Lines and Colors art blog
  • Tom Roberts at the National Gallery of Australia

    Tom Roberts at the National Gallery of Australia
    Tom Roberts was an English/Australian painter who was one of the foremost of the Australian painters known as the Heidelberg School, or “Australian Impressionists” — a remarkable group of 19th century painters who we hear too little of here in the U.S.

    The group, and Roberts in particular, are much better known in Australia, of course, and a major retrospective of Robert’s work recently opened at the National Gallery of Australia, where it will be on display until 28 march 2016.

    The museum has a nice set of galleries of Roberts’ work (accessed from the drop-down menu under “Gallery”), arranged by subject.

    Like others in the Heidelberg School — named for the area in Victoria where they frequently painted — Roberts had a simultaneously refined and lively approach to paint application, with beautiful surface textures, muted color and subtle value relationships.

    Fortunately, many of the images in the gallery are large enough to appreciate his surface textures (be sure to use the arrows to make the galleries full-screen).

    For more, including links to additional sources, see my 2014 post on Tom Roberts


    Tom Roberts, NGA to 28 March 2016
    My previous post about Tom Roberts (additional links to images)

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  • Illustrators Magazine Issue Eleven

    Illustrators Magazine Issue Eleven; Donato Giancola, Tomer Hanuka, Kames McConnell, Mike Terry, Freya Hartas, Gustave Dore
    Illustrators is a quarterly magazine published in the UK, that I previously wrote about when they published their first issue in 2013.

    Calling Illustrators a “magazine” is a bit misleading, as it’s a 96 page perfect bound format that feels more like a large trade paperback.

    I was delighted to receive a review copy of the current issue, number 11 (the contents for issue 12 have just been announced). Like most of their issues, the format is two lead articles of considerable length showcasing the work of contemporary illustrators followed by an in-depth article on an illustrator from history, and shorter articles on additional contemporary illustrators.

    Issue #11 features Donato Giancola, one of the finest contemporary illustrators working in the field of fantastic art. Giancola is one of the foremost illustrators carrying forward the style and techniques of classical art, putting them in service of modern, thought provoking fantasy and speculative fiction themes.

    For my money, the issue is worth it’s $29.00 US price for the 30 pages of his work alone, including sketches and in-progress versions of some of his pieces.

    As someone who has been perfectly comfortable with both creating and appreciating art on the computer for over 20 years, I still find reproductions of artwork in high-quality print to be a different and very worthwhile experience. Seeing this much of Giancola’s work (scanned from the original artwork) collected in print is a treat.

    The second major article in this issue is 25 pages devoted to the wonderfully expressive line-and color style illustrations of Tomer Hanuka.

    In addition, there are 17 pages on the classic mid-20th century pulp illustrations of James McConnell, and shorter articles on caricaturist Mike Terry and the illustrations of Freya Hartas, as well as the usual book reviews and letters.

    Unfortunately, the Illustrators website does not do justice to the presentation of the publication. For reasons that continue to bewilder me, the pages devoted to individual issues show no images but the cover, and don’t overtly mention that a preview of each issue is available.

    Previews actually are available, accessed through tiny icons labeled “See what you are missing!” instead of a big headline of “View a preview of this issue” or something similar.

    Once in the preview, however, you can zoom or enlarge to full screen and get a decent glimpse of some of the beautiful artwork in each issue.

    You can order individual issues of Illustrators through the website, or purchase a four-issue subscription which includes the online editions as well as the print publication.



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  • Eye Candy for Today: Michele Pace del Campidoglio still life

    Still Life with Melons, Peaches, Figs, and Grapes, Michele Pace del Campidoglio, 17th century
    Still Life with Melons, Peaches, Figs, and Grapes; Michele Pace del Campidoglio

    Link is to zoomable version on Google art Project; downloadable file on Wikimedia Commons; original is in the Museum of Fine Arts, Houston.

    To me, this wonderful 17th century still life by the Italian painter Michele Pace del Campidoglio has a remarkably contemporary feeling — as if painted yesterday by a modern painter steeped in Baroque tradition.



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  • Heinrich Böhmer

    Heinrich Bohmer, 19th century German landscape painter
    Heinrich Böhmer was a German landscape painter active in the late 19th and early 20th centuries.

    I can find little information about him and only a few sources of images, but those I’ve encountered are wonderful.

    Böhmer’s muted, subtle forest interiors, streams and pathways put me in mind of Peder Mørk Mønsted, though I don’t know if there was any direct influence.



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  • Eye Candy For Today: Gilbert Stuart portraits

    Portraits of Matilda Stoughton de Jaudenes, and Josef de Jaudenes y Nebot, by Gilbert Stuart
    Portraits of Matilda Stoughton de Jaudenes, and Josef de Jaudenes y Nebot, by Gilbert Stuart

    Both paintings are in the Metropolitan Museum of Art. Use the download or zoom icons under the images on the museum’s pages.

    18th century painter Gilbert Stuart is an artist whose historical stature suffers from “greatest hits” syndrome. His portraits of early U.S. presidents, most famously his iconic portrayals of George Washington, overshadow his accomplishments as a painter and portraitist.

    In this double portrait, Stuart pulls out the stops to portray a Spanish diplomat and his sixteen-year-old American bride at the time of their wedding, decked out in the elaborate finery customary in Spain at the time.

    Stuart brought a European sensibility to his work — learned during his time in England as a student of Benjamin West — and was the most highly regarded portrait painter in America.

    His command of the brush is evident in his confident handling of fabric and the decorative elements of clothing; the economical notation of hair, lace and brocade; and the lively, glowing visages of his young subjects.



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  • Kirsten Zirngibl

    Kirsten Zirngibl, concept artist and illustrator
    Kirsten Zirngibl is a concept artist and illustrator based in San Diego.

    Zirngibl’s subjects can involve both technological and biological forms, in either case often intricately rendered. She often makes interesting use of light sources, contrasting bright sources with darkly portrayed environments that allow the viewer to project their imagination into them.

    Her website, ArtStation, Behance, and deviantART portfolios feature both her professional work and personal projects, including some location sketches in either digital or traditional media, like the digital poinsettia still life shown above, second from bottom.



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Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics