Francisco Pons Arnau was a Spanish Academic painter active in the mid 19th Century [Correction: late 19th, early 20th Centuries]. He became a follower of Joaquín Sorolla (see my recent post on Sorolla), and was influenced by Art Nouveau.

He painted portraits, figures, landscapes and what might be called intimate landscapes — garden scenes with detailed depictions of shrubs or trellised vines.

Beyond that, I’ve been able to find little information. Fortunately, there are several examples of his richly colored, light-filled paintings on the web.

The best selection I’ve come across is on The Athenaeum, and there is a nice, easy to access selection on Art Inconnu. There is a video slideshow overview of his work posted to YouTube by mariayutub.

[Initial idea via Francis Vallejo on Twitpic]

The “Cobbe” portrait of Shakespeare, named for the family estate where the painting was found, not for the artist (who remains unknown), stands on good evidence to be the only portrait of the Bard actually painted from life.

The painting has crossed the Atlantic and is currently on display in New Amsterdam, er… I mean New York, at the Morgan Library and Museum.

Accompanied by a few other Shakespeare portraits (like all other known portraits, created posthumously), the Morgan’s first folio 1623 edition of Shakespeare’s plays and other related artifacts, the painting will be on display through May 1, 2011.

Unfortunately, the Morgan hasn’t seen fit to put more than a small image on their site.

I found large images of the painting here, accompanying a post on Doobybrain, and here accompanying a post on Fragments. The latter image, though smaller, looks to have truer color.

For more on this portrait and a comparison to other key portraits of Shakespeare, see my post: Shakespeare’s Portrait? from March, 2009.

Similar to my opinion of John Singer Sargent, I think that the place of Joaquín Sorolla y Bastida in the canon of great painters in art history is vastly understated.

Sorolla has enjoyed something of a renaissance in the last 20 years or so. His popularity is continuing to rise, and resources for his images on the net are growing.

Iain Vellacott, who maintains a nice resource site on Sorolla called Sorolla Paintings pointed out this morning on his Twitter feed a surprisingly extensive selection of Sorolla paintings posted to a site called Art might.

On the downside, many are in desperate need, if not beyond the help of color correction; some are repeats (occasionally with better color), and a number of them are obviously scanned from books or magazines without benefit of de-screening.

On the upside, most of them have pretty good color, and it’s a cache of perhaps 200 images of Sorolla paintings, many of which I haven’t seen reproduced on the web before. Some are familiar, but quite a few are of the kind of work that doesn’t often get reproduced in books, quick studies and sketches, often with a wonderfully gestural quality.

There are older, more academic set pieces and portraits, as well as quick landscape studies and rare still life subjects.

There are as of this writing 11 pages of thumbnails, each with 20 images. Clicking on the thumbnail leads to an intermediate sized image; clicking on that leads to the largest version of the image.

(Interestingly, each intermediate image is accompanied by a palette of colors extracted from the image. Clicking on the color circle at the bottom of that leads to other paintings by various artists with a similar color scheme. Clicking on an individual color in the palette leads to other paintings by other artists in which that color is predominant.)

The images, though not as large as I might like (they rarely are) at least are of a size to get a good feeling for the work. The variety alone, and the impression it gives of the scope of Sorolla’s work, is worth the visit.

Vellacott’s own Sorolla Paintings site also has a small gallery of Sorolla’s paintings; the color reproduction in these is much more reliable.

You can find some additional resources on my previous posts about Sorolla, listed below.