Lines and Colors art blog
  • Brian Dettmer

    Brian Dettmer
    Using knives, tweezers and surgical tools, Brian Dettmer cuts into books, of which he which he has first sealed the edges, proceeding one page at a time, cutting around images and other areas of interest and exposing layers of pages beneath.

    He does not remove or replace content, he works with the internal arrangement of each book, or grouping of books, as though it were his slab of marble, with wonders to be discovered within.

    The resulting sculptures combine the found images, Dettmer’s choices about what to cut and what to feature, his arrangement of layers and depth and the overall arrangement of the books, sculptural forms in themselves, often with pages pulled into slanting waves of edges.

    He is at once digging into and revealing history and rearranging its context, in a sense similar to Max Ernst’s collages, and creating something new, a form and relationship that didn’t exist in the original books.

    On Dettmer’s website you can view the groupings of images by choosing a year from the top navigation.

    There is a post on My Modern Metropolis with a quick overview of several works.

    [Via Connie Handscomb by way of Escape Into Life on Twitter: @peepsqueak @escapeintolife]



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  • The Brilliant Line

    The Brilliant Line
    Though the physical exhibition for which it was created is in the past (having ended in January of 2010), the Museum of Art of the Rhode Island School of Design has maintained online an interactive called The Brilliant Line: Following the Early Modern Engraver 1480-1650.

    The interactive features 8 Renaissance and Baroque engravings, drawn from those in the exhibition as examples; and allows you to examine them in more detail, along with some background information on the artist and the work.

    Unfortunately the interface for viewing the engravings’ details is poorly implemented, limited to a virtual loupe (with your cursor stuck in the center — hello?).

    However, the “Analyze Lines” feature, accessed from a button above the images, is worth visiting. It allows you to interactively view layers of lines that have been extracted from the image and isolated by using a set of sliders that can display the layers in various combinations. It’s a fascinating way to look at how the artists have arranged their outlines, hatching and cross hatching in creating the forms and textures of the engraved image.

    They have chosen fine examples of engravings for the feature, including Durer’s Madonna with the Pear (images above, top five).

    Also of interest is a video, accessed from the upper right of the interface. Introduced by Emily Peters, Curator of the exhibit, in which Andrew Stein Raferty, Consulting Curator for the exhibit and Associate Professor of Printmaking at RISD, steps through the process of making an engraving, in this case based on a drawing he made after a drawing by Primaticcio (images above, bottom five).

    [Via Bibliodyssey, via Bearded Roman]



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  • Drawing Inspiration

    Drawing Inspiration
    Drawing Inspiration (Vimeo Link) is animated short from the UK, directed by Tim McCourt and Wesley Louis, aided by a group listed on the Vimeo page and on the Drawing Inspiration blog.

    A park denizen’s routine of sitting on his regular bench and drinking is interrupted by the discovery of a mysterious drawing of him, left taped to the bench by persons unknown. This sets off a series of events that lead him out of his narrow routine.

    The animation makes wonderful use of simple watercolor backgrounds, out of focus planes and cinematic camera angles and scene compositions.

    The accompanying blog chronicles the process of creating the piece and could serve as a textbook walkthrough of what’s involved in planning, designing and creating a short animation (there’s more to it than those who haven’t been involved might think). There’s also a “Making Of” video and more on the websites of the creators.

    [Via Escape Into Life ( http://api.twitter.com/#!/escapeintolife ) ]



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  • Colley Whisson

    Colley Whisson
    Australian painter Colley Whisson has been painting from the age of 20, encouraged by his father, Eric Whisson, also an artist.

    Colley Whisson uses a bright palette and an appealingly textural rendering technique, in which forms are defined by bold strokes of heavy paint, laid on with very visible evidence of the brush.

    He utilizes both crisply delineated edges and contrastingly blurred passages. You can see this better when his work is reproduced larger than the small images I’ve displayed above. I’ve included a detail crop of the last image at bottom.

    Whisson has a fascination for boldly defined forms, both in their geometry and in the value and color contrasts in which he delights. I particularly enjoy his room interiors, in which the geometry of forms and his economy of rendering come to the fore.

    Whisson’s art has been featured in magazines like International Artist and Australian Artist. He is the author of the instructional book Impressionist Painting Made Easy.

    Whisson conducts workshops in Australia and the U.S. There is a video here of one of his workshops at the Tuscon Art Academy, and painter Ed Turpening gives a description of his experiences with a Whisson workshop, including a video demo and a description of Whisson’s approach and materials.



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  • Massimo Carnevale

    Massimo Carnevale
    Italian comics artist and illustrator Massimo Carnevale sent me two links back in 2006, suggesting that I check out his blog and an entry on his work in the Italian edition of Wikipedia.

    Unfortunately, as often happens with my long and ungainly list of potential topics for Lines and Colors, his suggestion fell between the cracks, and the blog he listed is no longer extant.

    Sometime last year, I noticed a Zelda Devon mention of Carnevale (on Twitter, I think), checked out his work, was very impressed and bookmarked it for future use, but again let it pass beneath the waves.

    Finally, I’ve recently noticed several mentions, on Daring Fireball, Drawn and elsewhere, of his new blog, sketchessnatched, in which he is posting delightful digital paintings and drawings inspired by movies (images above, bottom two in color, plus black and white).

    Massimo resides in italy, where he has been contributing to Italian comics since 1987, in many cases in collaboration with screenwriter Lorenzo Bartoli. In 2003, he started to do work for the American comics company DC. They hired Caranavele to do painted covers, which has become his speciality.

    Carnavale worked on covers for the Vertigo imprint titles, Y: The Last Man and Northlanders (image above, top), and has also done covers for Dark Horse Comics’ Terminator 2029 (above, second down).

    The links in the paragraph above are to listings on Comic Vine, which also lists Carnevale’s work on Del Ray Comics’ The Talisman: The Road of Trials. The thumbnails in each listing are linked to a detail page with a larger view of the cover. There is also a text bibliography of his work for US publishers on Comic Book DB.

    There is a book of Carnevale’s work, Icon Artbook Vol 03 Massimo Carnavale Italian, available form Forbidden Planet (also listed in Italian here).

    Outside of his new movie scene inspired blog, I can’t find a dedicated web presence for Carnevale. The best other source I’ve found for his work is a section on Comic Art Community. I’ve listed the few other resources I can find below.

    [Addendum: Luigi of House of Mystery was kind enough to write (see this post’s comments) and add to the list of resources for Carnevale’s work:
    Covers of the monthly series John Doe, covers of Don Zauker and Garrett ]



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  • 100 Faces (Karin Jurick)


    Karin Jurick continues to impress me, not just with her wonderfully fresh, bold and immediate painting style, but with her relentless pursuit of her art.

    Feeling stymied in her progress as a painter last summer, she took on a personal challenge to paint 100 faces, choosing as her subjects mugshots from all over the country.

    The result, from face number 1 (images above, top), which she started on August 7th, to number 100 (above, bottom), which she finished on February 1st, is an amazing array of features and face shapes, skin tones and hair colors, and of course, expressions. Some reflect the harsh demeanor one might expect from mugshots, others are surprisingly compassionate and sympathetic; all are painted with Jurick’s crisp, geometric, almost sculptural chunks of color.

    There is a page of thumbnails of all 100 faces; each thumbnail is linked to the original blog entry Jurick posted on its completion. She also created a separate blog just for the the series, called BUST-ED, though they lack the comments that accompany the posts on her original blog, including a step through of the her process on face number 19 (image above, second from bottom).

    There is also a YouTube video that looks through the paintings as a slideshow, accompanied by oddly appropriate music, and Jurick has published the series in a book titled 100 Faces BUST-ED.

    On her regular blog, A Painting Today, Jurick has continued beyond the series with a new smaller series, based on the comment of a writer who collects her work that the mugshot paintings looked like Charles Dickens characters.


    100 Faces (full array)
    BUST-ED blog
    Video (YouTube)
    100 Faces, No. 1
    100 Faces, No. 100
    100 Faces BUST-ED (book)
    A Painting Today (Karin Jurick Blog)
    My previous post on Karin Jurick (with links to others)

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Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics