Lines and Colors art blog
  • Anamorphic Art

    Anamorphic Art - Andrea Pozzo, Istvan Orosz
    An anamorphosis is an image that is distorted in such a way that it only assumes the proportions of recognizable forms when viewed from a certain angle, or by reflection in a curved surface.

    The term comes from the Greek anamorphoun, to transform. Anamorphic images have a long history in art. The earliest examples in Western art are found in Leonardo’s notebooks, though anamorphic images may have been developed in Chinese art around the same time.

    Anamorphic perspective was employed in the illusionistic painting of church vaults, like those of Andrea Pozzo (image above, top, large version here) and Andrea Mantegna, but it has most often appeared in art as a curiosity or entertainment; or been used for the creation of hidden or secret images, requiring a matching mirrored surface to reveal their true nature.

    Anamorphic images can be of as much interest to scientists as they are to artists, as NewScientist reports in their mention of a recent seminar on technical aspects of anamorophic art at the London Knowledge Lab; and an event at the National Gallery in London called Curious Perspective: Anamophosis in Art.

    The NewScientist article is accompanied by a slideshow of anamorphic images.

    The event at the National Gallery in London centered on the wonderfully enigmatic painting The Ambassadors by Hans Holbein the Younger, which is in their permanent collection. I devoted a post to The Ambassadors in 2006.

    One of the notable modern applications of artistic anamorphosis that is missing from the NewScientist article (and many other resources) is the use of anamorphic images in sidewalk art, as exemplified by the work of Julian Beever and Kurt Wenner.

    You can also add to the list the illusionistic point-of-view dependent paintings of Felice Varini and the modern continuation of traditional anamorphic art by István Orosz (image above, bottom). I’ve gathered some other anamorphic art resources below.

    [NewScientist article link via Digg]



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  • Dan Dos Santos’ “Top 10 SF/F Art Websites of 2008”

    Dan Dos Santos
    As part of the SF Signal year end round up of The Best Genre-Related Books/Films/Shows Consumed in 2008, illustrator Dan Dos Santos has posted his Top 10 SF/F Art Websites of 2008, in which he was kind enough to list Lines and Colors (thanks, Dan).

    The list includes some sites I’ve specifically written posts about, including Gorilla Artfare and the amazing Tor.com site (with its SF/F art gallery); as well as many that I’ve linked to in the course of posts about various artists.

    It prominently mentions the always fascinating Gurney Journey, which is where I found out about the list. (Gurney’s blog had gone way beyond its original premise and has become a combination of art travelogue, insightful looks at art history and one of the best art instructional sites on the web.)

    Of course, Dos Santos’ list also gives me a great excuse to post more of his own terrific artwork (above). When visiting his site, don’t miss the Wallpapers section of his gallery, where you can see a few detail crops from his images in high enough resolution to see his brushwork (image above, bottom).



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  • Shaun Tan on InFrame.tv

    Shaun Tan talks about The Lost Thing animated short son InFrame.tv
    InFrame.tv, a video podcast out of Melbourne, Australia with a focus on arts, design and culture, has a nicely done segment on multi-talented illustrator and author Shaun Tan, who I wrote about previously here and here.

    In it, Tan talks about the adaptation of one of his books, The Lost Thing (images at top) into a CGI animated short feature.

    The animated short is being produced by Passion Pictures Australia, and is set for release late next year. There is a page about the project on Tan’s site.

    Incidentally, since my last post about Shaun tan, I picked up a copy of another of his books, The Arrival, and it is absolutely wonderful, even more beautiful than the preview images would lead you to believe. This wordless narrative is a story that combines down to earth emotional images with brilliantly imaginative flights of visual fancy. Drawn entirely in pencil and printed in various sepia tones, it’s one of the most delightful “graphic novels” I’ve seen in recent years.

    I now have The Lost Thing on my list, and I’m looking forward to seeing the animated adaptation, particularly because of Tan’s intimate involvement with the production.

    [Via Drawn!]



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  • Genetic Programming: Evolution of Mona Lisa

    Genetic Programming: Evolution of Mona Lisa
    Trial and error.

    What artist has not at some point resorted to “I’ll just try this and see if it looks better.“?

    You might say that, in light of Darwin’s model of natural selection, nature itself does the same: make a genetic mutation or two, or a billion, and see what works.

    Swedish programmer Roger Alsing has created a playful experiment in “genetic programming” applied to image making, in which he wrote a small program for rendering 50 translucent polygons into an image area.

    He set it to mutate slightly with each iteration, so that each pass of the program produces a different distribution of the polygons (the “genetic mutation”).

    The fact that the polygons are translucent allows for many smaller subtle shapes within the composition, produced by overlapping areas of color, like laying an area of yellow glaze over both blue and green shapes in an oil painting.

    At the end of each rendering sequence, the program uses a “fitness function”, basically a small routine to compare the resultant image pixel by pixel with a target image, in this case an image of the Mona Lisa.

    Based on the “fitness” of the image, the program keeps either the new “dna” or the existing “dna”, whichever is more like the target, as the basis of the next mutation and iteration.

    Trial and error. Survival of the fittest.

    There is a selection of images on Alsing’s blog showing various renders, from which I’ve pulled a few representative samples, above. (For those who are programmatically inclined, there is also a faq with some of the basics.)

    Under each of the sample images is a filename that shows the number of times the program had to run to reach that particular image.

    The one at bottom-right shows 904,314 incidences of “I’ll just try this and see if it looks better“.

    [Via Kottke]



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  • Albert Edelfelt

    Albert Edelfelt
    Albert Edelfelt was born to a Swedish family living in Finland in the mid 19th Century.

    He found art training resources limited at the Imperial University in Helsinki, and went to the Antwerp Academy of Art to study historical painting for six months and then moved to Paris, where he found his artistic horizons broadened.

    He was one of the first Finnish artists to receive international recognition; he associated with famous artists and hung out with the Russian Czars and their families when they ruled Finland.

    He painted historical, romantic and religious works but was most known for his portraits, in particular his portrait of Louis Pasteur is well-known.

    He was also an advocate of plein air landscape painting. Though he encountered Jules Bastien-Lepage, an influential advocate of plein air painting, while studying in Paris, he only painted one major outdoor work during his stay there.

    Edelfelt was undoubtedly influenced by the avant garde painters he encountered in the Paris galleries and cafes, but remained strongly influence from older masters like Valazquez and Goya.

    His later work reminds me in a many ways of the American Impressionists, combining the bright color and free brushwork of the French Impressionists with a solid framework of Academic fundamentals.

    I came across Edelfelt through a pair of excellent articles (here and here) on Michael Hirsh’s Articles & Texticles, as part of his wonderful series Parading My Ignorance, or Painters I should Have Known About.

    After searching for Edelfelt resources on the web, Hirsh’s articles remain the best source on this exceptional artist and his work, including many preliminary studies, along with the finished paintings to which they apply. I’ve listed some additional resources below.

    Edelfelt’s work is featured in an exhibit currently running at the National Gallery of Ireland called Northern Stars and Southern Lights: The Golden Age of Finnish Art 1870-1920 until February 1, 2009 (exhibit link via Art Knowledge News).


    Albert Edelfelt on:
    Articles & Texticles part I
    Articles &amp Texticles Part II
    Athenaeum (7 works)
    Hermitage Museum (8 – imtermediate images don’t show – use links at right for “full size image”)
    ARC (5)
    Vaasa Pages (9)
    Northern Lights (8)
    Musée d’Orsay (3)
    Ciudad de la pintura (2)
    CGFA (1)
    Paris by Painters (1)
    Konstvärlden & disajn (1)
    Akseli Meets Milla (1)
    Wikimedia Commons (11 – not all in color), Wikipedia bio
    Illustrated bio on Virtual Finland
    Finnish National Gallery (many works, though small – click on “See all pictures”)
    Portrait of Louis Pasteur
    Pintura finlandesa
    Artcyclopedia

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  • Leong Wan Kok

    Leong Wan Kok
    Leong Wan Kok is a Malaysian comics artist and illustrator currently living in Kuala Lumpur.

    His wonderfully eccentric and at times intricately detailed images combine stylized, cartoon-like figures with intense rendering.

    His darkly bizarre subject matter is accentuated by his choice of a dark palette and lots of textural variation, and highlighted with accents of higher chroma colors.

    His website, 1000tentacles.com, is shared with illustrator pH Khor, though credits are not given for individual pieces.

    The gallery suffers from one of those interfaces in which you must click on each individual thumbnail and wait for a JavaScript to open a new window, load the image, resize and reposition the window, then close and repeat the process for each image. You may find it easier at first to browse his gallery on CGSociety, though the web site has many more pieces, organized in categories for Comic, Illustration and Sketch.

    There is a short interview with Leong Wan Kok on Jazma Online. There is also a preview on Liquid Citizen of his contribution to the Liquid City comics anthology (more info here).



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Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics