Lines and Colors art blog
  • I become a twit, er,… Tweeter

    John James Audubon
    OK, after years of resisting, I’ve finally decided to start using Twitter.

    Despite the original intention that Twitter be used to be “sociable” and inform your friends and “followers” that you’re having 2% milk on your Cap’n Crunch this morning, I’ve always thought of Tweets as basically 140-character blog posts. I just couldn’t think of anything worthwhile to do with 140-character blog posts.

    But it’s occurred to me over time that in my digging and sorting through the attics and basements of the internet, gathering the seeds for Lines and Colors posts, I encounter lots of tidbits of intriguing links and items that are interesting enough to mention, but not something to which I want to dedicate a full post (or at least not at that point in time).

    So most of my Tweets will consist of short mentions and links to things of potential interest to Lines and Colors readers (as well as announcements of new posts).

    You can follow my 140 character or less ramblings at http://twitter.com/CharleyParkerLC.

    (Note: there is already a “linesandcolors” on Twitter. Probably a nice person, but not me. There’s also a CharleyParker, again not me. Price you pay for coming to the party late.)

    Those of you who have been living in a cave on the tip of Tierra del Fuego for the last four years and are unfamiliar with Twitter, can find more here and here. (You don’t need an account to view the posts on the page linked above, but an account lets you follow multiple sources and become a twit, er… Tweeter, yourself.)

    (Image above: Common Bluebird, John James Audubon)



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  • Museum Day 2010

    Museum Day 2010, The Delaware Art Museum, The Museum of the Pennsylvania Academy of the Fine Arts, The brandywine River Museum
    Museum admission, in case you hadn’t noticed, has kept pace with the rising cost of everything, if not outpacing it significantly in recent years.

    It can be daunting for some, and can discourage people from investigating museums they don’t already patronize.

    Smithsonian magazine, an offshoot of the venerable group of cultural institutions in the U.S. capital that are always open free to the public, sponsors an annual Museum Day, in which participating museums waive their normal entry fee for visitors who arrange online for a free ticket.

    This Saturday, September 25, 2010, is the sixth annual event.

    Over 1,000 museums of various kinds are participating across the country. You may find some disappointing hold-outs, of course, but there are also some terrific museums participating that are normally not open for free.

    There is a mini-site for the event with an interactive Google-style map that allows you to zoom in on a geographic area and look for museums of interest. You can also narrow the search with a state selection drop-down below the map.

    You need to get your free ticket ahead of time. For this you have to cough up your physical and email address, and the ticket (admission for 2) is emailed to you. There is a limit of one two-person ticket per household.

    The drop-down choice for “Which Museum Day location do you plan on visiting” in the ticket request form also serves as a quick list of participating museums, arranged by state.

    The motto for the event is “Take your brain on a field trip.”

    [Via the New York Times]

    (Images above, some participating museums in my area: The Delaware Art Museum, The Museum of the Pennsylvania Academy of the Fine Arts, The Brandywine River Museum)

    For those who wish for more free museum days, check the websites of your local museums in their “hours and admission” sections. You may be surprised at how many have sporadic or regular periods of free or reduced admission, sometimes courtesy of corporate sponsors. (If you’re a Bank of America customer, check out their “Museums on Us” program.)

    Also, if you visit museums enough to make a membership a good investment, see my post on the North American Reciprocal Museum Program. This grants you membership privileges to over 350 museums for a higher than usual membership level at one of the participating museums (in places, as little as $100.00).



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  • Pyle’s Pirates


    Avast ye swabs!

    Now how could I be lettin’ International Talk Like a Pirate Day pass without usin’ it proper to serve up some pirate pictures by Mister Howard Pyle, ARRRRRRguably the rootenest tootenest pirate illustrator of ’em all!

    There’ be a book of ’em, y’know!

    There be a good boatload of ’em on 100 Years of Illustration.

    For more, be seein’ me previous posts on treasure from Howard Pyle (and here, matey).

    Shiver me timbers!



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  • The Lost Thing animated short

    The Lost Thing animated short, Shaun Tan
    The Lost Thing is a wonderful children’s book by Australian artist Shaun Tan, with an unusual story and a unique look.

    With the help of co-director Andrew Ruhemann and a small production team, Tan has been working for several years to bring the book to life as a 15 minute animated short. It was finally completed this summer.

    Tan has been intimately involved as the storyboard artist, production designer and art director, with the happy result that his quirky vision as an illustrator has been wonderfully realized, something I would have thought essentially impossible for this particular book.

    In particular, I’m impressed with the painterly and textural qualities of the final look.

    You can see a trailer, stills and some production art on the film’s official website.

    It Looks completely wonderful. I’m really looking forward to seeing the film.

    Now if only there were a better distribution and marketing system for animated shorts.

    [Via The Art Department]

    [Addendum: Phil Willis was good enough to let us know that Leo Baker was the lead animator for the film. You can see additional scenes from The Lost Thing at the beginning and end of his showreel.]



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  • Steve Hanks

    Steve Hanks
    Steve Hanks is a well known watercolor artist whose subject matter frequently focuses on female figures in interiors or landscapes. His subjects’ ages vary, from babies to women, as do their situations; some are nude studies, some evocative of mother and child tenderness, others children at play or women languidly posed on couches or beds.

    Sometimes their is an erotic component, at other times, innocence itself seems to be a theme; but Hanks’ work often carries a feeling of high-end illustration, in that there is an emotional context to the work, and with it, an implied story.

    Hanks’ masterfully controlled watercolor technique manages to seem almost casual in its deft application of color, subtle textures and clear value staging. He captures the brilliant contrasts of sunlight, rich subtleties of rain and overcast and soft tones of interior light with equal aplomb.

    After graduating from the California College of Arts and Crafts in Oakland, Hanks was pursuing realism in pencil drawings and impressionistic painting effects in oil, but an allergy affected his ability to work with oil and he moved to watercolor as his chosen painting medium.

    SInce then he has received national recognition and numerous awards for his luminous, detailed and highly accomplished watercolors.

    There is a collection of his work, Moving On: The Art of Steve Hanks. You can also find some video interviews with Hanks on YouTube, courtesy of Greenwich Workshop.

    There is a good post on All Art News that gives a nice introductory overview of his work. The artwork on his official gallery is sometimes reproduced a bit smaller. I’ve listed some other resources below.

    [Note: some of the work on these sites should be considered NSFW.)



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  • Compositional / Visual Clarity with Bill Perkins

    Compositional / Visual Clarity with Bill PerkinsCompositional / Visual Clarity with Bill Perkins is a one day workshop scheduled for tomorrow, Sunday September 19, 2010, at Gallery Nucleus in Alhambra California.

    Th workshop will focus on the role of composition in achieving visual clarity in storytelling.

    That may sound dry, but the real goal is more exciting images; clarity is a big part of visual punch. If an image isn’t made clear by the arrangement of its compositional elements, it can’t communicate as well and visual power is lost. Clarity brings power.

    According to Perkins: “I am going to start with an art timeline then lift the hood to reveal comparative systems of measure, visual components, and the primaries of design. Basically an intro into visual literacy to make distinctive imagery. The artists will then reconstruct the timeline without names, movements, or dates, only based on their graphic affinity to the primaries of design.”

    Bill Perkins is a highly regarded plein air painter, concept artist, production designer and instructor at the Los Angeles Academy of Figurative Art. For more, see my previous posts on Perkins here and here.

    The event runs from 1:00pm to 4:30pm. Seats are limited.

     


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Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics