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Promoting some friends and some clients of my website design business
- Twin Willows T’ai Chi studio in Wilmington DE. Taiji classes with Bryan Davis.
- Ray Hayward, Inspired Teacher of T’ai Chi ( Taiji ) in Minneapolis, Founder of Mindful Motion Tai Chi Academy
- OldHead Tattoo studio and Art Gallery in Wilmington DE. Tattoos and paintings by Bruce Gulick
- Sharon Domenico Art, pet portrait oil paintings
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- Lisa Stone Design, interior designer, Main Line and Philadelphia, PA
- Studio12KPT, original art, prints, calendars and other custom printed items by Van Sickle & Rolleri
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All Over Coffee on The Rumpus

First of all, if you’re not familiar with Paul Madonna’s wonderful All Over Coffee, you may want to read my previous article on All Over Coffee, or my subsequent post on the second collection, Everything is its own reward, in which I struggle to find sufficient superlatives to describe the feature.Though ostensibly classified as a comic strip, the weekly feature, which has run for years in the San Francisco Chronicle, is part beautiful ink and wash drawings, part poetry, part wry observations, part story, and part I-don’t-know-what-but-I-really-like-it.
The good news, for those of us who are familiar with the feature, is not only that All Over Coffee has continued and flourished, but it is now available in at least two more forms. In addition to Madonna’s own site and the Chronicle’s SF Gate site, All over Coffee is now available on The Rumpus (where it is perhaps easiest to browse), and the second collection, Everything is its own reward is now available as a free iPad app (iTunes link).
The iPad app, rather than just offering the collection in book format, is actually linear, stepping from image to image with the words slowly revealed, adding an element of time and contemplation. (Ideally, you would want both the app and the printed version.)
The Rumpus also hosts Madonna’s Small Potatoes, a more traditional and less extravagant comic strip, as well as an interview with the artist in which he discusses his recent (and very different) book, Album.
The Rumpus also features an eclectic collection of other comics, and Paul Madonna serves as the Comics Editor.
I’m delighted to see Madonna continuing All Over Coffee and broadening its reach in addition to pursuing other projects.
All Over Coffee, in any of its available forms, is simply a treat.
[Addendum: Reader MJ was kind enough to let me know there is a KQED video interview with Paul Madonna.]
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Eye Candy for Today: Adolph Menzel watermedia

The Choirstalls in the Mainz Cathedral by Adolph Menzel.Watercolor and gouache. 8 7/8 x 11 3/8″ (22.6 x 28.9cm).
In the collection of the Metropolitan Museum of Art. Use the “Fullscreen” link below the image and then zoom or download arrow.
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How to Ship Paintings on red dot blog

Jason Horejs is the owner of Xanadu Gallery in Scottsdale, Arizona.In addition to running the gallery, Horejs provides art marketing advice from the point of view of a gallery owner — some of it dispensed freely through his red dot blog (named, if you didn’t catch it, for the small red dots that traditionally indicate sold paintings in galleries), and some in a book, “Starving” to Sccessful, that is available through the blog.
His latest entry on the blog is How to Ship Paintings: A Step-by-Step Guide for Artists and Galleries, in which he gives a detailed and painstaking approach to protecting paintings and other two dimensional art from the terrors of the shipping process.
In addition to packing, Horejs covers topics like carrier policies and insurance, as well as things to avoid (like packing peanuts).
From the article:
Don’t Allow Bubble Wrap to Come in Direct Contact with Your Art
Recently we received a painting the artist wrapped using only bubble wrap. As I mentioned above, bubble wrap is great for padding your art in transit, but it should not come in direct contact with the art.
When we unwrapped the painting we could see that the bubble had stuck to the varnish. Removing it left an imprint of the bubble wrap on the surface of the entire painting. From certain angles you could see the perfectly spaced imprints of the bubbles. We had to have the artwork re-varnished before we could present it to a client who had already purchased it.
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Trail of Steel – 1441 A.D., Marcos Mateu-Mestre

The link between movies and comics is a strong one. Even without the obvious bridge of their wonderful merging in animation, they share numerous qualities.Both are visual storytelling mediums, and share a common concern with establishing shots, close-ups, framing a scene, conveying the spatial relationship of characters one to the other and other elements of essential visual continuity from scene to scene.
Both involve the element of time and of visual compositions that change over time.
Both have a “director’s” viewpoint, and the impact of choices of lighting, contrast and visual mood cannot be understated in the effectiveness with which a story is told.
Storyboards, which are used to plan movies, television and animation, are in essence a from of comics.
It’s not surprising then that there is crossover between the two fields; a number of comics artists and writers have moved into the fields of film and television and visual development artists have ventured into comics.
Marcos Mateu-Mestre, who I have profiled previously, has moved back and forth — he started as a comics artist for newspapers in his native Spain, moved into production design for animation and is currently a visual development artist working at Dreamworks.
In his excellent book, Framed Ink: Drawing and Composition for Visual Storytellers, which I reviewed here, he applied his expertise in both fields to create a superb framework for narrative illustration.
In his new book, Trail of Steel – 1441 A.D., Mateu-Mestre places those skills in the service of a graphic story about mercenary soldiers in 15th century Spain. The artist provided me with a review copy.
The storytelling, as you would expect, is dramatically cinematic, conveyed in Mateu-Mestre’s wonderfully fluid drawing style. He has an uncanny ability to combine precision draftsmanship and free, energetic rendering. I’ve spoken before about the delight I take in his drawing style.
The real highlight for me, however, is his mastery of tone. To say that the drawings are in black and white and grays is to miss the point. Here is a story told in both subtle and dramatic value contrasts that would not have been as effective if rendered any other way.
Mateu-Mestre uses value here in much the way skilled film directors use black and white film in many classic movies, creating a mood and atmosphere that would actually be difficult to achieve in color. These are images in which color would be a distraction and actually lessen the impact.
He has posted some images from the book on his blog in which he plays with the application of subtle colors to some of the pages (images above, second from bottom). As much as I like them as images and interesting experiments, I much prefer the panels as presented in the book.
Even though this is a story, students of comics (and visual storytelling in general) could consider Trail of Steel effective as a continuation of the lessons in Framed Ink — a textbook use of cinematic comics storytelling and the application of light and dark in narrative illustration.
The book is appended with a few notes on process, preliminary drawings and thumbnail page layouts. It is available as both a European style hardcover album (the best format for comics, IMHO) and a trade paperback.
You can find more mentions of the book on Mateu-Mestre’s blog, along with more of his visual development work, including some beautiful tone and color images from his work on Puss In Boots.
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Eye Candy for Today: Ilya Repin’s Sadko

Sadko in the Underwater Kingdom, Ilya Repin.Link is to large image on Wikimedia Commons. Original is in the State Russian Museum, St. Petersburg. Sadko is a medieval Russian epic.
[Note: full size version might be considered mildly NSFW.]
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New Rijksmuseum website

The Rijksmuseum in Amsterdam is one of the world’s great museums, with a collection rich in famous masterpieces from the likes of Rembrandt and Vermeer, as well as hundreds of lesser known treasures.The museum’s website, like many museum websites, long left something to be desired. Though numerous images were available, many in high resolution, they were not easy to search or browse, and overall presentation was somewhat awkward.
The museum recently launched a completely redesigned website, with a much better interface, easier access for searching, and in particular much better provisions for browsing and discovering images.
Choose Language at upper right if you would like to change to English, and then “Collection” to either Explore or Search the collection. The Explore section offers highlights, a good place to start, and offers categories like Artists, Works, Subjects and Styles which are then subdivided into subcategories.
The selections within a given artist or subject are no longer presented as tiny scrolling thumbnails, but as large scrolling thumbnails (certainly an improvement).
The individual images are then presented fullscreen, adapting dynamically to the size of your browser window, and overlaid with navigation widgets (I don’t know of a way to hide the latter), including controls to zoom the image. You can also move the image within the browser window by clicking and dragging.
The “i” at the bottom of the screen brings up an information panel with information about the image, links to details and a “Download image” link. To download images, however, requires creating a free “Rijksstudio” account (basically just an email address). You must then, for every image you download, choose the level of rights (“Personal use”) and click an “I agree with terms and conditions” checkbox — every time.
I will be quick to say that the new site is a vast and welcome improvement over their old one, and the images are large and well reproduced, but this kind of nonsensical legal paranoia mars the experience and makes the museum look small minded and disrespectful of their visitors.
(Hello! Almost all of these works are hundreds of years old, therefore in the public domain, and are not subject to copyright by international, or even specifically Dutch, copyright law. The standard here in the US is that photographs that just reproduce public domain artworks are also in the public domain. Perhaps this has yet to be tested in Dutch courts; but the checkbox barrier to downloading, or even viewing the work without the navigation widgets, just seems petty.)
That being groused about, the new site is well worth visiting and exploring, and a Rijksstudio account is worth setting up, if only for the unobstructed view of the high resolution images. Their intention is for visitors to form their own Rijksstudio collections, essentially bookmarked images similar to the collections you can make in the Google Art Project. They go on to offer to sell you prints of the images, or crops of them, in various modes (hence, I suppose, some of the reproduction rights BS).
Though not quite at the level of the Metropolitan Museum of Art’s fantastic website makeover, this is still a worthy world-class museum website, suited to a world class museum, and a welcome addition to the web’s list of outstanding art resources. (Now if only the Louvre and the Musée d’Orsay would follow suit…)
(Images above: Rembrandt, Vermeer, Aelbert Cuyp, Cornelis Springer)
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Charley’s Picks
Bookshop.org
(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)
John Singer Sargent: Watercolors
Urban Sketching: Understanding Perspective
Charley’s Picks
Amazon
(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)
John Singer Sargent: Watercolors
Urban Sketching: Understanding Perspective











