Lines and Colors art blog
  • Harry Anderson Art

    Harry Anderson illustrations
    When I wrote about the terrific mid-20th century American illustrator Harry Anderson back in 2007, there were limited sources for images of his work on the web (though Leif Peng’s Flickr set is still going strong).

    Thanks, to Jim Pinkoski there is terrific site devoted to Anderson and his work called Harry Anderson Art.

    The image archives on the site are largely divided by the publications for which he did most of his work, along with additional sections for advertising art, religious art and calendars (of which the automotive calendars are a particular treat).

    The images include detail crops and accompanying photos of the magazine spreads, in which the illustration art was often incorporated into the layout of the text.

    It’s interesting to note that much of Anderson’s work was done in casein, an opaque water-thinned paint based on a binder made from milk. Anderson developed an allergy to turpentine, and after trying egg tempera and working with watercolor to some extent, settled on casein as a water thinned medium with some of the characteristics of oil. There is a discussion of his technique on Leif Peng’s Today’s Inspiration.

    [Via Gurney Journey]



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  • Edible art supplies

    Chocolate paint tubes and pencils, Nendo Design
    Ever think your paints looked yummy enough to eat? Bad idea, of course — but not with these chocolate confections in the form of paint tubes and pencils— created by Nendo Design, in cooperation with patissier Tsujiguchi Hironobu.

    [Via Neatorama]



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  • Eye Candy for Today: Caillebotte’s rooftops in snow

    Rooftops (snow effect), Gustave Caillebotte
    Rooftop View (Snow effect), Gustave Caillebotte

    On the Google Art Project. Original is in the Musée d’Orsay. There is also a high res image (7.7mb) and short article on Wikipedia.

    One of my favorite paintings. By anyone. Ever.

    You’ll see versions of this image on the web, or even in print, in which the color has been exaggerated to the point where the chimneys are bright red — sorry, wrong.

    Here’s a clue for the people who like to do that kind of thing (presumably to make the images “prettier”): the Impressionists weren’t deliberately seeking to use “bright color” for its own sake; their use of sometimes brilliant color was a result of their search for the fleeting effects of light and atmosphere.

    Just as often, though less frequently highlighted in books and reproductions, their paintings were about fog, mist, atmosphere and subtle color. They were capturing the effects of light in the natural world, as affected by time of day, season and weather. Caillebotte gives you a clue right in the sub-title of his painting: Vue de toits (Effet de neige) — “(snow effect)“.


    Rooftops (snow effect), Google Art Project

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  • Eugène Grasset

    Eugene Grasset
    Eugène Grasset was a Swiss illustrator, poster artist, sculptor and designer who was instrumental in the creation of the Art Nouveau style.

    Though not well known in the U.S. today, his poster art, in particular, was was very popular here in the late 19th century.

    In addition to his own work, Grasset was an influential design teacher in Paris.

    There is a monograph on Grasset, but it doesn’t seem readily available. You can find his designs, however, in several sources on Art Nouveau.



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  • Self-portraits #6 ("maybe selfies")

    Marie-Denise Villers, Jan van Eyck, Pieter Bruegel the Elder, Giorgione, Sandro Botticelli, Peter de Hooch, Johannes Vermeer, Leonardo da Vinci
    Here are a few images that, for one or more reasons, have been suggested to be presumed, probable or possible self-portraits of artists for whom there is a shortage of definitive ones.

    To me, there is often a certain look in the eyes of a self-portrait — one that I think comes from the mental shift involved in drawing or painting — an odd combination of far-away and intensely focused, almost trance-like.

    It’s only there in direct self-portraits, not in those involving more than one mirror. I see it in the pieces by Villers, Van Eyck, Botticelli and Da Vinci. The Vermeer is too dark to see. The Bruegel, if a self-portrait, is a two-mirror setup. The others just seem indeterminate. Not that my assessment means anything; I just find it an interesting thing to look for in possible self-portraits.

    See my post on “The Face of Leonardo?“.

    (Images above: Marie-Denise Villers, Jan van Eyck, Pieter Bruegel the Elder, Giorgione, Sandro Botticelli, Peter de Hooch, Johannes Vermeer, Leonardo da Vinci)



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  • Eye Candy for Today: Turner’s Venice

    Venice: The Dogana and San Giorgio Maggiore, Joseph Mallord William Turner
    Venice: The Dogana and San Giorgio Maggiore, Joseph Mallord William Turner

    Another of Turner’s magically luminous excursions into Venice.

    Turner gives us three worlds here — the city and sky, the reflections in the water, and the surface of the water.

    Look at what he does with the shadows of of unseen objects in the foreground!

    In the National Gallery of Art, D.C.



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Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics