Lines and Colors art blog
  • Batz

    Batz, animated short, Max Maleo & Aurelien Predal
    Batz is an animated short (6 min) by Max Maleo & Aurélien Prédal.

    The animation is done with a CGI process known generally as “cel shading” or “toon shading”, in which the normally 3-D appearance of CG animation is given a look more like 2-D hand drawing by the use of gradients and flat areas of color.

    In the right hands, this can be quite effective and pleasing, and Batz, directed by Maleo with art direction by Prédal, is a case in point.

    The production is nicely graphic and beautifully designed, particularly in respect to the use of lighting, and scenes that take place in near darkness punctuated with areas of light.

    The story involves two bats with very different personalities: one an aggressive insectivore who loves mosquitoes, the other a timid fruit-eating bat who hates and fears them. Add a mosquito and the result is frantic, icky at times, and, well… batty.

    There is a website devoted to the film, with images, background information and items for sale, including a “making of” animatic (animated storyboard).

    [Via Mark a. Nelson]


    Batz, film
    Batz website
    Batz, film on Vimeo

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  • Eye Candy for Today: Degas’ Dance Lesson

    The Dance Lesson, Edgar Degas
    The Dance Lesson, Edgar Degas

    In the National Gallery of Art, DC. Downloadable high-res file on Wikipedia, as well as a descriptive page.

    This wonderfully brushy oil painting — that has some of the textural feeling of the artist’s pastels — is the first of a series of works on the theme of ballet dancers training or preparing for performances, that are remarkable for their daring break from the compositional conventions of preceding centuries.

    The severely horizontal format might be thought of these days as “cinematic”, a term that had no meaning twenty years before the invention of motion pictures.

    The empty areas of the canvas — the large area of wall above the dancer to our left, and the expanse of floor beneath the dancers on our right — have a precedent in the aesthetics of the Japanese woodblock prints that were popular in Europe during that period; Degas’ use of the space, however, is unusual and quite daring.

    The “blank” area of the wall is emphasized by the framed picture to the far end — grouped as a shape with the middle ground figures — and the way the foreground dancer’s figure is completely below the line of color at the bottom of that space. We are forced to recognize the wall area as a form, not just a background.

    Likewise the area of the floor, emphasized by its texture and the play of light from the windows, becomes an object of attention, particularly from our odd point of view, which seems to be looking downward as if from a slight height.

    The way the strong diagonal arrangement of the figures, and their position in perspective, draws you back into the composition is remarkable.

    Though the overall tone seems muted in subdued light, up close the intensity of the color and texture which which Degas has rendered his subjects is striking.



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  • Rowland Hilder

    Rowland Hilder, watercolors of the English countryside
    Born in the U.S. to British parents, Rowland Hilder moved to England with his family at the age of 10, studied at Goldsmith’s College School of Art — where he eventually returned as a professor of drawing — and went on to become one of the UK’s most popular watercolor artists of the 20th century.

    Hilder also painted in oil and occasionally used pastel and acrylic, but is known primarily for his watercolors of the English countryside. These were often augmented with pen and ink and gouache. Hilder, along with his wife, artist Edith Hilder, he also did illustration for a number of well known campaigns. At times, they collaborated on the same paintings.

    Like Constable, Hilder’s images are so evocative of a particular region, in this case in the rural areas of Kent, that it has become associated with his name as “Rowland Hilder Country”

    Examples of Rowland Hilder’s work on the web are a bit scattered. The largest I’ve found are on One1more2time3.3 Weblog. The largest selection, though the images aren’t large, is on ArtNet (note the link at the bottom to “Load More”, this goes on for 10 sheets or more).

    Chris Beetles Gallery has watercolor portraits of Rowland and his wife (with enlargements), and Francil Iles Galleries has a nice selection

    There is currently an exhibition of Hilder’s work in the UK, Roland Hilder – The Working Artist at The Historic Dockyard Chatham, on display until 29 November 2015.

    There is a well-reviewed instruction book by Hilder with many reproductions of his paintings: Painting Landscapes that you may be able to find used under its previous title, Expressing Land, Sea, and Sky in Watercolor.

    There are also other out of print titles, Starting with Watercolor,; Rowland Hilder Country: An Artist’s Memoir; Rowland Hilder’s England; and Sketching Country (links are to Amazon US, Amazon UK here).



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  • Tang Wei Min (update)

    Tang Wei Min, portraits

    Tang Wei Min is a Chinese painter from YongZhou, Hunan Province. He studied at the Art Department of Hunan Standard College and the Guangzhou Academy of Fine Arts. He has received notice and awards in China, the U.S. and Canada.

    I first wrote about Tang’s work back in 2008. At the time, I noted that he did not appear to have a dedicated website or blog, and that may still be the case. (I say that with some reservation because Chinese language sites with no English translation can be difficult for me to find.)

    There are, however, several sources for images of his work.

    Tang appears to have a fascination with Baroque era Northern European painters — in particular, to my eye, Rembrandt, and to a lesser extent, Vermeer. I see the former in the deep chiaroscuro of his compositions and the combination of thin darks and impasto highlights that often characterize the Dutch masters’ approach.

    Tang’s subjects, however, are distinctly Chinese. They are portraits and figures, mostly of young women, in what I take to be traditional Chinese ceremonial dress, possibly from different regions of China. These are rendered in a combination of refined passages and areas of rough, textured pant. The effect is quite wonderful.

    There is also a similar contrast between his muted largely earth tone palette and areas of higher chroma color.

    I noticed among his pieces, fairly direct nods to Dutch master works like Vermeer’s Girl with a Red Hat and Girl with a Pearl Earring.

    [A NOTE OF CAUTION: Unfortunately, one of the very best sources for images of Tang’s work is on a site called Kai Fine Art. On visiting this site recently, I noticed it appears to be compromised.

    Twice, on entering the page and attempting to click on an image, I encountered a full-screen pop-up that insisted that Flash Player was out of date and presented a link to download. This is obviously bogus, and a link to malware. It seems to be related to an ad in the right-hand column that extends an invisible link out over the image column.

    I was able to bypass it and get to the images. However, I’m using Chrome for Mac, and your experience may be different — particularly if you’re using Windows. If you decide to visit this site, I urge caution. I only offer it because it’s such a great source for Tang’s images, and I hope the site author can correct the issue.

    Link to currently compromised page: http://www.kaifineart.com/2014/08/tang-wei-min.html ]

    The other links provided below should be without problems.

    [Addendum: Thanks to reader Nadia, we have links to what appears to be Tan Wei Ming’s official site. Unfortunately, the images are small, and the magnify feature is awkward and not very usable. There is additional information, however, if you’re willing to use Google Translate (or if you can read simplified Chinese). See this post’s comments for additional information and links.]



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  • John Bauer (update)


    John Bauer was a Swedish illustrator and painter, active around the turn of the 20th century, who I first wrote about back in 2006.

    Since then, I’m happy to report, resources for images of his charming, wonderfully realized illustrations have become more widely available.

    Though not as well known outside of Sweden as some of his Golden Age English, French and American contemporaries, Bauer was an influential and much beloved illustrator, known primarily for his fantasy illustrations for the popular Swedish fairy tale annual, Bland Tomtar och Troll (Among Elves and Trolls).

    Bauer combined a delightful, personal drawing style with renderings in muted, textural watercolor. Though his trademark trolls — which influenced both contemporary and generations of subsequent illustrators — were portrayed with a dose of humor, his forest landscapes were dark and open to suggestion, leaving much to the imagination of the reader as to who or what might lurk in the receding darkness.

    I particularly love his stylized tree forms, the way he used reflections in dark water, and the magical glowing light effect he achieved for his princesses by using contrast against his dark backgrounds.

    Bauer was particularly influential on his successor at Bland Tomtar och Troll, Gustaf Tenggren, who is actually better known here in the U.S.

    Among the resources I’ve found, the highest quality images on Bauer’s work are on Animation Resources and The Golden Age Site; the most numerous are on Artsy Craftsy and Art Passions. I’ve listed other image resources below.

    The Jönköpings Läns Museum near his home ha a large collection of his work, though only a few images online.

    There is a translated collection of Swedish Folk Tales from Bland Tomtar och Troll that features Bauer’s illustrations.

    [Addendum: Evan Parker has provided a link to an excellent website with reproductions of John Bauer’s work: http://johnbauer.biz]



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  • Eye Candy for Today: Frederic Remington’s Small Oaks

    Small Oaks, Frederic Remington
    Small Oaks, Frederic Remington

    Link is to a zoomable version on Google Art Project; the original is in the Frederic Remington Art Museum, which only has reproductions of their collection in their store.

    We usually associate 19th century painter Frederic Remington with his depictions of the American West, cowboys, Native Americans and historical subjects.

    It’s rare (for me at least) to come across this kind of directly observed landscape, rendered with the kind of painterly aplomb more commonly associated with the American Impressionists.


    Small Oaks, Google Art Project

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Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics