Lines and Colors art blog
  • Similarity based image search

    Similarity based image search, TinEye, BYO Image Search Lab, Incognia, Pixolu, Google Similar Images, Bing
    OK, so you’ve got this image, and you want to find something similar or related; and you want to find it with needle-like accuracy out there in the vast and windblown haystacks of the web.

    Search engines, of course, come to mind. Those tireless workhorses of web direction (and misdirection) are always happy to give out their directions (and maybe a few ads) to help in your righteous quest, oh Grail Seeker.

    But suppose you don’t have that magic word, the name of the painting or artist, What then?

    Enter similarity based image search, the ability to search for other images based on the characteristics of a known image. There are several approaches to this, and several kinds of search engines to use.

    In investigating them, I started out with an image that was common, but not too common, Titian’s portrait painting known as Man with a Blue Sleeve (The National Gallery, London, also called A Man with a Quilted Sleeve, which may or may not be a self-portrait, I think it is).

    I got an interesting variety of results from several visual search engines with similarity based search features, though none of them returned the image I was hoping for (at least in the first round), Rembrandt’s similarly posed self-portrait (see my post on Web Gallery of Art).

    The first kind of search engine can be particularly helpful in this kind of search, in that they allow you to actually upload an image you already have and search for similar images; completely image based, no search words necessary.

    TinEye (images above, top) allows you to browse your desktop, upload an image, or enter the URL of an image file on the web, and search for similar images. It does a good job of finding other versions of the same image, which can be very helpful in identifying an image for which you don’t have a name or artist. It wasn’t that helpful for finding related images by the same or other artists, but you could start there and carry on with a more generalized search engine.

    BYO Image Search Lab (above, 2nd down) from Idée Labs also lets you upload an image or enter a web URL, but the returns are quite different. I was actually very impressed with the engine’s returns of images with similar composition, color and value, and it returned fascinating images; but it was not particularly helpful in finding other images by Titian or similar images by other artists. It’s fun, though. Idée Labs also has searches based on a selection of colors, or combined tags.

    The other engines require that you first find an image through traditional word-based search and then show you similar images to the ones found.

    Incognia (above, third down) did a decent job of finding some other paintings by Titian, but was not extensive in its returns and doesn’t identify the source of the image on the thumbnail.

    Pixolu (above, 4th down), which uses a Flash based interface, found a wider range of Titian images. It allows you to control the size of the thumbnail display, and drag multiple images to a sidebar and click “Refine” to focus your search. The thumbnails are not directly linked to their source, however. You have to click on them and then look to the right under the thumbnail size control, for the image URL.

    Of course, the big boys want to play at this game too.

    Venerable Google, which essentially owns web searching (something like 80-90% of all searches now) has a solid similar images labs feature (above, 5th down); probably the most useful and extensive of the lot (they’re #1 for a reason). Google found a range of Titian portraits, as well as similarly composed portraits by other old master artists, and displays the link to the original under the thumbnail. Subsequent pages of results started to stray more widely off topic, but retained a mix of relevant results for several pages. (Still didn’t turn up my Rembrandt, though. Perhaps that was too much to ask.)

    Bing, Microsoft’s rebranded search engine, appears to have an automatic similar image feature. When searching for images, clicking on any one image brings up its source in a browser frame, and displays related images in another frame to the left. I don’t like the frame based interface, or the fact that it won’t let me Command-click (on the Mac) to open multiple images in additional browser tabs.

    Bing did an OK job of finding some similar images (above, second from bottom); but as I scrolled down in the related images frame (above, bottom) some of the “similar images” just boggled my mind.

    Correction: OK, I owe Microsoft an apology (sort of). Apparently the images to the left are not related by similarity, but are results from the original search term. It is evidently finding “Titan” in addition to “Titian”, thinking I’m too lame to have actually meant “Titian” (thanks for nothing, Clippy), which explains the colorful figure of the Boy Wonder and the football stuff. Still wonky, though; and now not related to the topic of this post. Sorry.

    Addendum: I want to give you the benefit of one of the key things I’ve learned about searching in my 14 years on the web; and particularly over the last few years of researching topics for Lines and Colors: and that is that search engines are not where you begin and end your search.

    Search engines are a great place to begin a search, particularly if you learn to use their more powerful advanced features, but search engines can only take you so far. Much of the web is the so called “deep web”, billions of pages beyond the reach of the major search engines because they are behind logins or database driven sites that don’t get indexed easily. (The last estimate I heard is that Google, by far the largest and most powerful of the major search engines, reaches less than 20% of the total pages on the web. Granted, most of this is corporate documentation, but it’s still a striking figure.)

    Use search engines to start your search, but then focus in on the local search available within databased sites that may have the information (or image) that you’re seeking. For example, if go to the large online art sites like Art Renewal Center, Web Gallery of Art, CGFA, The Athenaeum, or Artcyclopedia and use their local search features, and you’ll often have greater access to their resources. The same applies to the online collection databases of museums.



    TinEye
    BYO Image Search Lab
    Incognia
    Pixolu
    Google similar images labs
    7 Similarity Based Image Search Engines, from Search Engine Journal
    Gazopa (still in private Beta, not available yet)

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  • Velázquez (Self?) Portrait Rediscovered

    Diego Velazquez, Portrait of a Man
    It may be disconcerting to some, but I actually enjoy the fact that art history, like history in general, is a fluid landscape. New discoveries and the reinterpretation of existing information can make textbooks obsolete overnight and reverse the fortunes of collectors and museums; and can also lead to excitement, disappointment or simply clarification.

    A reversal of a reversal has led to excitement, and improved the fortunes of the Metropolitan Museum of Art in New York, as the attribution of Portrait of a Man, a painting in their collection once assigned to Spanish master Diego Rodríguez de Silva y Velázquez, but later downgraded to “workshop of” (meaning painted perhaps under his guidance, but by lesser hands) has recently been reexamined, cleaned, restored and reassigned to the master’s hand.

    Velázquez is one of the great masters of Western art, considered the greatest of all painters by some, and the reassignment of the painting to him is a significant event.

    This is particularly interesting because the painting, when originally attributed to him, was thought to be a self-portrait, an assessment that just seems “right” to me. I say that not because I’m any kind of expert on Velázquez, but simply because the portrait has that particular look I’ve seen in dozens of self-portraits.

    This is partly, I think, due to the staring-directly-at-you face-in-the-mirror pose, but partly due that special look that I think comes from the mental shift into that mode of seeing that accompanies drawing and painting from life. (See my posts on Drawing on the Right Side of the Brain, The Face of Leonardo? and Marie-Denise Villers)

    Diego Velazquez, Surrender of Breda
    The portrait matches that of the figure of a bystander in Velázquez’s Surrender of Breda (to the far right, image above with detail). That figure also stares directly at us (or the mirror) and has something of that same look to the eyes. This figure too was long thought to be a self portrait while Portrait of a Man was still attributed to Velázquez.

    Portrait of a Man is more of a study than a finished work, but the face is pretty well finished. To think that we have the face of the artist staring out at us is a wonderful addition to the treat of knowing we have another Velázquez in the world.



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  • Terrible Yellow Eyes

    Terrible Yellow Eyes, Jason Caffoe, C.G. Young, Joel Furtado, David Miles, Mike Daley, Mike Lee, Shaun Pendergast, Saud Boksmati
    Terrible Yellow Eyes is a blog established by illustrator Cory Godbey to express his fascination and admiration for the work of Maurice Sendak, and in particular, his classic Where the Wild Things Are.

    The blog is a growing collection of artwork from a variety of artists, each expressing their own admiration for Sendak’s work with homages to the book and its characters.

    The list of contributing artists includes some wonderful talents and Godby has curated an exhibition at Gallery Nucleus in Alhambra, CA, also titled Terrible Yellow Eyes, that puts many of these works together in a gallery setting.

    The Gallery Nucleus exhibition runs to October 6, 2009. Godby’s blog has some photos from the opening.

    Here is the initial post in which Godby explains his inspiration for Terrible Yellow Eyes.

    Both Godby’s blog and the Gallery Nucleus page about the exhibition have links to the artist’s sites and blogs, a list that can keep Lines and Colors readers happily clicking deeper for may hours (timesink warning).

    Images above:
    Jason Caffoe
    C.G. Young
    Joel Furtado
    David Miles
    Mike Daley
    Mike Lee
    Shaun Pendergast
    Saud Boksmati

    [Thanks to Masha Dutoit for the suggestion]



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  • Maurice Sendak

    Maurice Sendak
    Maurice Sendak has been a window dresser for F.A.O. Schwartz, an illustrator for All-American Comics, and, since 1951, the author and illustrator of some of the most well-known and influential books in children’s literature.

    A fair bit of attention is currently focused on Where the Wild Things Are, his award winning and controversial classic that has just been adapted as a movie.

    Sendak is the author/illustrator of several other books and the illustrator of over 40 more. My personal favorite is In the Night Kitchen, the illustrations for which harken back to the illustrators of the early 20th Century, as well as carrying a flavor of the surreal (i.e. dream based) comic strip flights of Winsor McCay.

    The controversy about Where the Wild Things Are focused on the darkness of the illustrations, deemed “too frightening” by adults unfamiliar with the nature of traditional fairy tales.

    In the Night Kitchen aroused concerns because the young protagonist loses his clothing and is naked for the first part of the story, something innocent to children who only learn the concept of shame that shame-filled adults teach them. Many of those shame-filled adults have challenged the book, tried to ban it from libraries or actually censor library copies by defacing the book, covering the “naughty bits”.

    Also controversial is the implied darkness of the story sequence in which the threat of being placed in an oven with the bread dough, by bakers sporting Hitler-like mustaches, is an allusion to Sendak’s own preoccupation with the events of the Holocaust. (See the excerpt on Google Books.)

    Sendak’s willingness to interject darkness and sophisticated themes (however tangentially referenced) into his children’s books, along with wild imaginings and his wonderful use of color and texture, light and shadow, has made his work resonate with generations of readers, young and old.

    The Rosenbach Museum and Library here in Philadelphia is the official repository for Sendak’s work, with a permanent gallery devoted to his collection and frequent special exhibits.

    I don’t know of an online repository for Sendak’s illustrations, but searching on Google, Google Books and Amazon will produce plenty of images. I’ve listed some other resources below.

    One of them is an audio interview in which Sendak discusses one of my all time favorite children’s books, Crocket Johnson’s Harold and the Purple Crayon.



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  • RK Post

    RK Post
    Randy “RK” Post is an illustrator who has a fascination with monsters and a penchant for the gruesome and grotesque, an inclination that serves him well in his role creating fantasy and gaming illustrations for clients like TSR, Wizards of the Coast, LucasFilm, 20th Century Fox, Sega, and others. He also counts comics companies like Marvel, DC and Dark Horse among his clients.

    Post’s richly detailed and vividly imagined monsters are joined by warriors, priestesses, wizards, and demonic figures of all shapes and sizes. His intricate renderings of characters and their accoutrements, along with his wildly bizarre monsters, are often set against spare, but highly textured backgrounds, giving a nice counterbalance while still serving up lots of fantasy eye candy.

    Post also plays with his color palette, contrasting deep, color filled darks with intense color areas, and arraying them across detailed costume and creature designs.

    There is a book of Post’s work called Postmortem: The Art of RK Post.


    The Art of RK Post (Daydream Grahics)
    MySpace (click on slideshow for pop-up gallery)
    Unofficial site (I think)
    Wikipedia bio

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  • Todd Bonita

    Todd Bonita
    Todd Bonita is a New Hampshire based painter who studied at the Art Institute of Boston, and here in Philadelphia at the Pennsylvania Academy of the Fine Arts.

    He has worked as a muralist, designer, sculptor, painter and illustrator, and has over 30 books to his credit.

    As an oil painter, Bonita paints a variety of subjects, but focuses in particular on compositions involving small boats in the water. These are often in shallows, adding interesting effects of rocky, sandy or muddy bottom surfaces through layers of translucent water; along with weathered docks, reeds and shorelines arranged against the often colorful and texturally rich boats themselves.

    Texture plays such a part in these paintings, in fact, that at first glance, I thought they were thickly layered pastels. Bonita works most often in oil on Masonite, wood panel or canvas; and the paintings featured on his blogs (he maintains two, painting life and Todd Bonita’s Art Blog) and web site vary in size from roughly 24×30″ to 6×8″.

    He finds in his subjects wonderful areas filled with colors and textures of ground and water between his boats and their surroundings. Look at those areas as negative shapes to appreciate the strong design aspect of his compositions.

    [Via Mick McGinty (see my posts on Mick McGinty)]



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Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
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Rendering in Pen and Ink
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Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics