Lines and Colors art blog
  • Owen Freeman

    Owen Freeman
    Illustrator and designer Owen Freeman’s work blends a graphic sensibility and strongly geometric compositions with touches of texture and linear variety that gives his images a lively sense of energy.

    He uses contrasting organic and architectural shapes, areas of color within almost monochromatic compositions and angular divisions of the image area to lead the eye and focus the work.

    Freeman’s clients include The New York Times, Rolling Stone, The Washington Post, Harper Collins, The Atlantic, Scholastic Books, New York Magazine, Out, and The Boston Globe.

    His website includes a section of sketches in addition to this illustration portfolio. He also has a blog in which he posts preliminary sketches and other work stages as well as images of the final work in place in the publications.

    There is an interview with Freeman on The Design View.

    [Via Leif Peng]



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  • Lucian Freud

    Lucian Freud
    Painter Lucien Freud, a grandson of Sigmund Freud, was born in Berlin, moved to England with his parents when he was 10, and later became a British citizen.

    Freud became known for his intense portraits and figures, painted in brusque strokes of thick impasto and in a manner some call uncompromising, but I think of as intentionally harsh.

    In my admittedly biased view, his apparent rejection of physical beauty made him particularly acceptable as a figurative painter amid a modernist establishment that had done the same, and he became the most influential and revered figurative painter of the era.

    However, I think he snuck considerable beauty past the modernists, in the surface, textures and touches of rich color amid paler tones of his faces and figures. The same characteristics that serve to make the images appear harsh, make the paint surface beautiful.

    Even his famous portrayal of model Kate Moss, Naked Portrait 2002, in which he painted her pregnant, would not be interpreted by most people as at all flattering, but the paint handling is beautiful.

    Freud also received some notoriety for his unflattering portrait of the Queen (above, bottom right), but his self portraits (top) and images of his family follow a similar approach.

    While his portraits and figures get the attention, particularly when one of them sells for the highest price of a work by any living artist, as the reclining nude titled Benefits Supervisor Sleeping (above, second down) did when it was sold at Christie’s in Manhattan for over $33 million, if you look back into his past work you will find a wider range of subjects and more variation in approach than you might expect, including a number of studies after artists of the past like Chardin, Watteau and Cezanne.

    Freud was devoted to painting and is quoted as saying that he would “paint himself to death”. He died on Wednesday at the age of 88.

    The most comprehensive single online gallery of his work I can find is on Ciudad de la pintura. Next would be Museum Syndicate.

    Katherine Tyrrell has assembled an extensive page of resources, listings, books and links on her Squidoo Lens Lucian Freud – Resources for Art Lovers. She also has an appreciation on her blog, Making a Mark.

    There are also posts with images on Escape Into Life and Areasucia (and I’m sure others I haven’t come across), and obits with bios on Guardian, Telegraph and Daily Mail.



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  • The Making of Gobelins Shorts

    The Making of Gobelins Shorts: Fur, Who's Afraid of Mr. Greedy?
    I’ve written several times in the past about the wonderful student animation coming out of Gobelins, l’école de l’image (Goeblins School of Communications) in Paris.

    It seems that each example I see is another small triumph for hand drawn animation in a world dominated by increasingly formulaic computer CGI.

    Writing for On Animation, Daniel Caylor has a terrific article pointing us to both a selection of Gobelins animations that he has previously posted and a post on CATSUKA of Making-of films by various contributors to several Gobelins animations.

    There are often several different Making-of films for the same animation, as they are usually the work of groups rather than individuals, and we get different perspectives on the creation of the works. There are also links to the animators’ demo reels.

    Absolutely wonderful.

    (Images above, top two: Fur, bottom two: Who’s Afraid of Mr. Greedy?; please see films for team credits)



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  • Hiroshige’s One Hundred Famous Views of Edo

    Hiroshige One Hundred Famous Views of Edo
    In the mid 19th Century the great Japanese print maker Utagawa Hiroshige (also known as Ando Hiroshige) created his most well known and influential series of prints, titled One Hundred Famous Views of Edo.

    These are considered to be among the greatest works in Japanese art.

    The Brooklyn Museum, which has a complete set in its collection, has made images of the prints available on its website.

    Hiroshige’s views of the city, known as modern day Tokyo, show the city and its environs in the four seasons. You can view them organized that way, browse by keyword, or browse them all in a single page of thumbnails.

    The larger images also have a magnifier feature, that you may find useful (better than some, though a larger full image would still be much preferred). The regular images are large enough, however, to be enjoyed on their own.



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  • Max Ginsburg

    Max Ginsburg
    Max Ginsburg is a powerful painter whose depictions of street scenes and city life resonate with humanity and the drama of daily life, as well as evoking the texture and vibrancy of the visual elements that make up the cityscape in which his subjects live and move.

    Though he had formal instruction, Ginsburg learned much from his father, portrait painter Abraham Ginsburg, including his love of the representation of the visual world. Unfortunately, Max Ginsburg began his career at a time when the modernist establishment was actively devaluing the place of representational art.

    Ginsburg turned his brush to illustration, working in the field for 24 years, and earning accolades as well as a prestigious roster of clients. All the while he continued to paint the city as he saw it.

    Unlike many artists who have gone from a career as an illustrator into one as a gallery painter and seem to feel the need to distance themselves from their sordid past as a commercial artist, Ginsburg is perfectly comfortable with both aspects of his artistic career; he maintains two websites, one for his gallery art and another showcasing his history as an illustrator.

    On his website as a painter you will find his work over time arranged by period, as well as some wonderful life studies and beautiful still life paintings.

    On his illustration site, you will find his work arranged by genre, including delightfully characteristic romance novel illustrations and covers for young adult fiction. There is also a bio on the illustration site.

    There is a Max Ginsburg Retrospective at the Salmagundi Club in New York on view from today until August 5, 2011. There is also a new book, Max Ginsburg Retrospective, showcasing his paintings from 1956 to 2010 that will be published in September but can be pre-ordered now.

    [NOTE: The work on Ginsburg’s painting site includes paintings depicting the tragedy of war, and the abuse or a prisoner at Abu Ghraib that some may find disturbing and are NSFW.]

    [Via Gurney Journey]



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  • Mark Schultz: Various Drawings Volume 5

    Mark Schultz: Various Drawings Volume 5
    It’s customary for many comic book artists and illustrators to publish “sketchbooks”, collections of sketches and drawings of varying degrees of finish, which are frequently more of interest to their dedicated “must have anything” fans than to the more general readership.

    And then there’s Mark Schultz.

    Flesk Publications, a small artbook publisher who has a record of publishing beautiful volumes of work by terrific illustrators and comics artists, has been publishing collections of his drawings for some time.

    It’s worthwhile noting that these collections have been titled “Various Drawings” rather than “sketchbooks”, and very appropriately so; not only are Schultz’s sketches and preliminaries more highly developed than many artists’ finished drawings, his finished drawings are exquisitely finessed.

    These volumes include both — Schultz’s beautifully finished brush and ink drawings, and preliminary drawings, usually in pencil, that were done in preparation for the final.

    The subject matter follows Schutz’s fondness for adventure fantasy, pulp novels, science fiction and, of course, dinosaurs.

    For the uninitiated, Schultz is the creator of the wonderful comics series Xenozoic Tales, a version of which was known for a time as “Cadillacs and Dinosaurs”. I reviewed Flesk’s beautiful collection of the strip last December. The book has since then sold out of its initial press run, but Flesk has just announced that it is again available in a second printing.

    Fan’s of Schultz’s comic art, among which I certainly count myself, have long waited for him to return to the series, which is still unfinished. Until he does, there is great delight to be taken in these collections, and they would also be of interest to anyone who enjoys superbly realized action adventure illustration.

    I was delighted to receive a review copy of the latest collection, Mark Schultz: Various Drawings Volume 5, which continues to maintain the high level of terrific drawings showcased in the rest of the series.

    Some of the drawings are commissions, many referencing existing adventure fantasy characters and stories, including Jules Verne’s 20,000 Leagues Under the Sea, for which the image above, third down and the detail crop below it are of one of several preliminary drawings. The finished brush and ink drawing is presented in the book as a stunning double page fold-out.

    All of these collections are an absolute treat. Mark Schultz: Various Drawings #1 and #2 are sold out, volumes #3, 4 and of course this new volume #5, are still available and can be ordered through the Flesk Publications store, along with the Mark Schultz: Blue Book (a collection of his preliminary drawings in non-photo blue pencil), a Xenozoic Tales print and the new printing of the Xenozoic collection.

    In addition to the preview images available on the publisher’s pages for the individual titles (which have fortunately been getting a bit larger in more recent presentations), there is a general gallery of Schultz’s work on the Flesk site. Schultz, as far as I can determine, does not have a dedicated website or blog of his own.



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Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics