Lines and Colors art blog
  • Jamie Caliri

    Jamie CaliriJamie Caliri isn’t an illustrator, animator or graphic artist, he’s the director of two of my favorite recent short animations.

    If you haven’t seen Dragon, the wonderful, essentially wordless, animated ad for United Airlines in which a father tucks his son in bed and flies off on the back of a bird to meet with knights at a round table, defeat a fire-breathing dragon and bring home the rewards, you’ve missed the most beautiful 64 seconds of animated television in recent memory.

    You can see the ad here on the United Airlines site, along with a fascinating “making of” video that shows how Caliri and his talented crew of artists, animators and artisans created animated magic out of stage sets and puppets that were essentially paper cut-outs.

    There is a larger format version of the ad (worth it) here on Caliri’s site, as well as a comprehensive list of the creative team and some large production stills.

    Caliri is also responsible for the end titles for Lemony Snicket’s A Series of Unfortunate Events, which was certainly the best part of that movie and one of the best short pieces of animation in several years.

    I didn’t care that much for the movie (although the production design is nice), but I’ll pick up that DVD just for Caliri & company’s beautiful end titles.

    Link via Drawn!

     


    Categories:


  • Henry Fuseli

    Henry Fuseli
    A Swiss-born artist who lived and worked in Berlin, Rome and London, Fuseli is generally thought of as English. While in Rome he became fascinated with the work of Michelangelo and changed his name from Johann Heinrich Füssli to the Italian sounding “Fuseli”.

    Like the Pre-Raphaelites (see my post on William Holman-Hunt), who he pre-dated by some years, Fuseli often painted literary subjects; depicting scenes from Shakespeare and John Milton.

    He also often painted mythological or fantastic subjects and the edges of his paintings are frequently populated with tiny details of elves and fairies. He created works infused with horror, wild imaginings and eroticism.

    He seemed to want drama above all things in his canvases and often contorted and exaggerated his figures to achieve a dramatic effect. Men were overly muscled and women melodramatically sexual. You might think of him as a precursor to modern fantasy illustrators in that regard.

    The picture shown here, The Nightmare, made his reputation and is by far his most famous and recognizable work.

    Fuseli’s working methods were reputedly unorthodox and he was said to have often used his paints as a dry powder, spread and worked with a pencil dipped in oil or turpentine.

    He was at one point romantically involved with Mary Wollstonecroft, whose daughter, Mary Shelly, wrote Frankenstein.

    There is an exhibition at the Tate Gallery in London: Gothic Nightmares: Fuseli, Blake and the Romantic Imagination that runs until May 1, 2006.



    Categories:


  • Ree (Cherie) Treweek

    Ree (Cherie) TreweekRee (pen name for Cherie) Treweek is a South African artist and illustrator. Her fascinatingly detailed illustrations and drawings usually start as an ink drawing that she brings into Photoshop to be fully developed, occasionally in collaboration with Jannes Hendrikz.

    The images look anything but digital and modern, however. They seem to be from another era; or even from another, perhaps mythical, culture.

    Treweek’s images often use large areas of intricate patterns and decorative linework, to my eye showing influences of Indian and Chinese art as well as Art Nouveau and illustrators like Arthur Rackham, Kay Neilsen and perhaps Aubrey Beardsly.

    Treweek and Hendrikz are part of “The Blackheart Gang”, who created an animated music video for Marcus Wormstorm. (I haven’t been able to find a post of the video.)

    The image shown here is from a story called The Tale of How that is part of a larger work called The Household. The group is apparently working on an animation based on the thirteen prints in this series with animator Brian Goodwin. There is a tantalizing bit of teaser animation on Goodwin’s site.

    I’ve found one book available illustrated under the name Cherie Treweek: Tales Of The Tokoloshe, a book of fantasy stories based on South African folktales, by Pieter Scholtz.

    Treweek’s work is also included in the Expose 3 digital art collection, in which she is an award winner for the “Abstract & Design 2D” category.

    The link below is to her section and gallery on the South African Cartoonists & Illustrators site. Here are a couple of additional links to posts on the CGSociety: Otto The Monster, Terrors and Typhoons
    and Thief in the Night.

     


    Categories:
    , ,


  • Chris Beatrice

    Chris Beatrice
    Chris Beatrice worked his way from an illustrator for computer games to art director, creative director and then general manager for a computer gaming company. He moved on from there to found his own game company, Tilted Mill Entertainment, whose latest release is Immortal Cities: Children of the Nile.

    Beatrices’ formal art training was in sculpture. He was drawn from that into 3D graphics as he established a career in computer game character design. Over time he has become more interested in 2D computer graphics and now does mostly digital painting in Painter and Photoshop.

    His site contains galleries of his work, divided into Paintings, Sculpture, Drawings and Wallpapers. (Wallpapers are also linked from “Downloads”.) Many of the painted images are accompanied by several hi-res details of different sections of the image. His digital paintings can be richly detailed an still retain an open and painterly feel.

    There is also a section devoted to Tutorials, in which Beatrice walks you through the process of creating his digital paintings step by step. Two of the tutorials are on the Chris Beatrice site and two are how-to articles on the CGSociety site.

    There is also a new and extensive tutorial on the CGSociety site (that is not currently linked from his own site) for the image shown above, his interpretation of Alice receiving “Advice from a Caterpillar”.

    It starts out with thumbnails and preliminary sketches for the character designs, moves into the pencil drawing, then goes through the steps of establishing tonal values in an undepainting, laying in the local colors, refining and modeling the forms and developing the final details of the finished image.

    The tutorials page also includes a link for downloading the custom Painter brushes used in several of the tutorials.

    Beatrice’s work appears in the digital painting collections Expose 3 and Painter from Ballistic Publishing.



    Categories:
    , ,


  • Jamie Hewlett

    Jamie HewlettEnglish comics artist Jamie Hewlett made a name for himself as the co-creator of the early 90’s irreverent, over-the-top, punk-camp comic series Tank Girl, (which was made into an unbearably campy movie in 1995).

    In 1998, Hewlett teamed up with former flat-mate Damon Albarn of the british band Blur to create Gorillaz, a virtual “zombie hip-hop” band in which the band members exist only as cartoon characters drawn by Hewlett. Gorillaz has gone on to be by far the most successful virtual band ever, selling millions of records.

    In the years since Tank Girl, Hewlett’s loose, slapdash drawing style has matured a bit, but still retains much of the energy and looseness of his earlier approach. The result is a pleasingly energetic but more refined drawing and coloring style that makes the Gorillaz art a lot of fun.

    There’s no official Jamie Hewlett site that I know of, so here’s an assortment of links:

    Unofficial Tank Girl site.

    Gorillaz official fan site, that has a “Press Photos” gallery of cartoon images of the band.

    Post of Hewlett’s “Common People” strip.

    Overview of the Gorillaz phenomenon from the Guardian and Wikipedia.

    Wikipedia entry on Jamie Hewlett.

    The Tank Girl 1 and Tank Girl 2 graphic novels are still available.

    The link I’ll point you to below is the official Gorillaz site, which takes a little effort to get around, but can be fun in itself as an entertaining Flash interface and series of games. (Hint: there’s a “Map Monkey” and “Quick Links” in the navigation at bottom.)

     


    Categories:


  • Dorothy Lathrop

    Dorothy LathropAt the same time it’s showcasing one of the most famous artists in America (see my previous post on Andrew Wyeth, below), the Brandywine River Museum in Pennsylvania is focusing attention on an artist who has gone largely ignored for the last 40 years.

    Children’s book illustrator Dorothy Lathrop was well recognized during the prime years of her career, which extended from the end of the “Golden Age” of American illustration, in the beginning of the 1900’s, well into the middle of the century.

    Lathrop was the first winner of the Caldecott Medal, given each year since 1938 for the artist of the “most distinguished American picture book for children”. She also won the Newberry Medal and a Library of Congress prize.

    Her style varied significantly over the years, showing influences from divers sources like Art Nouveau and illustrators Jessie Wilcox Smith, Maxfield Parrish, Edmund Dulac, Arthur Rackham and Kay Nielsen.

    Her choice of materials varied widely as well, from soft pencil drawings of children and animals, to brilliant watercolors of fairy princesses, oil for larger works and pen and ink for much of her black and white work. Many of her pen and ink illustrations used large areas of black with objects or lines in white, often looking like scratchboard, although it wasn’t as far as I can tell.

    In the mid-30’s printing processes changed in a way that allowed her to switch her primary medium from pen and ink to lithographic pencil, which became a signature of her mature style. When used on a textured surface like coquille board, litho pencil (or litho crayon) can produce a pattern of small black marks almost like pen and ink stipple (see my post on Virgil Finlay). Most importantly, the pattern of black and white marks can be reproduced in print without the use of halftone screens. The lithographic pencil also allowed her to achieve delicate effects and a broad range of tone, as well as eye-pleasing textures.

    Here is the press release about the exhibit from the museum (not illustrated), and some illustrated articles on Lathrop: A nice illustrated Lathrop bio from Bud Plant Illustrated Books and an illustrated Lathrop bio from Ortakales.com’s excellent gallery of Women Children’s Book Illustrators

     


    Categories:
    ,


Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics