated to the U.S. in the middle of the 20th Century, lived, painted and taught in Idaho and then in California, where he established the Sergei Bongart School of Art and administered it for many years.

    He is admired for his richly colored and emotionally expressive landscapes, still lifes and portraits. He was best known as a colorist, working in exaggerated color, using dynamic but carefully controlled color relationships and extolling the virtues of approaching painting as “color first, subject last”.

    There is a book, Sergei Bongart by Mary N. Balcomb, that you can read excerpts of here and find more information about on Balcomb’s site.

    Bongart’s approach looks like an intersection between Russian impressionist style painting (see my previous posts on Russian galleries in the U.S. here and here) and Cézanne’s oblique path into the distillations of modernism. Bongart’s brusquely applied strokes of vibrant color create representational images, but you can tell that it is not the objects but color itself that is the subject of his paintings.

    Link via Art Notes – Interesting Art Stuff


    Site for Sergei Bongart by Mary N. Balcomb (15 images)
    Post on Art and Artistry (several of the same images)
    Excerpts from Sergei Bongart by Mary N. Balcomb
    Artnet (3 images)
    Old Utica Art Company (3 images)

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  • Happy Leyendecker Baby New Year!

    J.C. Leyendecker New Year's baby covers
    There are traditions that seem as though they’ve always been in place. Some of them have origins that are obscured by time, but others can be assigned to a particular time and person. The tradition of representing the new year with the image of a baby is one of the latter.

    In addition to helping codify the modern image of Santa Claus (see my recent post on Illustrators’ Visions of Santa Claus), the great Golden Age illustrator J.C. Leyendecker originated the idea of using a baby to symbolize the birth of the new year.

    Starting with a Saturday Evening Post cover in 1906 for which he painted a winged cherub that was close to the idea, he began using an actual baby in the December, 1907 issue to welcome in 1908; and continued to represent the coming year that way on New Year’s covers of the Post into the 1940’s.

    Leyendecker was the Post’s major artist in the first half of the 20th Century, and was routinely given the assignments for the important major holiday issues. It was only years later that Norman Rockwell, who considered Leyendecker his artistic ideal, began to take on those duties. (See my previous post on J. C. Leyendecker.)

    Curtis Publishing, publishers of The Saturday Evening Post, provide a nice archive of their covers, often arranged by artist or subject, including a two page gallery of Leyendecker New Year’s Baby covers. (The images are linked to larger versions. It’s easy to miss the link to the second page at the bottom of the first.)

    It’s a treat to look through them, not only as great illustration, but as a fascinating chronicle of 20th Century history. Leyendecker would play with the idea of the New Year’s Baby to conceptualize the political, social and economic concerns of the day, be it stock market worries, balanced budgets or the looming shadow of war.


    Layendecker New Year’s Baby covers for The Saturday Evening Post
    Leyendecker New Years covers second page
    My previous post on J. C. Leyendecker
    Leyendecker artisle and links on DT&G design

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  • Annibale Carracci’s Book of Portraiture (?)

    Annibale Carracci's Book of Portraiture
    I have to admit I’m not quite sure what this is. I came across it from a link somewhere (and have unfortunately forgotten the connection), and bookmarked it under “cool drawing resource”.

    Carracci was a 16th Century Italian master renowned for his beautiful frescos and paintings, and credited with inventing caricature in the modern sense. It is his drawings I have always noticed, though; they stand out even among other great masters of the time.

    The pieces on this site are from a book that looks like it may be a drawing manual based on Carracci’s drawings, featuring both light outline drawings and finished renderings, presumably by a later French artist, of faces, facial features, hands, feet and other items related to drawing people.

    Though not as beautiful as Carracci’s delicate and subtle drawings in red chalk, these engravings are particularly interesting for the contrast between the lightly rendered and fully rendered versions, and the instructive array of eyes, ears, mouths and other features. It should be as useful to artists today as it was 400 years ago.



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Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
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Rendering in Pen and Ink
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Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
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Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics