Lines and Colors art blog
  • Shy the Sun (update)

    Shy the Sun
    Back in 2006 I noticed the delightfully idiosyncratic work of a South African artist and illustrator named Ree Treweek (images above, top).

    In the time since, I have followed with fascination as Treweek and her partners Jannes Hendrikz and Marcus Smit, collectively known as The Blackheart Gang, produced a strikingly original and truly strange animation titled The Tale of How (above, 2nd down), which brought them to international attention, and leveraged that notice into a successful production company for animated commercial spots called Shy the Sun.

    Shy the Sun produced a stunningly bizarre commercial called Sea Orchestra (above, 3rd down) for United Airlines (which was experimenting with exceptionally creative ad spots, like Jamie Caliri’s Dragon).

    After that, I found a commercial not shown here in the U.S. that put their eccentric talents in service of selling Bakers Precious Biscuits (above, 4th down).

    It was in the latter ad that I think they added to their techniques of combining hand drawings with computer coloring and compositing an additional animation style incorporating miniature models and sets. This approach has been very successful for them and they have utilized both approaches, as well as traditional CGI, in a series of terrific spots and promotions, some well known, others more obscure.

    If you’ve ever wondered, as I did initially, who created the psychedelic cat food commercial, Friskies Adventureland (above, 5th down), it was Shy the Sun.

    They applied their miniature set skills to ads for the South African subscription TV service Mnet in Ladybug and Firefly (above, 3rd from bottom). More traditional CGI seems to have been the choice for the darker ads for Electronic Arts’ game Alice: Madness Returns.

    Treweek has been art director on most of the projects and co-director on some. She also contributed character design to the bizarre creatures seen at the end of Pete Candeland and Passion Pictures’ wild promo for Harmonix “The Beatles Rock Band” (above, 2nd from bottom).

    My slightly blurry screen captures don’t begin to tell you what these animations look like in motion, particularly The Tale of How and Sea Orchestra.

    There are now also videos available on The Making of The Tale of How, The Making of Sea Orchestra (above, bottom) and The Making of Bakers.

    I’m looking forward to whatever projects they take on, as their work continues to be imaginative and original.

    Now, if only someone would give them a big pile of money to do a feature length animation…



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  • David Gray

    David Gray
    David Gray paints elegant, refined still life paintings and beautifully realized portraits in the classical realist tradition.

    In both his portraits and still life paintings, he evokes a feeling of stillness and contemplation, though in the portraits that feeling is often pierced by the quiet but intense aliveness projected by his subjects.

    Similarly, Gray works with muted, limited palettes that are often punctuated by a single intense color. That kind of duality, in color, in emotional tone, in light and dark, and in the compositional contrasts of form and negative space that define his compositions, seems to pervade his work.

    Many of his portraits are part of a series in which he explores a fascination with head wraps, and the contrasts of folded cloth against smooth skin. Though I was immediately drawn to a portrait of his daughter that seems very Vermeer-like, echoing the pose and colors from Girl With a Pearl Earring (images above, second down), Gray states that Vermeer was not in his mind when he composed and painted the piece; and that he takes his inspiration for figure and portrait painting most prominently from Jean-Auguste Dominique Ingres.

    Gray was a finalist in the Figurative Category in the ARC 2009-2010 Salon (larger image here), and was an invited artist in the 2010 American Art Invitational.

    David Gray is the subject of a featured article in the March 2011 issue of Southwest Art magazine. The online version of the article, which also includes a gallery of Gray’s work, can be read here.



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  • Manabu Ikeda


    Though I doubt they were intended to be so, the striking works of Japanese artist Manabu Ikeda, seen at this juncture, can seem chillingly prophetic.

    The structures, shapes and waves of objects in his work are portrayed as enormous in scale, as revealed by the astonishingly complex textural elements of countless smaller items of which they are composed.

    His works are large and created in pen ink and acrylic on paper mounted on board. The level of detail is striking, even though it is just hinted at in the images available on the web.

    Ikeda was born in Saga and is now based in Tokyo. He studied at the Tokyo National University of Fine Arts and Music.

    He is represented by the Mizuma Art Gallery, which has a selection of his work online. He doesn’t seem to have a dedicated web presence of his own (or else I don’t know how to find it as a Japanese language website).

    The largest images I’ve been able to find are on Art Inconnu (click for larger versions). I’ve listed some articles and other resources below.

    Ikeda is represented in the group exhibition now at the Japan Society in New York, Bye Bye Kitty!!! Between Heaven and Hell in Contemporary Japanese Art, which runs until June 12, 2011.

    [Via Art Daily]



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  • Duane Keiser’s Peel

    Duane Keiser's Peel
    I just love this.

    Back in December of 2004, Virginia based painter and teacher Duane Keiser originated the phenomenon that has come to be known as “painting a day“, in which painter/bloggers paint a small work and post it to a blog each day.

    He painted a small painting everyday for about two years, and has since then painted his small works on a varied schedule, but has maintained a strong painting practice.

    Keiser has a wonderful recent post on his blog, a short time-lapse video called Peel, in which he paints a tangerine, peels it partway, repaints it on the same panel, peels it some more, repaints it again, sections it, paints it again, reduces it to a single section and paints it again. Wonderful!

    You can view the video on Keiser’s site, or on YouTube somewhat larger.

    You can see the finished painting here. As of this writing, the painting is up for bid on eBay.

    To me, this is not just a fun and novel painting demo, it’s also a vivid demonstration of the real rewards of a dedicated painting regimen.

    The accumulated years of frequent practice grant him the skill with eye, hand and materials to not only repaint his subject multiple times on the same canvas, passing up multiple opportunities to say “finished”, but to consider an experiment like this in the first place, in which painting is the point, rather than a painting.

    [Via MetaFilter]



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  • Mucha’s The Slav Epic

    The Slav Epic, Alphonse Mucha (Alfons Mucha)
    Most people who are familiar in passing with Art Nouveau artist Alphonse (Alfons) Mucha (see my recent post on Alphonse Mucha on Gallica Digital Library) are not aware of his body of work that is in a very different style.

    The most important and striking examples of this are a series of 20 very large canvasses called The Slav Epic, which Mucha considered the most important work of his lifetime and the culmination of his artistic career.

    The paintings tell the history of Slavic people, and are housed in a castle in the small town of Moravský. There is long standing controversy about plans to bring them to Prague.

    The paintings are little known outside of the Czech Republic and images of them are not readily available. There are few, if any, in most books on Mucha, though Mucha by Sarah Mucha is listed as containing some information and images on the Slav Epic paintings, even if incomplete. I haven’t seen the book myself.

    There are a few scattered examples on the web, notably on the Mucha Foundation, Wikipedia and Wikimedia Commons and a complete set with commentary on the site of John Price, and an even better, larger set on the blog, A Journey Through Slavic Culture.

    There is also a post on the Golden Age Comic Book Stories blog that features alternate states and preliminary photographs of some of the works.

    [Golden Age Comic Book Stories link via @francisvallejo]



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  • Edward Kwong

    Edward Kwong
    Canadian illustrator Edward Kwong studied at the Alberta School of Art and Design in Calgary, and is now based in Montreal.

    Kwong takes his affection for early 20th Century art movements like Cubism, Art Deco and Futurism and mixes them in the blender of his strong graphic design sensibilities, resulting in a delightful amalgam of influence and inspiration, reference and reinvention, arrayed in his own unique compositions.

    Some of his works deal in lines and flat shapes of color, others are more rendered, like his “Mythos Project” series (images above, second from the bottom); some are richly colored, others monochromatic, or rendered in a subdued range of hues.

    The opening page of Kwong’s website serves as the portfolio, with choices of professional and personal work on the left. He maintains a blog in which you can see preliminary stages of portfolio pieces, as well as other works, finished or in progress.

    Kwong was also a contributor to volumes 1 and 2 of The Anthology Project comics anthology (click on links for “Previews” from this page), and created the cover for the second volume (above, second down).

    There is an illustrated interview with Kwong on Squidface & The Meddler.

    He has a selection of prints available on inPRNT.

    [Via @jonwoodward by way of @inkybat]



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Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics