Lines and Colors art blog
  • Stanislaw Zoladz

    Stanislaw Zoladz
    Stanislaw Zoladz is a watercolor painter originally from Poland, where he studied at the Kraków Academy of Fine Arts, now living and working in Stockholm, Sweden.

    Zoladz’ beautifully refined paintings are infused with light in many forms, from scintillating daylight to the muted, atmospheric effects of overcast days.

    From the relatively small images on his website, you might be inclined to categorize his work as hyper-realistic, or even photo-realistic, but in those few higher resolution images you can find online, it’s clear that his work, when viewed in more detail, retains the fresh immediacy of watercolor painting at its best.

    This effect is exaggerated a bit by the fact that in much of his studio work, Zoladz works fairly large. He paints from life, and as far as I know does not rely on photographs for reference, creating his larger studio pieces from smaller location studies.

    There are larger images reproduced on the site of Konsthuset Galleri. There is also an interview with Zoladz on the Art of Watercolor blog that includes a few images that are linked to larger versions.

    In both of the sections of his website galleries, for originals and reproductions, it’s worth noting that there are additional pages linked from a row of numbers under the thumbnails, and the galleries are actually nicely extensive.

    Zoladz is featured in the current issue of Art of Watercolor magazine (Summer 2013, n11).

    I’ve listed what other resources I could find below.

    [Suggestion courtesy of James Gurney]



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  • Eye Candy for Today: Isaac de Moucheron landscape drawing

    Classical Landscape, Isaac de Moucheron
    Classical Landscape, Isaac de Moucheron

    In the Metropolitan Museum of Art. Click “Fullscreen” and then zoom or download arrow.

    A beautiful drawing in the grand tradition of 17th century Dutch landscapes in pen and ink with washes. In this case, the artist has combined two ink colors, brown and gray-brown. The original measures roughly 7×12 inches (17.5×28.7cm).

    De Moucheron combines precise draftsmanship and fluid, gestural pen marks with astonishing ease. He uses his washes to great effect in preserving the economy of line.

    I love the raking light across the terrace walls, the depth achieved with both linear and atmospheric perspective, and the wonderful textural qualities his pen lines give the foliage.

    How casual he makes it seem!



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  • Michael Whelan

    Michael Whelan
    For many years, Michael Whelan was one of the best known, most popular and well respected artists in the field of fantasy illustration. His work set new standards for the field and continues to inspire new generations of artists.

    In the mid 90’s, Whelan transitioned from illustration into gallery art, bringing his refined draftsmanship, dramatic color and wide ranging imagination into the service of imaginative realism. The galleries on his website include extensive selections of both his illustration work, familiar to many as iconic book and record covers, and his newer gallery paintings.

    In the latter, I see possible influence of 19th century painters like Arnold Böcklin and Caspar David Fredrich, as well as other symbolists and perhaps some of the other Victorian painters.

    Whelan has a deft touch to blending the classical and modern, both in his subject matter and his approach to painting.

    Some of his gallery paintings appear to be parts of series, though they are not arranged that way, in which Whelan returns to visual themes. Many of them have a narrative feel, with an implied rather than implicit story waiting for the viewer’s imagination to take up thread and fly.

    In addition to the galleries on his website, there is a shop where you can find original art, prints and books; and under “About the Artist”, a series of FAQs that include information on materials and techniques. Though he occasionally works in oil, Whelan’s preferred medium is acrylic, usually on gessoed panel or watercolor board.



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  • Johannes Bosboom

    Johannes Bosboom
    Nineteenth century painter Johannes Bosboom is known for his portrayals of church interiors, in which he explored light and volumetric space.

    He produced several beautiful cityscapes as well, notably the striking View of the Paris Quay and the Cathedral in Rouen (images above, top, with detail). He was also notable and influential as a landscape watercolorist.

    I’m particularly impressed with those oil paintings in which he appears to use a highly textural application of paint, giving the surface a contemporary, painterly feeling. It’s difficult to tell from the available images online how prevalent this is in his work, as it shows best in detail views of certain paintings. You can see it in the Rouen painting, and it is very evident in his painting Interior of the Bakenesserkerk, Haarlem, in the National gallery, London, which I featured in more detail in this Eye Candy post.

    A number of his watercolors utilize gouache as well as transparent watercolor, and I also very much like his approach to that medium. Many of his watercolor pieces are location sketches — almost monochromatic, but with touches of other colors and combined with chalk or charcoal.

    The best selection of his work I’ve found is on the Rijksmuseum website. (See my post on the new Rijksmuseum website for information on how to download large images. You can also access some of the images on the Memory of the Netherlands project.)



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  • Eye Candy for Today: Way’s grapes

    Bunch of Grapes, Andrew John Henry Way
    Bunch of Grapes, Andrew John Henry Way

    In the Walters Art Museum. Use “Explore Object” line in upper left of image, or Download link to right.


    Bunch of Grapes, Andrew John Henry Way

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  • Hopper Drawing

    Hopper Drawing
    Hopper Drawing is a show at the Whitney Museum of American Art in New York that pulls from a collection of over 2,500 drawings in the museum’s holdings, along with some of Hopper’s most iconic paintings, to examine both his process as a painter and his role as a draftsman.

    Though I have not yet seen the exhibition, I’m loooking forward to it. I particularly enjoy seeing both preliminary drawings for paintings and the finished paintings side by side; few arrangements are more revealing of an artist’s process.

    The museum has an online feature showcasing the paintings and related studies, though it is hampered by one of those unnecessarily “clever” interfaces that gets in your way rather than making it easy to browse the images.

    A new book, Hopper Drawing, accompanies the exhibition.

    Hopper Drawing runs until October 6, 2013.



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Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics