Lines and Colors art blog
  • Eyvind Earle website

    Eyvind Earle
    Since I last wrote about remarkable artwork of ex illustrator and former Disney background artist turned gallery artist Eyvind Earle back in 2009, the long promised EvyindEarle.com website has been published.

    Though navigation is somewhat clunky, this is now a good resource on Earle, with a large selection of his work. Many of the serigraphs have links to larger images, though it seems the oils, watercolors and scratchboards unfortunately do not, and are reproduced too small to properly appreciate Earle’s approach.

    There is still a better array of larger images on Gallery 21.

    For more, see my previous posts on Eyvind Earle (and here), both of which contain background information on Earle and links to additional sites with images of his work.



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  • Justin Gerard’s Silmarillion at Gallery Nucleus

    Justin Gerard's Silmarillion ast Gallery Nucleus
    The wonderful fantasy art of Justin Gerard, who I have written about previously, is on display this month at Gallery Nucleus in Alhambra, California, as part of an exhibition dedicated to his visual interpretation of J. R. R. Tolken’s The Silmarillion.

    The show features numerous watercolors and drawings. You can also find a selection of Gerard’s other work on the gallery’s website, in addition to on his own website and blog. On the blog you will find some larger images of the Silmarillion pieces.

    Justin Gerard’s The Silmarillion will be on display until May 6, 2012.



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  • The Painterly Voice, Pennsylvania Impressionism

    The Paainterly Voice, Pennsylvania Impressionism - William L. Lathrop, Edward Redfield, Daniel Garber, Rae Sloan Bredin, Arthur Meltzer, Charles Rosen, M. Elizabeth Price, Kenneth Nunamaker, Walter Elmer Schofield, Roy C. Nuse, Fern I. Coppedge, Robert Spencer, Roy Francis Taylor, George Sotter)
    Pennsylvania Impressionism is a term rather loosely applied to a group of late 19th and early 20th century painters who lived and worked in and around the artist colony that existed at the time in New Hope, Pennsylvania and Lambertville, New Jersey, small towns that straddle either side of the Delaware River north of Philadelphia.

    American Impressionism, an even more broadly applied term, refers to American painters who were influenced by the French Impressionists, but the range and variety of their styles is considerable.

    New York, Boston and several spots in California were centers for these painters and their new and radical styles, Philadelphia, although a major art center at the time, was less welcoming to these styles, largely due to the strong influence of Thomas Eakins and his allies, who favored a more traditional academic approach.

    So the painters in the Philadelphia area who were drawn to this new style of painting gravitated to the area of New Hope, to an art colony started by William Lathrop and drawn by the powerful influence of Edward Redfield and Daniel Garber.

    Currently, the James Michener Museum, in nearby Doylestown, PA, houses one of the strongest collections of work by the Pennsylvania Impressionists. The museum recently hosted what I believe was the largest exhibition of works by these artists ever assembled.

    Unfortunately the exhibition ended April 1. I have to apologize to those in the area who missed the show for my late coverage (and I regret that I only could find time for a single visit myself), but the museum continues to maintain their online exhibit for the exhibition: The Painterly Voice: Buck’s County’s Fertile Ground.

    The online feature is accessed from a drop down menu in sections for artists or groups of artists. Within those sections, navigation between images is handled with arrows that are confusingly outside the apparent limits of the page, against the background on either side.

    When you discover an artist you like, note the links at right of each entry to even more images by that artist to be found in the Michener Museum’s Collection Database and Bucks County Artist Database.

    For those who would like to follow up with books, there are two excellent volumes that cover a broad range of these artists and their works: Pennsylvania Impressionism by Brian H. Peterson is the most scholarly and definitive and has beautiful reproductions; A New Hope for American Art by Jim Alterman (also here) is huge, stuffed with 1,000 color plates, and covers many of the less well known artists in more detail.

    You can also find additional titles on individual artists in the Michener Museum’s online shop.

    (Images above: William L. Lathrop, Edward Redfield, Daniel Garber, Rae Sloan Bredin, Arthur Meltzer, Charles Rosen, M. Elizabeth Price, Kenneth Nunamaker, Walter Elmer Schofield, Roy C. Nuse, Fern I. Coppedge, Robert Spencer, Roy Francis Taylor, George Sotter)



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  • Norman Rockwell Museum on Google Art Project

    Norman Rockwell Museum on Google Art Project: Norman Rockwell, Howard Pyle, William Smedley,  Norman Rockwell, Charles Dana Gibson, Howard Pyle
    Wow, am I ever enjoying the recently updated Google Art Project (as I reported recently).

    Despite my own Time Sink Warning, I’ve been pulled back here way too often. I found this morning that among the cornucopia of art from the newly added museums is the Norman Rockwell Museum in Massachusetts.

    The museum houses not only a broad collection of work from its namesake (which can be surprisingly diverse) but an excellent collection of work by other American illustrators. There is an article about the museum joining the project on New England Public Radio.

    Though the number of pieces available on the GAP’s section for the museum is not extensive (presumably the number will grow), it’s a delight to be able to zoom in on classic illustrations like these. (Bear in mind that my screen captures have been greatly reduced in the images above, I’m just trying to give an idea of zooming scale.)

    Now if only the Brandywine River Museum would follow suit.

    (Artists above, with details: Norman Rockwell, Howard Pyle, William Smedley, Norman Rockwell, Charles Dana Gibson, Howard Pyle)



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  • Cory Godbey

    Cory Godbey
    Cory Godbey is an illustrator and animator based in Greenville, South Carolina whose work utilizes elegant lines, stylized drawing and deep, carefully limited color palettes to achieve wonderful effect.

    He makes use of these strengths, as well as a rich imagination, in his illustrations of classic children’s stories as well as contemporary themes. I particularly enjoy his playful use of illumination and light sources.

    You can see in Godbey’s work his apparent admiration for classic Golden Age illustrators like Arthur Rackham, Edmund Dulac, John Bauer and Gustav Tenggren, as well as contemporary illustrators like Maurice Sendak.

    The “Gallery” portion of his website redirects to his gallery on Behance Network, where you will find sections for work in various categories. In addition Godbey maintains a blog titled late night rains.

    Godbey’s clients incude Random House, HarperCollins, Marvel and The Jim Hensen Co. He has also done comics work for the Flight comics anthologies.



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  • Rembrandt’s Supper at Emmaus

    Rembrandt's Supper at Emmaus
    The Biblical story of the Supper at Emmaus, in which Jesus appears to, and later has a meal with two of his disciples after his resurrection, is a repeated theme in the history Christian art.

    The most famous example is the striking composition by Carravaggio.

    Rembrandt’s portrayal of the scene is less familiar, and is not one of the more commonly reproduced works in his oeuvre.

    However, when I had the chance to see this painting in person at the Philadelphia Museum of Art last August as part of the Rembrandt and the Face of Jesus exhibition, I was fascinated by it and returned to it several times during my visit.

    With no disrespect to Rembrandt’s intentions for the focus of the painting, it was not his figures that captured my attention in this instance, but the surroundings in which he placed them, most notably the table and simple still life objects, and the cloth on which they rested.

    Seen close up, these simple subjects in Rembrandt’s hands seemed to me a tour-de-force in still life painting, the background a textural masterpiece and textbook example of how to use a background and lighting to set off a scene with figures.

    The figures themselves, of course, were painted with Rembrandt’s unwavering strength as a painter, but I didn’t find them among his most compelling, in contrast to the scene as a whole. The tablecloths, in particular, are a marvel of subtle color blending, rich brushwork and the play of light across a complex surface.

    The painting was probably based on this earlier etching.

    This is the second of two very different takes by Rembrandt on the subject, the first is more stark and dramatic, with the figure of Jesus almost in silhouette in the foreground and great areas of sharp chiaroscuro forming the composition (images above, bottom).

    The later painting, though less dramatic, is richer and more involving. The original is in the Louvre, which provides a reasonably high resolution image of the painting here.



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Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics