Lines and Colors art blog
  • Arcimboldo, 1526-1593: Nature and Fantasy

    Giuseppe Arcimboldo
    Giuseppe Arcimboldo’s wonderfully bizarre blendings of nature and humankind, incorporating natural forms like vegetables, twigs and leaves as well as fish and other small animals in the representation of human faces, can still “turn heads” today, as they must have in the 16th Century.

    Largely forgotten shortly after his death and re-discovered in the 20th Century, Arcimboldo is the subject of a new exhibition at the National Gallery in Washington, D.C.

    Arcimboldo, 1526-1593: Nature and Fantasy includes sixteen examples of his work, seen here in the U.S. for the first time. The exhibition also includes drawings by Da Vinci and Durer, along with other works intended to provide context for the paintings.

    His hallucinatory arrangements of images within a larger image delighted the Surrealists, who saw in him a precursor to their dream inspired visions. His “still life” paintings (done at a time when still life was not an accepted genre) that only revealed their human face when inverted, have entered pop culture in the form of countless “optical illusion” variations on the theme.

    The National Gallery has provided a very nice PDF Exhibition Brochure, that can be downloaded from the right hand column of the exhibition page, as well as a short video.

    Arcimboldo, 1526-1593: Nature and Fantasy will be on view until January 9, 2011.

    For more, see my previous post on Giuseppe Arcimboldo.

    [Via Art Daily]



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  • OP-ED at 40: Four Decades of Illustration

    OP-ED at 40: Four Decades of Illustration, New York Times
    40 years ago, the New York Times debuted a new page, the OP-ED or Opposite Editorial page, meant to be both physically and philosophically opposite the editorial page.

    In choosing the art for this page, the editors wanted to step outside the customary range of editorial cartoons and find an opposing style there as well.

    The result have been 40 years of striking, hard-hitting, though provoking and outside-the-box illustration.

    There is a short (10 minute) video on the New York Times site, OP-ED at 40: Four Decades of Illustration, that explores the history of the illustration for the page, featuring multiple examples along with comments from both editors and artists.

    There is a list on the page, below the video, of the artists whose work is featured, in the order of appearance.

    The feature includes several artists I’ve written about here on Lines and Colors, including Brad Holland, Sam Weber, Al Hirschfeld, Ronald Searle and Maria Kalman.



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  • Art of the American Soldier

    Art of the American Soldier: George Harding, Lester G. Hornby, Franklin Boggs, Howard Brodie, Paul MacWilliams, Frank M. Thomas, Sieger Hartgers, Peter G. Varisano, Elzie Golden
    I’ve written before about combat artists, soldiers called on (or inspired to) record their experiences in combat and in other aspects of a soldier’s life.

    Starting in World War I, the U.S. Army had a program of officially designated combat artists. Remarkably, they were told to record their experiences directly as they saw them, and not reserved or slanted as nationalistic propaganda.

    That principle seems to have been adhered to over the years, so we get to see soldiers’ lives through their own eyes, largely unaltered by the otherwise expected filters of military bureaucracy and politicians.

    The Army has a collection of hundreds of works, spanning generations of artists, that its curator calls “the most famous collection no one’s ever heard of”.

    Selections have been drawn from that collection as part of a new exhibition titled Art of the American Soldier that opened yesterday at the National Constitution Center here in Philadelphia.

    The online preview is arranged along a horizontally scrolling 100 year timeline, from WWI to the present day. You can hover your mouse over individual images for brief credits, and click for more detailed information and larger view, that can in turn be clicked on for a larger image.

    Art of the American Soldier is on view until January 10, 2011.

    (Images above: George Harding, Lester G. Hornby, Franklin Boggs, Howard Brodie, Paul MacWilliams, Frank M. Thomas, Sieger Hartgers, Peter G. Varisano, Elzie Golden)



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  • Divergent: The Art of Sterling Hundley

    Divergent: The Art of Sterling Hundley
    Sterling Hundley, who I’ve written about previously here and here, is the subject of a one man show at the University of the Arts here in Philadelphia.

    Divergent: The Art of Sterling Hundley opens today, September 24th, 2010, at the Richard C. von Hess Illustration Gallery, 333 South Broad St, Philadelphia, and runs until November 22nd.

    Hundley will be giving an artist’s talk on October 14th from 1:30 to 3pm in the CBS Auditorium, followed by a reception in the Von Hess Illustration Gallery.

    The show features over 30 works from Hundley’s career and demonstrates a diverse range of illustration styles (presumably the origin of the exhibition’s name). In them he shows some common threads of fascination with texture, patterns, and subdued color palettes.

    You can see a preview of works from the show on Hundley’s page on Behance Network.



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  • Tilt-Shift Van Gogh

    Tilt-Shift Van Gogh from ArtCyclopedia
    Actually, pseudo tilt-shift Van Gogh, but that’s a small quibble.

    Tilt-shift photography is a process in which depth of field and lens angle are manipulated to make a real scene look like a miniature.

    The effect can be simulated in Photoshop with judicious selections and applications of blur filters.

    The folks over at ArtCyclopedia, one of my favorite online art resources, decided to apply the Photoshop version to some paintings, just to see what would happen.

    The chose some of Van Gogh’s paintings as their subjects. The results are uneven, but where the effect works, it works quite well, and produces amusing and enlightening versions of familiar paintings that have the charm of children’s pop-up books or dioramas.

    At best, they let us look at these paintings with fresh eyes, always a delight.

    [Via Gizmodo]



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  • Dictaphone Parcel (Lauri Warsta)

    Dictaphone Parcel (Lauri Warsta)
    Artist Lauri Warsta put a dictaphone (reel to reel audio recorder, anybody remember those?) in a parcel, turned it on and shipped it from London to Helsinki.

    He took the resultant recording of truck, warehouse and plane sounds, along with snippets of surreptitiously collected worker conversation, edited it down, and then animated his impressions of the journey to create a sort of pseudo documentary of the box’s travels called Dictaphone Parcel.

    The animation has the look of being drawn on a chalkboard.

    [Via MetaFilter]



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Vasari Handcraftes artist's oil colors

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(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

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