Lines and Colors art blog
  • Stephen Scott Young

    Stephen Scott Young
    Stephen Scott Young is a renowned contemporary watercolorist and etcher whose works are in major collections and museums.

    Young was born in Hawaii, moved to Florida with his family at the age of 14, and studied printmaking at the Ringling School of Art in Sarasota. His watercolor technique, which frequently makes use of drybrush, is self-taught, and based on his admiration for artists like Winslow Homer, Andrew Wyeth and Thomas Eakins.

    Young lives part time in Florida and part time in the Bahama Islands, where he finds subjects for many of his well known paintings of children. This was also a place where Homer came to paint, and Young has even done compositions that are essentially recreations of Homer paintings.

    Whether at play, moody and contemplative, or even formally posed, his images of children seem to see past the surface into a moment in their lives.

    The refined technique and precise draftsmanship applied to his subjects are often set off against loosely suggested backgrounds, rendered together in a muted palette with accents of brighter color.

    Young also works in etching, drypoint and silverpoint drawing.

    [Via Artist Daily]



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  • Ivan Bilibin (update)

    Ivan Bilibin
    From time to time, I like to check back on artists I’ve written about a few years ago and see what new resources for their work have appeared on the constantly expanding internet since I last wrote about them.

    I took a look this morning at sources for Ivan Bilibin, a terrific Russian illustrator that I discovered by accident while walking through the Metropolitan Museum of art in 2006.

    Ivan Yakovlevich Bilibin was active during a period generally known as the Golden Age of Illustration, roughly contemporary with great English and European illustrators like Arthur Rackham, Edmund Dulac, Kay Neilsen, Gustav Tenggren, John Bauer and Walter Crane.

    With the possible exception of Crane and Russian Illustrator Gennady Spirin, Bilibin’s influences seem to have come more from Russian folk art than from other illustrators; along with elements from Art Nouveau and Renaissance art.

    I was delighted to find that there are indeed new resources for Bilibin’s art since I last wrote about him, including multi-image galleries on Wikimedia Commons, Wikipedia and Cascadia Graphics.

    They include not only more images of his colorful illustrations, but, as in the image above, middle, examples of some of his designs for stage sets (also here and here).

    There is at least one collection of stories with Bilibin’s illustrations in print and readily available, Russian Fairy Tales (Everyman’s Library Children’s Classics). You may be able to find others used.



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  • Henri Le Sidaner


    French painter and pastel artist Henri Le Sidaner (Eugéne Augustin) began academic training at the l’École des Beaux-Arts in Paris, briefly studying under Alexandre Cabanel, but soon rejected that pursuit in favor a fascination with the paths into broken color and light being blazed by the Impressionists.

    Le Sidaner is best known as an Intimist painter. Intimism is one of the less familiar of the “isms”, whose primary proponents were Pierre Bonnard and édouard Vulliard. Other practitioners include Edmond Aman-Jean.

    It was essentially a form of genre painting that in some ways bridged Post-Impressionism and Symbolism, borrowing the broken color and flurry of almost Pointillist brushstrokes from the former, and the emotional content from the latter.

    The name refers to the frequent subjects of quiet room interiors, intimate garden scenes and small views of landscape. Le Sidaner often portrayed table settings in gardens, soft nocturnes, and almost tonalist scenes of canals and waterways.

    Unlike the Impressionists, who sought to portray light with fidelity to nature, La Sidaner and the other Intimists put their intense strokes of color in service of the emotion or mood with which they wished to infuse the scene.



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  • Ruth Sanderson

    Ruth Sanderson
    Ruth Sanderson is an illustrator with a long career of creating illustrations for children’s books, fairy tales and fantasy. Her book illustrations have garnered multiple awards, including her own original fairy tale, The Enchanted Wood.

    She cites as her influences American illustrators like Howard Pyle, N.C. Wyeth and Norman Rockwell, along with the English Pre-Raphaelite painters and the landscape artists of the Hudson River School.

    Landscape plays an important role in her storybook themed paintings, with lavishly forested settings filled with detailed flora as a backdrop for fairies, knights, princesses and Mother Goose characters.

    In addition to galleries of illustrations in various categories, her web site has a cover gallery of books she has illustrated, arranged by years, and a page of step-by-step process for several of her paintings.



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  • Zahra’s Paradise

    Zahra's Paradise
    Working under assumed names for obvious reasons, writer “Amir” and artist “Khalil” chronicle events in Iran in the wake of the disputed elections of 2009 in an ongoing story called Zahra’s Paradise.

    Zahra’s Paradise is a graphic story that is being published as a webcomic in installments every Monday, Wednesday and Friday. It just started on February 19, and will continue to include current events as they happen in the context of a fictional story. It follows a young Iranian blogger’s search for his brother, who has disappeared following his participation in the post-election protests.

    The author is an Iranian-American human rights activist and the artist is a sculptor, ceramics artist and cartoonist who is taking on his first graphic novel.

    The webcomic is being published simultaneously in English, Farsi, Arabic, French, Spanish, Italian and Dutch. First Second Books will publish the story in book form in 2011.

    The site conveniently opens on the first page of the story (unlike the majority of webcomics, who open their site with the most recent page on the mistaken assumption that convenience for current readers is more important than orienting new ones.)

    The art is clear and straightforward, with enough touches of style to add visual charm without distracting from the storytelling. Simple tones and hatching, along with well spotted blacks, provide depth and visual balance.

    The characters are immediately accessible, even to Westerners who might assume they have little connection to people and events in Iran. As we follow along with the search for Mehdi, we may find out more about how similar, and different, our lives are.

    [Via BoingBoing]



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  • Edward Sorel

    Edward Sorel
    Edward Sorel’s wonderfully loose and gestural cartoon illustrations have been featured on the covers and interiors of magazines like The Atlantic, The New Yorker, Harpers, Forbes, The Nation, Esquire and The New York Times Magazine for a number of years.

    His pen and ink and watercolor images capture personalities, places and situations with wry humor and an uncanny sense of place.

    Sorel studied at Cooper Union and was one of the co-founders of the legendary Push Pin Studios. He has had a number of one-man shows, including a 1998 multi-room show at the National Portrait Gallery in Washington, DC (see my post on The National Portrait Gallery).

    A collection was published in conjunction with the show, Unauthorized Portraits from 1997. He has also illustrated a number of books and created numerous posters.

    There is an interview here, conducted by artist Zina Saunders, along with Saunders’ portrait of Sorel. (Here’s my post on Zina Saunders.)

    Sorel’s work has been compared to other modern masters of caricature like David Levine, and even to historic figures like Daumier and Hogarth.



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Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics