Lines and Colors art blog
  • Eye Candy for Today: Hiroshi Yoshida woodblock print

    Hiroshi Yoshida woodblock print
    Sekishozan (Shi-shung-shan, South China), Hiroshi Yoshida

    Large version here.

    As much as I recognize and admire the influence Japanese printmakers had on European artists, notably the French Impressionists, my favorite synthesis of Japanese and European artistic conventions is found in the woodblock prints of Japanese painter and printmaker Hiroshi Yoshida.

    There is something about his blend of lines and colors (if you’ll excuse the expression), his suggestions of texture, atmospheric perspective, evocative composition and choice of subject matter that just connects directly to the pleasure center of my visual cortex.

    This version of the print is from Ukiyo-e Search (my post here), on which you can find more images by Hiroshi Yoshida and many other superb printmakers (Timesink warning!).



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  • Xiaodi Jin

    Xiaodi Jin, concept art, dragons
    Xiaodi Jin is a freelance concept artist based in Bejing, China. Beyond, that, I can find little information, and only a few images.

    The images that are available, however, are tantalizing — wonderfully atmospheric and textural — and leave me waiting for more.

    [Via Spectrum Fantastic on Twitter @SFantasticAL]



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  • Eye Candy for Today: Weissenbruch landscape

    The Trekvliet Shipping Canal near Rijswijk, also known as the View near the Geest Bridge, Johan Hendrik Weissenbruch
    The Trekvliet Shipping Canal near Rijswijk, Johan Hendrik Weissenbruch

    Also known as the “View near the Geest Bridge”, original is in the Rijksmuseum, link above is to a zoomable image. Downloadable high-resolution file on Wikimedia Commons.

    Wonderful light, air and painterly rendering by a 19th century Dutch painter who was influenced by the French Barbizon painters, the predecessors of Impressionism.



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  • Isaac Orloff

    Isaac Orloff
    Isaac Orloff is a visual development artist and illustrator based in the San Francisco area, and currently working with Storm 8.

    Orloff has range of stye that nicely mixes painterly effects with more graphic rendering, color with monochrome and cartoony with more fully realized.

    His website galleries (accessed from a pop-out under “Work”) include Color Script, Illustration, Sketch and Paint, the latter being watercolors from life.

    Orloff also has a blog and a Tumblog, on which you can find additional images and background information.



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  • Eye Candy for Today: Waterhouse’s Lady of Shalott

    The Lady of Shalott, John William Waterhouse
    The Lady of Shalott, John William Waterhouse

    Original is in the Tate, Britain. There is a high-resolution zoomable image on the Google Art Project, and a downloadable version of that file on Wikimedia Commons.

    I almost hesitated to feature this image; Waterhouse’s interpretation of the scene from Tennyson’s poem is so commonly reproduced, it’s almost a cliché — but the fact that there is a high-resolution version available online now is too good to pass up.

    Unfortunately, though the reproductions on the Google Art Project are usually pretty good in terms of color balance — better in many cases than the images posted on the websites of the museums themselves — I don’t think that’s the case here.

    I haven’t had the chance to see this painting in person (yet), but my instinct is that the version on the Tate website is more accurate in this case. The Google Art Project version seems dark and over-saturated in the reds.

    I’ve used the Tate image as the full image (above, top), and then taken the liberty to adjust the color on the Google version to try to bring it a bit closer to that before using it for my detail crops.

    Even if inaccurate, it’s a delight to see Waterhouse paintings reproduced in detail. You can find more high-res Google Art Project images of Waterhouse paintings here and here.

    There is an article devoted to this painting on Wikipedia.

    In that article and elsewhere, you will often see Waterhouse mentioned as a “Pre-Raphaelite” painter, but that’s not really accurate. Though he was certainly much influenced by them and shared many of their subjects, he was actually a generation younger, and adopted a much looser and more painterly approach.

    For more, see some of my previous posts on John William Waterhouse.


    The Lady of Shalott, Tate Britain

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  • Benjamin West’s Ben Franklin Drawing Electricity from the Sky

    Ben Franklin Drawing Electricity from the Sky, Benjamin West (Franklin and the kite)
    Ben Franklin Drawing Electricity from the Sky, Benjamin West

    Here in the U.S., we celebrate July 4 as “Independence Day”, marking the time in the late 18th century when our land transitioned from being a wholly owned subsidiary of the British East India Company to a more fairly divided property co-owned by a number of multi-national firms.

    This was accomplished with the help of a number of figures we like to honor as our “Founding Fathers” (and apparently, if you read the traditional history and textbooks, without need of assistance from any “Founding Mothers”, except in sewing a flag). It was also accomplished with some help (well, lots of help, actually) from France, but we don’t talk about that much because it seems to upset some people.

    The Founding Fathers did cool stuff like writing the Declaration of Independence and the U.S. Constitution, raising the Continental Army and convincing the British to take their trading monopoly elsewhere (with lots of help from France).

    Among the individuals considered U.S. Founding Fathers, my favorite figure was always Benjamin Franklin.

    Franklin was a politician, writer, printer, publisher, postmaster, inventor and scientist (as well as inveterate ladies man). Though he didn’t hold elected office or a military post, it was in his role a diplomat, and the first U.S. Ambassador to France, that he was largely responsible for securing their their financial and military assistance — and in many ways, providing the ability for the woefully underfunded, underarmed and understaffed Continental Army to resist the much larger and better armed British Forces.

    Franklin’s influence and renown was worldwide, Though he was born in Boston, his cultural, scientific and political heritage looms large here in Philadelphia, which was the center of political and cultural activity in the fledgling nation at the time of the Revolution.

    In his role as a scientist and inventor, Franklin was responsible for numerous innovations, including bifocals, the Franklin stove and the lightning rod. The latter came from his design for an experiment (that he never conducted) in which a kite flown in an electrical storm might prove his theory that lightning was, in fact, a form of electricity.

    In this allegorical painting, which hangs appropriately enough in the Philadelphia Museum of Art, Franklin’s friend, British-American painter Benjamin West, has portrayed Franklin as a figure of mythological stature, surrounded by helpful angelic cherubim (one of which wears the headdress of a Native American Tribe) as he summons one of the great forces of nature from the heavens. In the background the cherubim mind an electrical apparatus and what is presumably a spare kite. (Kids, don’t try this at home!)

    The painting is small (13×10 inches, 24x26cm) and loosely rendered, and was likely intended as a study for a larger painting (perhaps life-size) that was never realized.

    There is a zoomable version on the Google Art Project, and a downloadable high-res version on Wikimedia Commons.

    I have a small, pseudo-3D, lenticular animation version of this painting as a refrigerator magnet — because I can.



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(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

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