Lines and Colors art blog
  • Parkour Motion Reel

    Parkour Motion Reel
    This is an amusing little animation that was made as a course assignment by a design degree student in Singapore, who goes by the handle “saggyarmpit” on Vimeo.

    She points out that it was done fairly quickly, the drawings illustrated with technical pen and rough around the edges, and expresses surprise at the degree of attention the piece is getting.

    What’s amusing and appealing about the piece is her clever use of folded paper, flip book techniques and stop motion animation to move the character through his parkour motions.

    (Parkour, or “the art of moving”, is a practice originating in France of traversing an environment, usually urban, by physically adapting to it using climbing, jumping and running skills that are honed in a way comparable to martial arts training. You may have seen it displayed in the opening of the Casino Royale James Bond film from 2006.)

    Here the artist, with post production help from Noel Lee, moves the figure through the illustrated environment, her hands acting as part of the stop motion action.

    “Saggyarmpit” does not have a web site yet, but promises one soon.



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  • Jules Breton

    Jules Breton
    Jules Breton, whose full name is Jules Adolphe Aimé Louis Breton (what, no hyphens?), was one of the most famous and in demand academic painters of the 19th Century.

    He fell into disregard and semi-obscurity in the 20th Century, suffering particularly at the pens of Modernist critics who deemed him one of the terrible academic painters from which Modernism was here to “save” the spirit of pure art.

    Though he started as a history painter, for the majority of his career Breton largely devoted himself to images of peasant field workers, seasonal laborers at the bottom of the social ladder, toiling in the fields.

    His subjects are represented with sympathy, but his fields are idealized, glowing seas of grain bathed in late day sun. He also portrayed other elements of village life, as in The Commuincants (above, top).

    He studied at the Academy of Fine Arts in Ghent, and later in Paris at the atelier of Michel Drolling.

    Breton focused in later years on compositions of single female workers, posed in sunlit fields, a genre that proved highly popular with buyers in the U.S. He became highly regarded and his work in demand in the UK and the U.S. as well as his native France.

    His later paintings moved from realism to a poetic vision more in keeping with Symbolism. His painting The Song of the Lark (above, bottom left) was the source of the title for Willa Cather’s famous novel.

    Reportedly, Van Gogh at one point walked 85 miles to try to meet him, but was put off by Breton’s high wall and never contacted the elder artist.



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  • Your First Print: a introduction to Japanese Woodblock Printmaking

    Your First Print: a introduction to Japanese Woodblock Printmaking, by David Bull
    Your First Print is a rich media eBook by David Bull. Bull is an English born Canadian printmaker, now living in working in Japan, who has an extraordinary devotion to the art and craft of Japanese woodblock printing.

    That devotion is evident not only in his own work, but in his study of the art, and in the efforts he has made in assembling and disseminating information about the process. He has presented that information for a number of years in his extensive and highly informative website, woodblock.com, and is now extending that through a series of eBooks as part of a new publishing venture, Mokuhankan.

    For background on the artist, his process and work, please see my previous post on David Bull.

    Your First Print is an offshoot of the Mokuhankan venture, the primary purpose of which is to publish woodblock prints by other artists. Bull points out that though the devotion to making woodblock prints, a strong tradition in Japan, is very much alive among devotees of the art, the publication and sale of prints has faded. However, those exposed to woodblock prints for the first time are often dazzled by how beautiful they are and and how fascinating they can be.

    Likewise, even those knowledgeable about western printmaking may be surprised and fascinated by the differences in the traditional methods of Japanese Woodblock printing. For example, no press is used in making an impression. The traditions of Japanese and European printmaking (which began to cross-pollinate in the 19th Century, see my post on Hokusai), have fascinating parallels as well as divergences.

    Your First Print is an elegant and painstakingly crafted electronic book, in rich media PDF format, that introduces the reader to the process, providing an introduction to both those interested in pursuing the art and those who simply wish to deepen their appreciation of the process behind the art.

    The eBook is divided into chapters and subchapters, taking the reader through the entire process, from selecting the materials to final printings and even troubleshooting things like misregistration and chipped or damaged blocks.

    The text and photographs are supplemented with audio and video files. There are two versions. The downloadable version calls its multimedia files from the internet, the CD-ROM version is self contained. Both require version 9 of the free Adobe Reader in order to access the multimedia content (and convenient drop-down navigation). Those Mac users who, like me, prefer Preview as a PDF reader will need to use the Adobe reader if you want to access the video and audio.

    There is a Sample Download PDF available (toward the bottom of this page) that gives you a preview of 24 pages from the the book (“pages” in this case actually refer to horizontal screen-wide spreads). There is also a Support Forum on the Woodblock.com site, in which readers can compare notes, ask questions and generally discuss the process of traditional Japanese printmaking.

    In addition to Your First Print, there is a Catalogue of other items, with gems like classic texts by great Japanese printmakers, including Japanese Wood-Block Printing by Hiroshi Yodhida, one of my favorite printmakers.

    David BullFor more on David Bull’s own work, you can view a number of his print series on the site, including his Hanga Treasure Chest small print series and the 12 prints for My Solitdes. The latter has a fascinating companion page, in which you can view interactives that allow you to click through the stages of printing impressions for the individual pieces. It is in pieces like these that I enjoy Bull’s work most, where European and Japanese visual traditions meet and blend, as in the image at left, The Seacoast in Autumn (original here).

    For more on traditional Japanese woodblock prints, see some of my previous posts on Hiroshi Yoshida, Kawase Hasui, Katsushika Hokusai, Ito Shinsui, Utagawa: Masters of the Japanese Print 1770-1900 at the Brooklyn Museum and Exquisite Visions of Japan.

     


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  • Jason Caffoe

    Jason Caffoe
    Freelance illustrator and concept artist Jason Caffoe works on a number of projects for which he can’t show or talk about his recent work, but his blog does have some work from older projects, along with engaging images from personal projects.

    There is one current project that he can discuss, his contributions as colorist, background painter and concept artist for the second and third books of Kazu Kibuishi’s Amulet graphic novel.

    The first two books of Amulet are now available, The Stonekeeper, and The Stonekeeper’s Curse . The third book is still in production. You can see some of the pages from book 2 on this interview with Kazu Kibuishi on Newsarama that also references Caffoe’s involvement with the project. (For more see my posts on Amulet and Kazu Kibuishi.

    Caffoe also did some color art for Jake Parker’s Missle Mouse (here’s my post on Jake Parker).

    Among Caffoe’s personal pieces on the blog are landscape concepts, fantasy themed drawings and dinosaurs, a subject always of interest to me (grin). Though his site doesn’t include an online portfolio, one is available in PDF form from links on the splash page or sidebar.

    Caffoe is a co-founder with Matt Kohr of the collaborative blog Concept CoOp.

    He also contributed to the Terrible Yellow Eyes project that I reported on here, (my post included his piece for the project at top). He was included in the Gallery Nucleus show for the project.

    Caffoe’s work is currently part of another group show at Gallery Nucleus, Lift Off: The Art of Airships (image above, top) that runs to February 1, 2010.



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  • Stephen Bissette

    Stephen Bissette
    Stephen Bissette is an American comics artist known for his drawings of monsters and dinosaurs and his work on horror comics titles, in particular for several award winning series of DC Comic’s Swamp Thing with writer Alan Moore.

    The home page of Bissette’s site serves as a blog, though there is also a specific blog section called MYRANT, and he also maintains an archive of his old version of MYRANT.

    There is a Gallery of comic pages, though they are too small to really see his drawing style unless you engage the “Full Screen” mode at lower left of the slide show. There is also a gallery of his original art for sale on ComicArtFans.com.

    The current site also includes a new online comic series, King of Monster Isle, and there is a Comic Archive of some of his previous online comics and sketches.

    Bissette currently teaches classes in drawing and comic art at the Center for Cartoon Studies in Vermont (see my 2007 post on the Center for Cartoon Studies).

    A series of videos from two of Bissette’s CCS lecture/demos are viewable on YouTube (images above, links at the end of this post), in which he demonstrates various comic rendering and inking techniques, including markers, brush and pen. He also shows techniques for working back into inked drawings with white out dispensers and by scratching with razor blades.

    The demos include segments in which Bissette works on two of his illustrations for Joseph A. Citro’s The Vermont Monster Guide (more info here). A shorter series of video demos are here on his web site.

    [Video link via Lexington KY Comic Creators Group, King of Monster Isle link via Paleoblog]



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  • Gwenn Seemel

    Gwenn Seemel
    Gwenn Seemel is an Oregon based portrait artist with an unusual technique. her colorful portrait images are built up from a series of cross hatch strokes in acrylic, a process she developed from an interest in printmaking.

    As you can see from the demo on this page, she starts with areas of color shapes, often with a modernist, geometric feel that often carries through to the final piece, and works up the surface gradually with several passes of hatching and shape delineation.

    The end result is often a very graphic surface of multiple marks, a textural array of colors that blend to form the portrait image, as in the detail image above, bottom.

    Seemel works from digital photos taken during an hour long interview process in which she asks the subject to talk about themselves.

    The image above, top right is a self-portrait.

    [Suggestion courtesy of Karin Jurick]



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Vasari Handcraftes artist's oil colors

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(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

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Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
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Urban Sketching: Understanding Perspective
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