Lines and Colors art blog

Larry Francis

Larry Francis
Scale is an interesting aspect of painting and drawing. I’m always fascinated when artists choose to work at both relatively large and relatively small size, particularly when working with the same subject matter (see my posts about Thomas Paquette and his large oils and very small guoache paintings).

Philadelphia area painter Larry Francis also paints fairly large oils (perhaps 48×60″; 121x152cm), and small gouache paintings (around 11×14″; 27x35cm) . His subject matter, which is consistent in both types of paintings, includes an interesting range of ordinary subjects in and around Philadelphia.

By “ordinary” I mean commonplace scenes that would not be thought of as particularly scenic, like images of suburban houses and yards, typical city street corners, small sections of parks, neighborhood stores, bridges and other views, the like of which we pass by every day without thinking.

This, of course, is one of the things that art does best, to wake us to more alert observation of our surroundings and remind us that the ordinary is extraodinary, the commonplace worthy of notice and appreciation.

Even Francis’ views of the Schuylkill river, which could have been chosen from more scenic vantage points, instead are often views of bridges and bridge piers, the kind of view commuters might glance at without noticing day after day as they make their routine trips into center city along the river drives.

I particularly like his paintings of Schuylkill river bridges, which perhaps can be thought of as in the tradition of Thomas Eakins, who often included Schuylkill river bridges in his portrayals of scullers. Eakins obviously couldn’t have painted the Route 1 expressway bridge (foreground of the image at top, larger version here), though I have to think he might have included it had it existed at the time.

Francis consistently reveals beauty in the ordinary, with geometric arrangements of houses and commercial buildings arrayed in planes of light, broken with dappled shadows from vegetation and the horizontal bands of color in streets and sidewalks.

I was struck but the issue of scale because I had encountered an oil painting of his at the Pennsylvania Academy of the Fine Arts, where he is an instructor, showing a view of the Schuylkill river from the same vantage point as the one above, though wider in aspect and much larger in size, perhaps 4’x12′ (121x365cm). I was struck by the painting, and delighted to have the chance to see his small gouache paintings of the same area at his current show at the Gross McCleaf Gallery, which is focused in particular on his small gouaches.

I was also glad I had a chance to meet the artist at the opening, and I asked him about his approach. I had made an assumption because of the finessed attention to detail, and the unhurried feeling of relaxed observation evident in these small works, that he was working, at least in part, from photographic reference. He paints these gouache paintings on location, however, working perhaps two paintings a day to catch the different states of light, and returning to the scene two or three times to finish them.

Those in the Philadelphia area still have a chance to catch the show at the Gross McCleaf Gallery, which runs until this Saturday, January 24, 2009.


9 responses to “Larry Francis”

  1. The link is broken.

  2. Very nice paintings by Mr.Francis.

    I am relatively new to this site.

    While I am not an artist and am just an average guy, by visiting this blog I am learning to appreciate the various artists and their work.

    I would never be able to explore and see all these wonderful things.

    Thank you.

  3. Hey Charley,

    Good post. I met Larry last spring when I came down to Philly to get painting done for my FAN show. We were each doing our own painting on either end of a block on Market St. He came up and introduced himself and was a really nice guy. It was great to see his sketch book that day, in which he had some of these gouaches that he was working on.

    His paintings are interesting because of how precise they are for plein air painting. And I really like the scenes he chooses. Some are the most ordinary of suburban landscapes… but he finds a certain poetry there. I haven’t seen the larger oils but I hope to get a chance to the next time I’m in Philly.

  4. Thanks, Colin.

    Francis is teaching a summer class on plein air painting in gouache this year at PAFA. I’m hoping to attend.

    Other readers can see Colin Page’s paintings here, and can see his new book of painting and writings on Blurb.

    See also my posts about Colin Page (and here) and my post about Blurb books.

  5. Hi Charlie,

    I wandered in here by googling Larry’s current work. I’ve known and liked Larry and his work a long time. I’m glad for him that you found it an are writing about it. It never disappoints in person.

  6. Diana Robbins. (Dinah ) Avatar
    Diana Robbins. (Dinah )

    Hi Larry! This is a voice from the past….Philly in the mid 70s. I live in Florida and would love to hear from you. Three of your paintings are still on my walls!

  7. Joanne Killian Avatar
    Joanne Killian

    Dear Larry, I love your work, I am very interested in lessons, I called the academy a while ago. Can you get back to me and let me know if you are teaching.

    1. Joanne, Larry Francis will not see your request here.

      You can check the PAFA schedule and search by faculty member:–4638/ His Continuing Education classes may be over until the Fall, however.