Lines and Colors art blog
  • Christie’s Comics and Illustration Auction, 14 March 2015

    Christie's Comics and Illustration Auction: Jean Moebius Giraud (with detail), Jean-Pierre Girbrat (with detail), Didier Graffet, Olivier Ledroit, Enki Bilal, Daniel Cacouault, Paul Echegoyen, Ralph Mayer, Juanjo Guarnido, Pierre Joubert, Francois Schuiten, Benjamin Flao, Laurent Gapaillard, Frederic Pillot

    Christie’s auction house has announced an auction at their Paris location of “Bande Dessinée et Illustration” (Comics and Illustration), on 14 March, 2015.

    This looks to be a fantastic sale of originals by some of Europe’s foremost artists working in the field (as well as a few Americans), expertly selected by Galerie Daniel Maghen, a Paris based gallery and publishing house specializing in comics art and fantasy illustration.

    The sale is a cornucopia of hundreds of pieces of beautiful comics and illustration art, much of it by artists who are unfortunately not as well known in the U.S. as they should be. The selections include the absolutely wonderful gouache painting from the Blueberry series by Jean “Moebius” Giraud, shown above, top.

    From the page for the upcoming sale, you can choose to view the lots as a grid or list from the Browse Sale links at the upper right. Each detail page has a pop-up for a larger image.

    You can also click “E-Catalog” under that, and after agreeing to their notice, view the catalog in online magazine format, or as a downloadable PDF. You can also purchase a print version ($41.00 USD).

    I don’t know how long the images will remain viewable after the sale is past; you may be able to find it under “Past Lots” at that point, but a number of the images may not be available.

    (Images above: Jean “Moebius” Giraud [with detail], Jean-Pierre Girbrat [with detail], Didier Graffet, Olivier Ledroit, Enki Bilal, Daniel Cacouault, Paul Echegoyen, Ralph Mayer, Juanjo Guarnido, Pierre Joubert, François Schuiten, Benjamin Flao, Laurent Gapaillard, Frédéric Pillot [with detail])

    [Via Gurney Journey]

    [Please note: a number of the images on the linked sources are NSFW and not suitable for children, or others under 18.]


    Bande Dessinée et Illustration, Christie’s Paris, 14 March 2015
    Galerie Daniel Maghen, Paris

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  • Eye Candy for Today: Anders Zorn’s The Girl from Älvdalen

    The Girl from Alvdalen, Anders Zorn
    The Girl from Älvdalen, Anders Zorn

    Link is to Wikimedia Commons, original is in the Minneapolis Institute of Arts.

    Another fine example of Zorn’s beautifully economical and richly painterly style. I love the way the water is so briefly notated, and yet feels so naturalistic.



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  • Matthew Grabelsky

    Matthew Grabelsky
    New York based painter Matthew Grabelsky studied both art and astrophysics, and spent four years in Florence studying classical painting techniques.

    His recent series of paintings presents scenes in the New York subway system, in which unusual juxtapositions occur among the passengers — animals, mythical figures intermix with the “normal” day to day appearance of other riders.

    Grabelsky indicates that his intention is to blend the commonplace with imagery from dreams, rather than to present allegory or fantasy.

    His classical training gives his pieces a weight and visual substance that gives the mixed realities a tactile presence.

    Grabelsky’s work is currently on display as part of a group show at the thinkspace Gallery in Culver City, CA, through May 16, 2015.

    [Via Artist-A-Day]



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  • Yutang Yang (update)

    Yutang Yang, pen and ink
    Yutang Yang is an artist from northeastern China who I first wrote about in 2008, and later featured as one of the seven contemporary ink artists I profiled in my article for the Spring 2014 issue of Drawing magazine.

    He works in dip pen and carbon based ink on paper, using hatching to create beautifully textural landscape drawings, that when seen in small reproductions, appear almost photographic.

    When you look at them in more detail, however, they show their true nature as ink drawings, in which the artist has deftly used textural areas as tonal masses, giving his work wonderful depth and sensitivity to the nature of light and shadow.

    Yang’s website has galleries of his work arranged by year. Be aware that some of the galleries have more than one page, accessed from the rightmost of a row of Chinese characters that appear just below the thumbnails.

    You can also view examples of his work, and a bio, on the website of the Perez Fine Art Gallery.



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  • Fragonard’s Coresus Sacrificing Himself to Save Callirhoe

    The High Priest Coresus Sacrificing Himself to Save Callirhoe, Jean-Honore Fragonard
    The High Priest Coresus Sacrificing Himself to Save Callirhoe, Jean-Honoré Fragonard

    Image on the Web Gallery of Art; original is in the Louvre.

    Uncharacteristic of the frivolity of the work for which he is best known, Fragonard has here tackled a history painting. The work was originally meant as a guide for a tapestry that was never created.

    Everything about this is theatrical, from the stage-like setting, to the dramatic lighting, to the expressions and posture of the subjects, to the fact that the act is essentially being witnessed by an audience.

    I posted yesterday about Fragonard’s preliminary wash drawing for this piece. I also came across a painted study, that is in the collection of the Real Academia de Bellas Artes de San Fernando, with a high-resolution zoomable image on the Google Art Project (images above, bottom three).

    Unfortunately, I can’t find a larger image of the finished painting, and the color on both looks off to me — images of the final seem too warm and monochromatic, and the GAP image of the oil sketch seems too yellow.

    I’ve taken the liberty of color correcting both as best I can, but this is just my best guess, and I make no claims of accuracy, as I’ve never seen either work in person. You can see my adjusted full image of the final painting here.



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  • Fragonard’s drawing for The Sacrifice of Coresus

    The Sacrifice of Coresus, Jean-Honore Fragonard, brush and brown wash over chalk
    The Sacrifice of Coresus, Jean-Honoré Fragonard

    Brush and brown wash, over chalk, roughly 14 x 18 inches (35 x 46 cm). In the Morgan Library and Museum. Use Zoom tab or download link.

    Not only has Fragonard worked out his composition, dramatic lighting and value relationships in this beautifully gestural preparatory drawing, he’s captured the faces and emotion of his subjects with a few deft strokes.


    The Sacrifice of Coresus, Morgan Library

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Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
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Rendering in Pen and Ink
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Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
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Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics