Lines and Colors art blog
  • A simple DIY drying rack for plein air panels and small paintings

    A simple DIY drying rack for plein air panels and small paintings
    One of the simultaneously good and difficult things about oil paint is that it dries slowly. Storing oil paintings as they dry is always something of an issue. Plein air painters, in particular, who often produce a lot of small paintings in a relatively short time frame, are faced with the question of how to arrange their panels as they dry.

    I came across a nicely done and simple-to-construct plan for a DIY drying rack by plein air painter Matthew Lee, which he was kind enough to share with the community on Wet Canvas.

    In his version, Lee uses pegboard and dowels to make racks that fit within the shelves of a store-bought metal shelving unit, dividing the space into panel holders of varying heights on four shelves.

    In my case, I used his idea to make a more modest, single, free-standing rack just for small panels, at a size that would fit onto a bookshelf in my small studio space.

    He used pegboard and 1/4″ dowels, which in his case seemed to fit well through the pegboard. I assume the pegboard I got had slightly different diameter holes, as I found 1/4″ dowels a tight fit.

    I decided to use that to advantage, and make 1/4″ dowels, tightly wedged into the pegboard holes at the corners and middle, hold the structure together; and 1/8″ dowels, which slipped easily through the holes, to make the majority of the uprights.

    My original sheet of pegboard was 24×48″, from which I had Home Depot cut one 8″ wide strip. (They won’t actually cut 8″ wide boards or strips, but they could make one 16″ wide cut off the 24″ wide original, leaving me an 8″ strip, and saving me the trouble of cutting the pegboard lengthwise.) I then cut that 8×48″ strip in half, giving me two pieces of pegboard 8″x24″.

    The largest panels I need to dry in quantity are 6×8″, so I cut my dowels to allow about 8″ clearance between the top and bottom sheets of pegboard, leaving adequate room for the 6″ height of the panels. I cut the dowels with a miter saw; the miter box made it easy to hold them while cutting.

    I used my tight-fitting 1/4″ dowels at the corners and in the middle, spaced one hole in from the edge, to hold the pegboard sheets apart. They fit tightly enough to provide just enough structural rigidity to hold the pegboard in place, (Your milage may vary, and gluing might be in order for pegboard and dowels that don’t fit that tight.)

    My loose-fitting 1/8″ dowels were cut longer and just slipped through the top and slotted in the matching holes in the bottom piece of pegboard, which is mounted on a piece of 1×8 shelving lumber. I spaced them more closely so the panels would rest in them with space at the ends and be easy to grab.

    As you can see to the left in the middle photos, I’ve tried other kinds of racks to hold panels — in this case, wire racks for file folders from an office supply store — but they tend to be spaced too far apart for panels that are 8″ wide, which wind up just tilted into them instead of resting on both sides of the rack.

    The DIY rack holds more, and is sized to fit the panels.

    My apologies if the clamps for lights above and in front of the rack provide any confusion in the photos, they are unrelated to the drying rack. The rack as you see it in the first photo is complete.

    See the link to Matthew Lee’s original article below.



    Categories:
    ,


  • Eye Candy for Today: David double portrait

    Antoine-Laurent Lavoisier and His Wife, Jacques Louis David
    Antoine-Laurent Lavoisier and His Wife, Jacques Louis David

    David’s portrait of the famous French chemist and his wife, Marie Lavoiser, née Marie-Anne-Pierrette Paulze, includes some of Antoine-Laurent Lavoiser’s experimental equipment.

    Marie Lavoiser was a student of David’s, and illustrated treatises on her husband’s experiments with extensive, detailed drawings of his scientific equipment.



    Categories:
    ,


  • The EY Exhibition: Late Turner – Painting Set Free

    J.M.W. Turner, The EY Exhibition: Late Turner – Painting Set Free, Ancient Rome; Agrippina Landing with the Ashes of Germanicus
    The EY Exhibition: Late Turner – Painting Set Free is an exhibition at the Tate Britain in London, that explores the later, sometimes controversial, work of brilliant British painter J.M.W. Turner.

    Some of the work was controversial in Turner’s experimental approach to composition, rendering, and portrayal of light, notably the further dissolution of form into light and color, culminating in a approach sometimes called his “vortex technique”. Even critics who had been staunch supporters of Turner prior to his late career, like John Ruskin, were convinced that Turner had basically lost it.

    That impression has persisted in history books, but the new exhibition aims to correct that impression.

    There is a brief set of slides on the Tate’s site with some preview images, that have larger versions when clicked on. You can also click through to the dedicated page for some of the pieces in the Tate’s permanent collection, and you may find larger versions of others elsewhere; notably, the remarkable Ancient Rome; Agrippina Landing with the Ashes of Germanicus (above, top, with detail) that is available in high resolution on the Google Art Project and Wikimedia Commons.

    The EY Exhibition: Late Turner – Painting Set Free will be on display at the Tate until 25 January 2015, it then travels to the U.S. for venues in San Francisco and Los Angeles.



    Categories:


  • Jaemin Kim

    Jaemin Kim
    Jaemin Kim is a concept artist working in the video game industry and specializing in creature concept design.

    His wonderful digital rendering of detailed skin texture, leathery wings and rough scales make his dragons and dragon-like creatures particularly well-realized.

    His website leads to a gallery on CGHub, and his blog features lots of sketches. Kim also has prints available on InPrint.



    Categories:


  • Sir Lawrence Alma-Tadema (update)

    Sir Lawrence Alma-TademaDutch-born 19th century painter Sir Lawrence Alma-Tadema spent the majority of his highly successful career in England, where his meticulously crafted depictions of decadent luxury cast in the settings of classical antiquity were in high demand.

    Alma-Tadema was one of the most highly regarded Victorian painters of the time, and was tremendously influential on other painters, including many of the Pre-Raphaelites. When the 20th century Modernists became the artistic establishment, Alma-Tadema, like most other Victorian Academic painters, was not only diminished in status, but actively reviled as the kind of facile but artistically empty painting that modernism was to free us from (sigh).

    Alma-Tadema’s work experienced a revival in popularity in the mid to late 20th century — among real people, not art critics, and his work has been particularly influential among contemporary fantasy and concept artists.

    I wrote about Alma-Tadema here on Lines and Colors back in 2005, when I was only putting up a single image per article, and though I’ve since added a few Alma-Tadema “Eye Candy” posts, I thought it was about time for a revisit to highlight some of his beautiful work.

    I’ve provided some links below to some image archive resources on the web.

    Eye candy indeed.



    Categories:


  • Alex Ruiz

    Alex Ruiz
    Alex Ruiz is a concept artist and illustrator working in the film television and video game industries.

    Much of his character work is intentionally dark, but the pieces I find of most interest are his environments and imaginative experiments. In these, his digital paintings often have a fascinating character combining biomorphic, architectonic and mechanical forms, with perhaps a bit of Richard Powers’ free form sci-fi style thrown in to boot.

    He makes use of repeated sub-forms and textural elements, dramatic value contrasts, and palettes with restrained gamuts, but intense areas of high chroma color.

    Ruiz has an eBook collection of his work and several design tutorial videos available for sale from his blog.


    www.conceptmonster.net
    Blog, eBook and tutorial videos
    Gallery on CGHub

    Categories:
    ,


Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics