Lines and Colors art blog
  • Sketches in Line and Wash by Jeanette L. Gurney

    Sketches in Line and Wash by Jeanette L. Gurney
    Sketches in Line and Wash by Jeanette L. Gurney

    If, like me, you’ve watched many of James Gurney’s excellent short videos on YouTube, you have undoubtedly seen Jeanette Gurney, James Gurney’s wife, playing a supporting role, often accompanying him on sketching trips and sketching in the background while he sketches or paints.

    Occasionally, we would get a look at her line and watercolor drawings, which I have always enjoyed, but usually only glimpses.
    With the release of a recent video on YouTube titled Sketches in Line and Wash by Jeanette Gurney, we finally get a more extended look at Jeanette Gurney’s line and watercolor drawings.

    Line and watercolor has been gaining in popularity in recent years as a favored medium among urban sketchers; Jeanette Gurney has been working this way for some time. It is a fascinating combination of mediums, with many of the eye pleasing characteristics of both drawing and painting. These characteristics are evident in the variety of approaches to line and wash featured in this video.

    The video itself appears to be a recording of a livestream conducted with a New Jersey high school. In the first third or so both Jeanette and James field questions from the students and Jeanette discusses her materials and basic techniques. There is a list of materials links when you open the “Show More” link on the YouTube page.

    About 12 minutes in, we see more of her line and wash sketches, in which her line application varies from pencil to marker to pen and even ballpoint. Her favored subject is architecture, and her sketches are of a fascinating variety of buildings.

    She has a light touch with her lines — contrasted with occasionally bold marker lines — and an often free application of watercolor, giving her drawngs the feeling of a loose, casual sketch, though it’s obvious that there is a solid foundation of draftsmanship underneath.

    This is one of those delightful videos that makes you want to grab your sketchbook and head out the door.



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  • Eye Candy for Today: Homer’s A Basket of Clams

    A Basket of Clams, Winslow Homer, watercolor and gouache
    A Basket of Clams, Winslow Homer, watercolor and gouache (details)

    A Basket of Clams, Winslow Homer, watercolor and gouache, roughly 11 x 10 inches (29 x 25 cm). In the collection of the Metropolitan Museum of Art, which has both zoomable and downloadable versions of the image available.

    The museum lists the materials of this early watercolor by Homer as simply “watercolor on wove paper”. Why there is no mention of the obvious use of gouache is surprising to me. Usually, museums will indicate the use of gouache with watercolors or drawings, even if it’s just “touches of gouache”.

    Here, Homer has used opaque white quite liberally, not just in the obvious highlights on the ship, the ship’s rigging, the children’s clothing and the shark and stones on the beach; I think the pale blue of the vest on the figure at left looks like a scumble of light opaque color over a darker tone.


    A Basket of Clams, Met Museum

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  • Nicholas Kole

    Nicholas Kole. illustration and concept art
    Nicholas Kole. illustration and concept art

    Nicholas Kole is an illustrator and concept artist based in Vancouver, BC. His clients include Disney, Dreamworks, Hasbro, EA Games/Waystone, Riot, Axis, ReelFX, Mattel, 38 Studios and Spiritwalk Games, among others.

    Kole’s style is energetic and cartoony, with just enough rendering to give his characters an appealing dimensional aspect.

    For the past few years, he has been working full time in Procreate on an iPad Pro, including a year on the road.

    Kole has a personal project called Jellybots — which I believe is both an art book and a comic — that he is supporting through Patreon. He also has digital art books available through Gumroad.



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  • Eye Candy for the Summer Solstice: Walter Moras, Summer Idyll

    Summer Idyll (Sommeridylle), Walter Moras, oil on canvas
    Summer Idyll (Sommeridylle), Walter Moras, oil on canvas (details)

    Summer Idyll (Sommeridylle), Walter Moras, oil on canvas, roughly 31 x 47 inches (80 x 120 cm)

    Link is to a page on Wikimedia Commons that offers a large file; I don’t know the location of the original.

    German landscape painter Walter Moras (active n the late 19th and early 20th centuries) gives us a bucolic image of a small stream on a summer day.

    Happy Summer Solstice!


    Sommeridylle, Wikimedia Commons

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  • More portraits of artists’ fathers

    Portrait of the artist's father, Ilya Repin
    Portrait of the artist's father,

    More portraits of artists’ fathers.

    For more see my previous post: Portraits of the artist’s father.

    (Images above, [links are to relevant Lines and Colors posts]: Ilya Repin, Herbert Drouais, Jenny Fay, Anna Klumpke, Andrew James, Paul Cezanne, Antonio Mancini, Marcel Duchamp, John Singer Sargent)



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  • Eye Candy for Today: Dante Gabriel Rossetti graphite portrait

    Portrait of Mrs. William Morris, née Jane Burden, Dante Gabriel Rossetti, graphite on paper
    Portrait of Mrs. William Morris, née Jane Burden, Dante Gabriel Rossetti, graphite on paper (details)

    Portrait of Mrs. William Morris, née Jane Burden, Dante Gabriel Rossetti, graphite on paper, roughly 13 x 11″ (33 x 29 cm). In the Morgan Library and Museum, which has both zoomable and downloadable versions of the image on their site.

    I’m intrigued, in this drawing, by the Art-Nouveau influenced curves of the outlines, and how subtly they’re indicated. I’m particularly fascinated with the tight range of the overall value scale. The only areas that are truly dark are the pupils of the eyes.

    Starting with what appears to be cream paper, and drawing with predominately soft graphite lines and soft tones of shading, Rossetti has managed nonetheless to make the forms feel crisply indicated by of the precision of the line. In this respect, the drawing reminds me of some by Degas.

    Even the edges of the composition are defined with a gentle line that is reminiscent of the edges left by impressions of etchings.



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Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics