Lines and Colors art blog
  • Eric Grohe

    Eric Grohe
    In the image at top, the plants, low retaining walls, benches and sidewalk are real. Everything else, the stone structures with their carvings and decorative elements, the ironwork bridge and the entire city street and sky behind them, are an image painted on a flat wall.

    The decoration of walls with murals, both exterior and interior, is well thought of when considering the great muralists of the past, but often not appreciated in artistic circles when performed by contemporary artists.

    Many cities have public mural programs, both to discourage grafitti and to beautify otherwise drab buildings and blank walls. (There is a prominent mural program here in Philadelphia.) Usually, however, these are conducted by teams of neighborhood volunteers under the guidance of artists who are often professionals, but seldom professional muralists.

    Eric Grohe is a dedicated muralist, and paints murals of a different scope and intensity. In the course of a career as an illustrator and graphic designer, Grohe was asked to design graphics for Expo ’74 in Spokane, Washington. This and subsequent commissions led him to devote himself to the creation of large scale trompe l’oeil (“fool the eye”) murals on public buildings, corporate architecture and occasionally private residences.

    His commissioned murals are often in, and simultaneously of, public spaces. Great American Crossroad (image above, top), depicts a historic view of the town and helped transform an empty parking lot and blank wall into a vital civic space in Bucyrus, Ohio. You can see the wall’s former state just below and to the right.

    Under that is the wall of a shopping mall in Niagra, New York, transformed into a dramatic series of arches framing a trompe l’oeil view of the famous falls and river.

    Grohe’s murals often include painted people within the architectural spaces he creates, and in photographs it’s sometimes difficult to tell them from real observers, like the two standing in front of the view of the Niagra river in the detail above, middle left. They are the ones casting shadows on the sidewalk. The kid sneaking a peak around the trompe l’oeil column, and the other “tourists” are painted. All of the figures in the long view at bottom are painted.

    Somehow, when looking at these illusionary spaces painted at street level, I can’t help but think of those hilarious Chuck Jones Warner Brothers’ cartoons, in which the Road Runner would paint an image of a road or tunnel on a rock face and run into it, leaving the hapless Coyote with a hard lesson in trompe l’oeil painting and Newtonian physics.

    Grohe has a firm now, specializing in the creation of large scale murals, and utilizes special type of paint developed in the 19th Century called Keim Mineral Paint (more info here), that changes its chemical structure in such a way that it will not fade or peel like ordinary paints.

    There is a gallery of work on his site. Most of the projects feature several views so you can see the “before” state of the surface and also get a feeling for the scope and ingenious false perspective of the finished work.

    There is also a post here with some of the views posted on a single page from which you can get a quick overview.

    Link via Digg



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  • Neil Campbell Ross

    Neil Campbell Ross
    I came across Neil Campbell Ross as a member of Uli Meyer’s animation studio (see my recent post on Uli Meyer). Even among the other talented members of the studio, I was struck by Ross’s wonderfully drawn and designed concept illustrations.

    Ross is a concept and production artist, designer and art director. He has worked on a number of commercials as well as projects like Braveheart, An American Tail 2, Space Jam, Tarzan2, Antz, The Corpse Bride, Charile and the Chocolate Factory and the new Aardman/Dreamworks film, Flushed Away.

    While looking through Ross’s portfolios, both on the Uli Meyer site and his own, I was particularly impressed with the images for a project called La Reine Soleil (which might be loosely translated as “The Queen Sun” or “The Sun Queen”), a full length French animated film about an adventurous voyage by a daughter of Nefertiti (images above).

    Also notable are his designs for Thorgal, an animated adaptation of the Belgian comic book by Jean vn Hamme and Grzegorz Rosinski, and The Leopard Scarab, a proposed film project.

    The portfolio on the Uli Meyer site is a little harder to access, but worth the trouble because the images are often larger than those on Ross’s own site. I can’t give you a direct link because the site is in Flash. After waiting through the intros, go to Artists, and then to Neil Ross. His own site has smaller images, but more of them and also includes more animations.



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  • Peter Ferguson

    Peter Ferguson
    Peter Ferguson is a fascinating illustrator whose site contains a bounty of wonderful images, but very little biographical information. According to this article on Illustration Mundo, Ferguson’s clients include Business Week, Harper Collins, Penguin Books, The Los Angeles Times and Marvel Comics.

    He is represented by Three In A Box artist’s reps and you will find a short gallery of his work on their site as well as the more extensive one on his own site. (It was while browsing through the Three In A Box galleries that I came across Ferguson’s work.)

    Ferguson’s illustrations, whether his heavily stylized editorial work, or more straightforward book covers and interiors, display remarkable sense of texture along with a great command of color and contrast, that give them a sense of tactile presence and physical solidity. This is particularly evident when he takes on fantastic subjects and makes their other-worldly settings and denizens palpable.



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  • Uli Meyer

    Uli Meyer
    Uli Meyer is an animator, director and the founder of Uli Meyer Studios, a commercial and feature animation studio comprised of a group of talented animators and artists.

    Meyer has produced or worked on over 300 commercials, many of which you will immediately recognize. as well as animated films like Who Framed Roger Rabbit, American Tail 2, Space Jam and Anastasia; and also supervised the CGI animation for the “Spider Smith” sequence in Lost in Space.

    He is best known for his wonderfully stylized 2-D character animation. You can see a gallery of his character drawings if you go to the “Artists” section of the site, click on “Uli Meyer” and then on “Sketchbook”. (I can’t give you a direct link because the site is in Flash.)

    You will also find lots of short animations and animated commercials throughout the site, both by Meyer and the other talented animators on his staff. (Note in particular Neil Ross, who I will do a separate post on.)

    Meyer also has a blog, UMBACKAGAIN , in which he posts sketches and drawings, and which recently included Uli Doodles (images above), a short YouTube video of him drawing a character. You can also see it here on YouTube.

    I’m not sure, but it looks like he’s using a Rotring Art Pen, which I can vouch for as a very nice sketching pen. (The other object he’s holding is a cigarette, which he apologizes for in the post.)

    Link via Cartoon Brew



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  • Charles Courtney Curran

    Charles Courtney Curran
    I was happy I had the opportunity to see the terrific Americans in Paris exhibit at the Met in New York this Fall (continues to January 28, if you get a chance, see my previous post).

    In the midst of being dazzled by dramatic, large scale works by such luminaries as John Singer Sargent, John White Alexander, James McNeill Whistler and Childe Hassam, I found myself drawn to two small scale works by an artist with whom I was only marginally familiar, Afternoon in the Cluny Gardens, Paris (image above) and In the Luxembourg Garden by Charles Courtney Curran. (The links for the two images are to pages related to the exhibit on the Met’s site.)
    [Addendum, 2012: Americans in Paris archive at the Met is now here.]

    On returning home, I looked up Curran and was a bit disappointed to find only a relatively small amount of material on the web, but there is some.

    He was born in Kentucky, spent his youth in Ohio, trained in New York City at the National Academy of Design and the Art Students League and eventually settled in Cragsmoor in New York State. He was a leader of the Cragsmoor Art Colony. He obviously spent some time in Paris, where he studied at the Académie Julian.

    His subjects are often well-dressed young women amid gardens and flowers. He was very popular during his lifetime and is one of the artists credited with reviving the tradition of genre painting (the depiction of everyday scenes) in American art at the time.

    His painting sensibilities seem to carry some flavor from both French Impressionism and Salon style Academic art. Contrast works like Lotus Lilies and Ladies on a Hill with The Goldfish and Fair Critics.


    Charles Courtney Curran on ArtMagick (9 images)
    Athenaeum (23 images)
    CGFA (2 images)
    Art Renewal Center (13 images)
    Afternoon in the Cluny Gardens, Paris (Met special exhibit)
    In the Luxembourg Garden (Met speial exhibit)
    Bio on Lawrence J, Cantor & Company
    Artcyclopedia (links to other resources)

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  • Bob Eggleton

    Bob EggletonRegular readers of lines and colors know that I try to keep a nice mix of art and artists from across many genres of art. I find it particularly interesting when artists cross those boundaries themselves, and have a web presence that showcases more than one artistic path.

    Bob Eggleton is a well known fantasy and science fiction illustrator and movie and TV concept artist. He has done concept art for projects like Jimmy Neutron and The Ant Bully, and his paintings of fantastic subjects have garnered him 9 Hugo Awards, 2 Locus Awards and 12 Chesley Awards (named for the brilliant space artist Chesley Bonestell).

    Eggleton also enjoys painting from life and has recently started a blog called Bob’s ART du jour, and is exploring the “painting a day” style “paint, post and comment” type of personal painting journal.

    Eggleton has done illustration for numerous books and periodicals in several veins of fantastic art, whether it’s the dark fantasies of H. P Lovecraft and Brian Lumley, illustrations for fantasy or “hard” science fiction, space art (often spectacular of views from the surface of other planets or moons without the science fiction trappings), or paintings that revel in his fascination with dinosaurs (and dragons, their fantasy art counterparts).

    His main web site also includes a section of “Earthscapes”, images of dramatic geological events and uphevals, fun images of monsters from those wonderfully cheezy Japanese monster movies (the ones that usually had “vs” as part of the title) and a selection of covers and other paintings fitting into the categories of “Femmes Fatale” and “Dragon’s Domain”.

    In addition the “Sketches” section includes preliminary sketches in pen and pencil, both for finished works and versions that were not finals. (I can’t give you direct links to the sections because the site is in frames.)

    The site also includes a “For Sale” section, now supplemented with a new blog, Bob’s Art for Sale.

    Unfortunately, it’s difficult to get a real feeling for the rich detail and brilliant colors of Eggleton’s illustrations from his web site. Although, there are plenty of images and you can get a general sense of the style and range of subject matter, the images are too small to get a real feeling for the paintings.

    If you’re not familiar with his illustrations, check out one of the collections of his work. Greetings From Earth: The Art of Bob Eggleton, and Cartouche Primal Darkness Art of Bob Eggleton are both in print. Alien Horizons: The Fantastic Art of Bob Eggleton is out of print, but still available from online sources.

    Or you could do a search for some of the many other books for which he has done covers and other art.

    Fortunately, the images are somewhat larger on his daily painting site, and the original paintings are smaller, more immediate and painterly, so you don’t lose as much when viewing his paintings from life as you do when trying to get a feeling for his larger illustration work.

    The paintings from life are done in oil in contrast to his illustration work, for which he usually works in acrylic. His subjects include the small still life subjects common in painting a day circles, juxtaposed with landscapes from travel photos and from his local area in New England. Note in particular the rich brushstrokes and patterns of texture and color that often comprise the backgrounds of his small still life paintings.

     


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Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics