Lines and Colors art blog
  • Richard Schmid 1934-2021

    Richard Schmid
    Richard Schmid

    I was saddened to learn of the death on Sunday of American artist Richard Schmid, one of the finest and most influential realist artists of the late 20th and early 21st centuries.

    His paintings are veritable textbooks of color and value relationships, texture, brush handling, and the subtle power of edges in painting. Schmid was not only a formidable painter, but a hugely influential teacher; you can see his influence in the work of his students, their students and even those who have just known his work from afar.

    Fortunately, Schmid has left a legacy of teaching materials — treasure troves of painting knowledge that are available to the rest of us. His book Alla Prima II: Everything I know About Painting – and More is the single best book on the art of painting of which I am aware. I learn something new every time I go through it. I have also found his instructional videos — particularly those on landscape painting — of great value. (Most outstanding for me is the second in his landscape series: June.)

    If you are not well acquainted with his work, the official Richard Schmid website is a great place to start. You will find examples of his work not only in the Portfolio, but in the sections on Available Art, Lithographs and Books and Videos. (In the Books section, on the pages for the individual titles, look below the image of the cover for the “Preview This Item” tab.)

    Unfortunately, the official website pulls up short of showing his work to best advantage in large images. For that, you may need to use a Bing or Google image search, with the parameters set to “Large” or “Extra Large” (see my recent article on image search). In this way you can view larger images of his work that have been reproduced by auction houses.

    As much as I admire Schmid’s work as a portraitist and still life painter, it is his landscapes that have long captured my attention. Subtle, atmospheric and evocative, his landscapes are masterful examples of the power of suggestion in painting, convincing your eye that there is more there than is actually delineated. The published collection, The Landscapes is a visual treat, beautifully printed and at a marvelously large size (see my review here).

    I haven’t yet gotten a copy of the new still life book, but I can’t imagine it is anything less than superb.

    In all cases, I strongly recommend purchasing his books and videos direct from the official website. Not only will the proceeds go more directly to his family, but the materials are actually less expensive there than through third party sites like Amazon.



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  • Kris Parins

    Kris Parins watercolor
    Kris Parins watercolor

    Kris Parins is a watercolor painter who is originally from Wisconsin, and now shares her time between a studio there and one in Florida.

    Her bright, crisp watercolors reflect a love of the natural world as exemplified by both places as well as the play of light and shadow to be found in urban environments and still life objects.

    Her approach varies, at times areas of color are abstracted to the point of giving the work a seirgraph-like appearance.

    Her website portfolio is divided into ranges of subject matter. In addition, there is a section for prints, and a video in which she talks about her inspiration and process. The Articles section includes articles Parins has written for Watercolor Artist Magazine.



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  • Eye Candy for Today: Carl Thomsen’s Arranging Daffodils

    Arranging Daffodils, Carl Thomsen, oil on canvas
    Arranging Daffodils, Carl Thomsen, oil on canvas

    Arranging Daffodils, Carl Thomsen; oil on canvas, roughly 16 x 12 inches (41 x 32 cm); link is to image file page on Wikimedia Commons, zoomable image on Bonham’s. (My assumption from the auction listing is that the painting is currently in a private collection.)

    This 1894 painting by Danish artist Carl Thomsen is a perfect image of bringing spring indoors. The vase of blossoms and the young woman and her white dress are illuminated highlights in the dark room, giving a feeling of the bright promise of spring making an advance into the darkness of fading winter.

    Thomsen’s painterly approach makes the bright subjects stand out even more against the almost flat background.


    Arranging Daffodils, Wikimedia Commons

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  • Bernard Völlmy

    Bernard Vollmy, watercolor
    Bernard Vollmy, watercolor

    Bernard Völlmy is a Swiss painter, now based in France, who works primarily in watercolor, but also in monochromatic and color watercolors combined with graphite.

    His watercolor themes often include subjects with water — creeks and streams, small runs or even reflective puddles. These are approached with an eye to texture and interesting value contrasts.

    Völlmy’s website is in French, but is relatively easily navigable by non-French speakers. The link I’ve posted takes you directly to his watercolor on paper gallery. You can find other galleries of images under the “Bernard Völlmy” menu tab. Among them is a section for his sketchbooks.


    Bernard Völlmy, watercolors
    www.galerie-vollmy.com (home page)

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  • Eye Candy for Today: John Sell Cotman graphite and wash drawing

    East End of Saint Jacques at Dieppe, Normandy; John Sell Cotman; graphite and brown wash
    East End of Saint Jacques at Dieppe, Normandy (details); John Sell Cotman; graphite and brown wash

    East End of Saint Jacques at Dieppe, Normandy; John Sell Cotman; graphite and brown wash; roughly 12 x 9 inches (29 x 22 cm). LInk is to zoomable version on Google Art Project, downloadable file on Wikimedia Commons, original is in the Yale Center for British Art.

    English painter, printmaker and illustrator John Sell Cotman, who was active in the late 18th and early 19th centuries, was prolific and left a trove of drawings in addition to his paintings and graphics. Here, he confidently delineates the intricately decorative structure of a large Renaissance church with graphite, augmented with subtle washes.

    The drawing exhibits both the substantial accuracy of a careful architectural drawing, and the liveliness of a more casual sketch.

    In part, this is likely due to the loosely free rendering of the roof of the lower structure, but I think it’s also due to an approach I have also noticed in the wonderful architectural drawings of Canaletto.

    In both cases, lines that over their course are ruler straight, are along the way wavering and often lightly broken. It’s a wonderful technique.



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  • Jennifer McChristian (update)


    Originally from Montreal and now based in California, Jennifer McChristian is a painter I first featured back in 2007.

    Working primarily in oil, and secondarily in gouache and watercolor, McChristian paints both plein air and in the studio. While she sometimes paints the natural landscape, her preference is to find subjects in the built environment, often taking obvious delight in the geometry of buildings, highways, streets, and bridges, and the shapes of shadow and light they produce.

    She also finds inspiration in nocturnes, working with the contrasts of darkness and artificial light in a way that strikes me as appealingly playful. McChristian also studies people, placing her figures and portraits within their environment.

    Her approach is quite interesting; she apparently works with a bright, high chroma imprimatura, reddish or almost magenta, that she allows to freely come through in areas of her brusquely textural paint application.

    I find the textural, painterly nature of her brush marks particularly appealing. Unfortunately, this character of her pantings doesn’t come through well when reproduced at the size of my example images (I’ve included one detail crop to demonstrate). Fortunately, if you click through the thumbnails on her website to the full size images, most of them are just large enough to see and appreciate this aspect of her work.

    Her website is divided into galleries for landscape, figures, drawings and an archive of older work. Her blog also serves as an archive of sorts; though no longer active, it still includes additional examples of her work as well as photos of her conducting workshops and classes.

    McChristian’s work is featured on the cover and in the lead article of the current April/May 2021 issue of PleinAir Magazine.



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Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics