Lines and Colors art blog
  • Wilmington, Delaware gets an art store!

    Jerry's Artarama store in Wilmington, Delaware
    I’m happy to report that Jerry’s Artarama, an art supplier familiar to many from their online presence and a chain of retail stores across the U.S., has opened a store in Wilmington, Delaware.

    And why, you ask, should this be of interest to the wider national and international audience of Lines and Colors? Well, it’s relevant in that it prompts me to bring up the general state of online art suppliers and the availability of brick and mortar art supply stores in smaller cities.

    Wilmington, Delaware is a relatively small city (population: 70,000) in the shadow of a large one — Philadelphia; it’s also near where I grew up, and still not far from where I live.

    In years past, Wilmington had an art supply store called Audio Visual Arts, which everyone simply called “A.V.A.” It was one of those stores that seemed like a fixture when I was younger; as far as I knew it was always there, and I expected it to always be there. For a time, Wilmington supported two art stores — on the same block — after disgruntled A.V.A. employees started a rival store just a few doors down.

    All of that changed when commercial art went digital at the end of the last century, as it did for so many art stores that depended on commercial artists as their primary customers and carried supplies for painters and students as a sideline. Brick and mortar art stores took another hit from the increasing prevalence of online art suppliers in the first decade of the new century.

    Wilmington went from two art stores to less then one, when what remained of A.V.A. was moved to a small space adjoining the company’s related blueprint service, and the rival store went out of business. The small demi-store, left to cater to students and Sunday painters, eventually went under as well, leaving those who wanted to shop locally for art supplies to drive to a small shop in a nearby college town (Finley’s – a nice little shop, but with limited stock); or travel to Philadelphia, negotiate city traffic and fight for parking; or just be at the mercy of the suburban big-box arts and crafts stores. Any serious painter who has shopped at the latter (at least judging by the stores in this area) knows what a disappointing experience that can be.

    Even though Wilmington has had a relatively small but growing art school, the Delaware College of Art and Design (where I teach a class in Web Animation with HTML5 and Adobe Flash) on it’s main shopping street since 1996, it has been without a real art supply store for a long long time. That changed last week, when Jerry’s Artarama opened its newest retail store in a building owned by the school, due in good measure to efforts on the part of DCAD’s president, Stuart Baron, and with cooperation from the city.

    To me, and I’ll warrant a number of other artists in the region, a real brick and mortar art supply store opening in Wilmington was like flowers blooming in an long empty lot — a hopeful sign that things are changing for the better.

    I certainly understand the appeal of online art suppliers. It’s difficult for brick and mortar stores to match the selection available from a large online supplier (similar to the difficulty faced by brick and mortar bookstores). For example, I recently ordered a jar of Red Ochre acrylic primer and a bag of marble dust to mix into it for texture — not items in high demand in local art stores. Also, my personal preference in oil paints is a brand of handmade paint from a small company that is only available online (see my post on Vasari Classic Artists’ Oil Colors).

    However, when possible, I like to buy my other art supplies locally. There is something to be said about being able to see and feel the items you’re buying — the stiffness of a brush, texture of a canvas, thickness of a drawing paper or color of a marker — and the ability to pick up what you need today, when you need something for what you’re working on, not in a few days when FedEx trundles by with a shipment. (Plus, much like bookstores, I just love the way art stores smell.) So I like both online and local shopping for art supplies — for different reasons.

    Philadelphia, about 30 miles from Wilmington, is a large city — with, I am told, more art schools per capita than any other American city. It has long supported multiple art supply stores in the downtown area (called Center City by locals), though individual stores have come and gone over the years. (When I was an art student, there was a cramped, cluttered, quirky and wonderful store called Zinni’s that was reminiscent of the bizarre little “we have it in the back” shops for magical paraphernalia in the Harry Potter movies — but I digress.)

    The situation in Philadelphia has changed over time as well, both when the commercial art shift to digital media closed some of the stores that depended on commercial art customers, and more recently when Dick Blick, the largest online art supply company and chain of associated retail stores, opened a large store pretty much halfway between the city’s two largest art schools, the University of the Arts (formerly the Philadelphia College of Art) and the Pennsylvania Academy of the Fine Arts (where I spent my time as an art student years ago).

    When the Blick store opened, a new large scale art store seemed a plus, and the store was welcomed by both students and the larger arts community (if not by its competitors, like Utrecht, the previous dominant presence). The other stores in Center City seemed to fare well enough in the following few years, leading to the thought that the city could support one more art store without losing the others.

    That changed, however, when the Blick company bought Utrecht earlier this year (reportedly for their proprietary line of paints and canvas) and promptly closed the two Philadelphia Utrecht stores, undoubtedly with the idea of forcing everyone who had shopped at Utrecht to go to the single Blick store, raising that store’s profit per square foot. While this has likely been accomplished to the satisfaction of the company’s bean counters, I and many other local artists thought of it as regressive and a sorry event. At one time there were five art supply stores in the central part of the Philadelphia; there are now two — the big Blick store and a smaller (but quite good) Artist & Craftsman Supply store, part of a less extensive national chain.

    So I’m happy that the unfortunate loss of the Utrecht stores (one of which was much more convenient for me reach than the Blick store) now seems offset by the new Jerry’s store in nearby Wilmington. Though I can bemoan the fact that all of these stores are part of national chains, and most (but not all) of the independent art supply stores in the wider metropolitan area are gone, I still feel encouraged when physical art supply stores open up, rather than closing down.

    I was also encouraged that the new Jerry’s Artarama store in Wilmington is reasonably large and well stocked, comparable to the Utrecht stores we lost in Philadelphia — a serious art store and welcome antidote to the painfully meager offerings of the big-box craft stores. Artists and students in Wilmington have long had to travel to Philadelphia to buy art supplies, but the new Jerry’s store may well pull in the other direction, drawing students and others from out of state to the Wilmington store with the lure of easier parking and Delaware’s famous lack of sales tax.

    A larger question posed here, however, and one I don’t have an answer for yet, is whether any of this is indicative of national trends, or is simply a local reshuffling of pieces on the board.

    I’ll have to wait and see, but at least in the meanwhile, I’m happy I have another place to go when I need a painting panel, a #2 filbert, tube of gouache, a brush marker or a bottle of stand oil — or when I just want to walk into a store that smells like art supplies.

    (Images above borrowed from the Jerry’s Artarama of Wilmington Facebook page)



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  • Eye Candy for Today: Alma-Tadema's Moses

    The Finding of Moses, Sir Lawrence Alma-Tadema
    The Finding of Moses, Sir Lawrence Alma-Tadema.

    The link above is to the file on Wikimedia Commons (click on their image for large version) though the image at top is from a version on WikiPaintings (click “Show Sizes” for larger versions). I think the latter image has better color, though it has been inexplicably flopped left to right (I’ve corrected it here).

    The original is in a private collection. It was sold at auction today for a record price for 19th century European paintings (through Sotheby’s, though I can’t find the sale record on their new, poorly arranged website.)

    Alma-Tadema worked on the painting for two years. The slaves do not look happy.



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  • My new post on Tor.com on concept art and the real U.S. space program in the 1950's

    How Concept Art Helped Sell the U.S. Space Program, Tor.com

    I’ve written new article for Tor.com titled “How Concept Art Helped Sell the U.S. Space Program“.

    In it, I of course explain what I mean by the title, showcase some terrific space art by Chesley Bonestell, Fred Freeman and Rolf Klep, and link to a source for more.

    You can see my previous articles for Tor.com here.


    How Concept Art Helped Sell the U.S. Space Program” on Tor.com
    Related Lines and Colors posts:
    Chesley Bonestell

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  • Eric Spray

    Eric Spray
    Eric Spray is a concept artist for the Gaming industry who has worked on projects like
    worked on projects like X-Men Origins: Wolverine, Singularity, Black Ops and Modern Warfare 3.

    Though he is prevented by non-disclosure agreements from posting his most recent work, his blog features an array of past work, along with personal projects, sketches from life and other images.

    You can also find a selection of his work on an alternate blog and his gallery on CGHub.

    I particularly like his use of controlled color ranges, the painterly effects he achieves in faces in his digital paintings, and the way he has extended his range of techniques with digital studies of paintings by masters like Rembrandt and Sargent.

    [Via Concept Ships]



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  • Lidia Luna

    Lidia Luna
    Though I’ve never had much of an eye for fashion, I do have an appreciation for fashion illustration, which sometimes shares some characteristics with comic book illustration, in that it has often been done in line or line filled with tone or color.

    Unfortunately, advances in newspaper printing technology, which permitted improved reproduction of photography, largely displaced the most common uses for fashion drawing in newspaper advertising over the last 20 years or so. It’s always good to see that the art is still alive in certain quarters, often with a more modern take on the venerable forms of rendering.

    Lidia Luna has an approach that uses a fine or disappearing line, in fine point pen or pencil, with subtle rendering in watercolor.

    Her renderings of models wearing haute couture take a minimalist approach to the presentation of faces, with forms suggested by soft gradations at key edges, and focus the detail on the clothing, as is expected in fashion illustration.

    She has a website with a selection of renderings (arranged by project, note the “Next Project” links at the top of the pages), and a blog with more images, as well as sketches and other subjects.

    There is a brief interview with Luna on Couture Troopers, but it doesn’t delve into technique.

    [Via Illustration Mondo]



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  • Eye Candy for Today: John Hamilton Mortimer etching

    Comedy (from Fifteen Etchings Dedicated to Sir Joshua Reynolds), by John Hamilton Mortime
    Comedy (from Fifteen Etchings Dedicated to Sir Joshua Reynolds), John Hamilton Mortimer

    In the metropolitan Museum of Art. Use “Fullscreen” link and Download arrow. The outside dimentions of the sheet on which the etching is printed are roughly 12 1/2 x 7 1/2 inches (29 x 19 cm).

    Another example of that wonderful quality of line that only seems possible with an etching needle. Here, Mortimer has supplemented traditional hatching with dense wavering cross hatching in the darkest areas and areas of stipple in the (weirdly demonic) faces.


    Comedy, Met Museum

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Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
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The Art Spirit
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Urban Sketching: Understanding Perspective
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World of Urban Sketching
World of Urban Sketching

Daily Painting
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Drawing on the right side of the brain
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Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics