Lines and Colors art blog
  • Winter snows from George Gardner Symons

    George Gardner Symons
    For those in the U.S. and Europe digging out, or still being covered in the titanium whites and cobalt blues of winter precipitation, I’ll relay a gentle reminder from American artist George Gardner Symons, noted for his beautiful winter scenes, that yes, snow can be beautiful, and yes, it eventually melts, and yes, Spring will indeed come back some day.

    For more, including links to image resources, see my previous post on George Gardner Symons.


    My previous post on George Gardner Symons

    Categories:


  • Adoration of the Shepherds, Charles Le Brun

    Adoration of the Shepherds, Charles Le Brun
    Charles Le Brun was a major figure in 17th Century French Painting. Here, in his Adoration of the Shepherds (also here), he displays his skill with composition, color and light, using them to gently guide our eye through several aspects of a complex scene.

    The immediate focus, of course, is on the mother and child, their illuminated figures accented by the darkened silhouettes of the foreground figures. Our eye then sweeps upward with the rising smoke, through the curves of the angelic banner and out into the heavens which have opened into our scene. When we settle back into the foreground, we have a wealth of other figures, earthly and etherial, on which to focus in turn.

    Le Brun’s rich blues and deep orange-reds balance and complement each other beautifully, reinforcing the path of our eye and giving the painting a lively, vibrant character overall.



    Categories:


  • Walt Kelly’s A Visit from St. Nicholas

    Walt Kelly's A Visit from St. Nicholas with Pogo and Albert
    The brilliant Walt Kelly, one time Disney artist and creator, artist and writer of Pogo, one of the greatest comic strips aver produced, at one point turned his hand to an interpretation (it you want to call it that) of Clement Moore’s familiar Christmas poem, A Visit From St. Nicholas, which many small children know by its first line, ”Twas the night before Christmas”.

    In Kelly’s delightfully loopy version, infused with a bit of political satire for its time, the poem starts:

    ‘Twas the night before Xmas,
    When all through the moon
    Not a creature was stirring
    Not even a spoon;

    and goes on from there to get silly.

    Roger Ebert, the jolly old soul, has gifted us with a reprinting of Kelly’s comic strip with Pogo and Albert dashing through their version of the story, and has included high-resolution images (click on the ones in the column) with which we can find extra holiday cheer in Kelly’s beautiful pen and ink lines.

    [Via Escape into Life]



    Categories:


  • More Haddon Sundblom Santas

    Haddon Sundblom Santas
    Despite the inaccurate claims made by Coca-Cola for a number of years (they have since modified their story), and some confusion from other quarters, American illustrator Haddon Sundblom did not create the look of Santa Claus as we know him.

    That story is a bit less than straightforward and involves a number of other illustrators, including Thomas Nast, J.C. Leyendecker, Reginald Birch, Norman Rockwell and others (see my post on Illustrators’ Visions of Santa Claus).

    However, Sunblom, one of the great illustrators of the early 20th Century, refined the image of the character to his most recognizable form. Sundblom’s series of Santa illustrations for Coca-Cola ads, that ran from 1931 to 1964, gave us the quintessential modern interpretation of the Jolly One.

    The Coca-Cola page has a selection of some of the images and the Coca-Cola Art blog has another page here, both with links to larger versions. An even better resource is the post on Golden Age Comic Book Stories, with many of the Sunblom Santas in one place (again, click for larger images). There is also a post on KoiKoiKoi.

    Leif Peng has an excellent post on Sunny’s Santa on his blog Today’s Inspiration, and has a wealth of other posts on Haddon Sundblom. (Note: some of them include Sundblom’s pin-up illustrations, which can be mildly NSFW.)

    See also my previous posts on Haddon Sundbom and Haddon Sundblom’s Santa Claus Illustrations.

    I wouldn’t mind a lump of coal in my Christmas stocking if it was painted by Haddon Sundblom.



    Categories:


  • Wikimedia Commons

    James Tissot, Henryk Hector Siemiradzki, Carl Spitzweg, Aleksandr Novoskoltsev, Viincent van Gogh, Willem de Zwart, John Singer Sargent, Jules-Eugé Lenepveu, Ilya Repin, Jean-Léon Gérôme, Edouard Manet, William Merritt Chase
    No, it doesn’t have anything to do with WikiLeaks, but Wikimedia Commons is related to another familiar Wiki based phenomenon, Wikipedia, in that both are projects of the Wikimedia Foundation.

    (A wiki, by the way, is simply a kind of website, specifically, a potentially collaborative website created with wiki software, that allows for contribution, editing and administration by people with no knowledge of HTML.)

    Wikimedia Commons is the Wikimedia Foundation’s online free-use media resource, containing over 7,000,000 media files — sound, video and of course, images.

    Among the images are an increasingly large number of art related images — paintings, drawings, etchings, engravings and the like. It has become one of the larger art image repositories on the web (see my posts on The Athenaeum, ArtMagick, AllPaintings, The Web Gallery of Art and The Art Renewal Center). You may have noticed links to Wikimedia Commons among the links provided with a number of my articles about artists from history.

    You can use the search feature at the top of every Wikimedia Commons page to look for a specific artist, of course, but one of the nice things about the arrangement of the material is that it enables a certain kind of browsing, one conducive to discovering artists and works that may be new to you.

    An initial search for “paintings“, for example, brings up a page that provides access other category listings, such as Paintings by artist, Paintings by city, country, period, medium, subject, technique, and even Paintings by museum.

    One of the most productive to my mind is the “Paintings by date” category, and from that landing, “Paintings by century“.

    Here it’s easy to narrow down, for example into 19th century paintings. At this level, you’ll be presented with a number of thumbnails for a variety of paintings from the century, a sort of skim through some of that century’s artists, and a further breakdown into decades. Here is where I like to browse, by choosing a decade, for instance, 1880s paintings.

    Though there are further breakdowns at that level, into individual years, the thumbnails for a given decade present a nicely varied selection of works to view by a variety of artists. Though hardly comprehensive, it makes for a fun way to explore and sample a selection of works by artists both familiar and not.

    The images above, for example, all were represented on the 1880s paintings page as thumbnails, from the top: James Tissot, Henryk Hector Siemiradzki, Carl Spitzweg, Aleksandr Novoskoltsev, Vincent van Gogh, Willem de Zwart, John Singer Sargent, Jules-Eugé Lenepveu, Ilya Repin, Jean-Léon Gérôme, Edouard Manet and William Merritt Chase.

    Once on the page for an individual work you can sometimes (though not always) click through a linked mention of the artist’s name into a page of works specifically by that artist, for example, William Merritt Chase.

    The possibilities for discovering artists are extensive.

    I’ll give my usual Major Timesink Warning for resources this large and potentially engrossing.

    Enjoy!



    Categories:
    ,


  • Interview with Jean-Baptiste Monge

    Jean-Baptiste Monge
    Jennifer Oliver was kind enough to write and let me know that she has posted a two-part interview with French fantasy illustrator and concept artist Jean-Baptiste Monge (who I profiled previously here) on her blog Academy of Art Character and Creature Design Notes.

    An Interview with Jean-Baptiste Monge, Part 1, and Part 2.

    The blog is aimed at her students at Academy of Art University, but Oliver has generously shared the interview with the rest of us.

    The interview, conducted in English, is profusely illustrated (how I love that phrase) with Monge’s beautiful, often detailed and wonderfully realized paintings, along with drawings, sketches and photographs of Monge at work (be sure to click on the images for larger versions).

    Monge’s work is enchanting, in the fullest sense of that word, drawing you in with wonderfully stylized lines and forms and then charming the eye with beautiful touches and thoughtful details. He often reminds me of illustrators from the Golden Age of Illustration just before and after the turn of the 20th Century, so I found the list of influences he mentions in the interview of particular interest.

    He mentions a number of painters and illustrators I would have associated with him from my impression of his style, and some I didn’t expect.

    Many of the artists he mentions have been the subject of previous posts on Lines and Colors, including painters and clsssic illustrators like J. W. Waterhouse, Jean-Léon Gérôme, John Bauer, Edmund Dulac, Arthur Rackham, Alphonse Mucha, Norman Rockwell, J.C. Leyendecker and Haddon Sundblom, as well as contemporary illustrators like John Howe, PJ Lynch and James Gurney (links to my posts).

    Oliver lists some resources for information on Monge, including his website, a portfolio on Creative Talent Network, his LinkedIn and Facebook pages and Mr. Dumblebee.

    For more see my previous post on Jean-Baptiste Monge.



    Categories:
    ,


Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics