Lines and Colors art blog
  • Drawn! (update)

    A tip of the hat to Johnny at Drawn! for their recent mention of my post on Illustrators’ Visions of Santa Claus..

    This seems a convenient time to mention Drawn! again. For those of you who aren’t already regular readers, the promise of a little time off over the holidays may be opportune for getting lost in their regular posts, and enormous archive of previous posts, about terrific illustrators, cartoonists, comic artists, animators and all manner of other artists.

    See my previous post on Drawn! and my thoughts on why most readers of lines and colors should find it a tremendous resource and great fun.

     


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  • Felix Lorioux

    Felix Lorioux was a well known illustrator in his native France, but not as recognized here in the U.S. His fantasy filled, colorful, Art Nouveau inspired illustrations are an excellent match for the storybook subjects he took on.

    They were not a good match, however, for Disney’s Mickey Mouse. His attempt to handle the French adaptations of Silly Symphonies were too stylized for Disney’s liking.

    Lorioux is best known for his illustrations for children’s books by Charles Perrault. Perrault was a French author who, in the late 17th Century, took folk tales and codified them into the literary form we know today as fairy tales. His tellings of the stories of Cinderella and Sleeping Beauty, for example, are pretty much the ones we recognize today, not in the least because they were adapted by Disney for their film versions.

    A 1927 edition of Perrault’s book Contes de Perrault (Tales of Perrault) contains Cinderella, Le Petit Pouchet (Tom Thumb) and Puss-in-Boots (images at left) illustrated by Lorioux. There is a complete scanned version of the French printing of that book available on the German site Digitale Bibliothek.

    Links via BibliOdyssey (illustrated article)

     

    Felix Lorioux article on Clildscapes (rare books)
    Contes de Perrault (entire book)
    Charles Perrault fairy tales on SurLaLune Fairy Tales

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  • The Nativity – Rembrandt

    The Nativity - Rembrandt
    The Nativity – Rembrandt, etching 1654, 106x129mm. Larger version here on Rembrandt: life, paintings, etchings, drawings & self portraits.

    Addendum: Li-An writes to mention that those near Paris can still catch Rembrandt the Draftsman (EN) (FR) at the Louvre until January 8th, 2007.

    Here in the U.S., in the midwest, Rembrandt: Master Etchings From St. Louis Collections goes to January 14, 2007.

    Those of us on the East Coast have the opportunity to see Strokes of Genius: Rembrandt’s Prints and Drawings at the National Gallery until March 18th, 2007.



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  • Illustrators’ Visions of Santa Claus

    Santa by Thomas Nast, J.C. Leyendecker, Norman Rockwell and Haddon Sundblom
    Over the years, great illustrators have created and shaped the popular vision of Santa Claus. Clockwise from top, left:

    Thomas Nast, who gave Santa Claus a form almost like the modern idea in the mid-1800’s, with his clay pipe and arm full of toys (including a sword). You can see some of his visions of Santa here.

    J. C. Leyendecker, who really created the modern vision of Santa [correction, see addendum below], and painted a number of memorable Saturday Evening Post covers featuring the jolly elf over the years. You can find them in the SEP cover archive.

    Norman Rockwell, along with Leyendecker, provided numerous SEP covers with images of Santa, often with clever takes on the vision of his traditional role. The SEP cover archive has a section devoted to Rockwell Christmas covers.

    Haddon Sundblom was an American illustrator who became noted for his yearly portrayals of Santa Claus for the Coca-Cola company. There is a section on the Coca-Cola site, and an album of Sundblom Santas here.

    Reginald Birch, St. NicholasAddendum: I stand corrected. Stephen Worth of the ASIFA-Hollywood Animation Archive was kind enough to share with us illustrations from 1906 St. Nicholas Illustrated Magazine that show that illustrator Reginald Birch was in fact the one to flesh out Nast’s Civil War St. Nicholas concept into the the red-suited version we know today, prior to Leyendecker.

    The Archive has posted a number of wonderful Birch illustrations from St. Nicholas Illustrated Magazine.

    (Any fans of classic illustration and animation who are not familiar with ASIFA-Hollywood Animation Archive should click over there immediately and prepare to be amazed and delighted.)

     


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  • Hergé at Centre Pompidou

    Herge at Centre PompidouIn another clear example of how much more respected comics and cartoons are in Europe and Japan than they are here in the U.S., the Centre Pompidou (George Pompidou Center for Contemporary Art) in Paris has mounted a major retrospective of the comics work of Hergé, the creator of Tintin.

    Tintin, whose stories to my mind are one of the first examples of long-form comics (i.e. “graphic novels”), is a character much beloved in France and his native Belgium, and highly respected elsewhere. The exhibit at the Pompidou is in celebration of the fact that Hergé (Georges Remi) would have celebrated his 100th birthday in 2007. It also marks the Centre Pompidou’s own 30th anniversary.

    There have been flickerings of recognition of comics as a major art form in America, the Whitney, MOMA and other museums have had sporadic exhibits (see my post on the Masters of American Comics exhibit currently in New York), but we still have a lot to get over in a country that continues to regard cartoons, and particularly comics, as juvenile and unworthy of serious attention. Part of the problem, of course, is that Americans associate comics with super-heroes, and aren’t often exposed to the undercurrent of broader subject matter that is flourishing in independent comics and in pockets on the web, and has always existed in Europe and Japan.

    In Europe, where currency was for years imprinted with the faces of artists, writers and other cultural icons rather than politicians, art is viewed a bit differently and comics have a natural place in the mix and represent a wide range of style and subject matter.

    The Centre Pompidou has draped an enormous banner with the image of the checked moon rocket from Tintin in Space on the front of the building, hinting at the extent of the exhibit inside. Laurent Le Bon, organizer of the exhibit said “It was important for the Centre to show the work of Herge next to that of Matisse or Picasso, important that the museum show Herge as another artist…”.

    The exhibit displays over 300 original drawing and plates from Hergé’s career, which spanned much of the 20th Century. He created 24 Tintin albums, including one left unfinished on his death in 1983.

    For those fortunate enough to be in Paris, the exhibit runs until February 19, 2007. For the rest of us, see if you can find some Tintin albums in your local bookstore or library. For more on Hergé see my previous post from last July.

     


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  • Ilene Meyer (update)

    Ilene Meyer - The World Below
    I wrote about Ilene Meyer’s beautiful Surrealist inspired paintings back in September.

    Since then a new book has been released, written by D. Michael Tomkins and illustrated with her nature themed fantastic art paintings. The book is called The World Below and is a children’s story about survival and change in an ancient civilization that has parallels in modern environmental issues.

    There is a site devoted to the book, but for some reason that eludes me, the site doesn’t take very good advantage of the book’s strongest selling point, and fails to feature Meyer’s beautiful illustrations as prominently as I would have expected. There is a sample chapter, a video interview with the author, a foreword by novelist Clive Cussler and a few small reproductions of Meyer’s images, but that appears to be it.

    If you look harder, though, you’ll see a small row of text links below the main interface. There, amid links for Return Policy and Shipping Methods, is an easy to miss link for “Wallpaper“.

    Here you’ll find a little treasure trove of Meyer’s illustrations at a higher resolution than you’ll find on her own site or elsewhere on the web. Until you can pick up one of her books (the other is a collection of her work), this is your best option to get a feeling for the appeal of her highly detailed and freshly imaginative paintings.

    The other news is that Ilene Meyer is having her first gallery showing in the U.S. in ten years, at the Arts Partnership Gallery in Tucson, AZ. (Apparently there is no web address, the gallery is at 125 S. Arizona Ave., Tucson, AZ, 520-624-9977.) The show runs from January 12 to February 10, 2007.


    The World Below
    Ilene Meyer illustrations wallpaper
    Ilene Meyer site
    Previous post on lines and colors

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Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics