Lines and Colors art blog
  • “World War I and American Art” at PAFA

    World War I and American Art at PAFA
    World War I and American Art” is an exhibition currently at the Museum of The Pennsylvania Academy of the Fine Arts here in Philadelphia.

    Drawing partly from their own collection and partly from loans, the Academy’s Museum of has mounted an exhibition that delves into the response of American artists to the First World War in Europe. Next year marks the centenary of the official U.S. involvement in that war; the United States declared war on Germany on April 6, 1917.

    The exhibition tries to give a broad view of the events leading up to and during the war, both here and in Europe, from the horrors and insanity of combat, to the desperate hope of those who waited for their loved ones to return, to the end of the conflict.

    The highlight of the show is John Singer Sargent’s monumental and striking work, Gassed (Wikipedia link) — on loan from the Imperial War Museum in London (image above, top, with detail). It depicts a group of British soldiers, their eyes bandaged from the corrosive effects of the poison gas, hands on one another’s shoulders, following in line to a dressing station where their wounds could be better tended.

    I saw this painting when it was in New York in 1999, and it’s stunning, both visually and emotionally. On Sunday, I will be taking my mother-in-law to the museum to see the painting. Her father was gassed in WWI. Though he survived, he was without hair on his body, his lungs never quite recovered and he died young.

    The other works in he show are both from combat artists like Kerr Ebby, and some of the finest American painters of the time.

    In honor of Veterans Day, museum admission is free for military veterans and active service members from November 11 to the 13th. By virtue of sponsorship, the museum is also open free to the general public on Sundays through the duration of the exhibition.

    “World War I and American Art” will be on display at the Pennsylvania Academy of the Fine Arts through April 9, 2017.

    (Images above: John Singer Sargent, Claggett Wilson, Kerr Eby, Violet Oakley, George Luks, Gifford Beal, Childe Hassam)


    World War I and American Art“, PAFA, to 4/9/2017

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  • Some wise suggestions for artists from Neil Gaiman’s 2012 address to the University of the Arts

    Neil Gaiman addressing the graduating class at the University of the Arts in Philadelphia in 2012
    For those who are dismayed, as I am, at the recent turn of events, and the likely devastating effect it will have on the state of the arts here in the U.S. (see my before the fact storm warning to that effect), I offer some insightful suggestions about art in the face of adversity from writer Neil Gaiman.

    This is a video of his remarks as he addressed the graduating class at the University of the Arts here in Philadelphia in 2012.

    He doesn’t really get to the point until about 6 minutes in, but do yourself a favor — set aside 20 minutes, pour yourself a hot (or cold) beverage, relax, and watch the entire address. It’s amusing, well crafted (he’s a good writer), and will leave you feeling better about your course as an artist in troubled times.

    It’s also — as it was intended to be — sage advice for those who are starting out on a life in the arts, as well as a reality check for those who are already achieving success in their field.



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  • Eye Candy for Today: Bosch’s vision of Hell

    Hell (Right panel of triptych, The Garden of Earthly Delights); Hieronymus Bosch
    Hell (Right panel of tryptich, The Garden of Earthly Delights); Hieronymus Bosch

    Link is to downloadable file on Wikipedia, which also has a page devoted to the entire work. Original is in the Museo del Prado, but they don’t offer a high resolution version on their site.

    There is a high-resolution file of the entire triptych, The Garden of Earthly Delights on Wikimedia Commons, but be aware that the main file is over 300mb. The image is also offered divided into a series of smaller high-resolution tiles.

    Paintings like this were meant to strike fear into the minds of those who viewed them, showing the horrors of eternal damnation that would inevitably follow their unwise choices.


    Hell, Wikimedia

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  • Eye Candy for Today: Cecilia Beaux portrait of Ernesta

    Ernesta, Cecilia Beaux
    Ernesta, Cecilia Beaux

    In the collection of the Metropolitan Museum of Art, NY. Use the download or zoom links below the image on their site.

    This beautiful and sensitive portrait by the extraordinary American painter Cecilia Beaux is of her niece, Ernesta Drinker. Ernesta was one of Beaux’s favorite subjects, and she painted her numerous times, from when she was a child to adulthood.

    I never fail to be delighted by Beaux’s fluid and confident brush handling, and I think of her as comparable to artists like Sargent, Sorolla, Zorn and William Merritt Chase.

    The brushy, textural surfaces, the fascinating variety of colors in the skin and fabric, the gestural brush marks and her command of variation of edges make her work visual poetry.

    In this painting, the model’s hands, in particular, are wonders of economy and suggestion.

    Though Beaux has been receiving a more recognition in recent years, I still feel that she is not held in as high esteem as her abilities warrant (we can probably guess why).

    William Merritt Chase called her “…not only the greatest living woman painter, but the greatest who has ever lived”.

    I would leave out the category of “woman painter”, and simply consider her one of the greatest American painters.

    For more, see my related posts, below.



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  • Vote like the future of the arts in the US depends on it.

    Voting, James Montgomery Flagg, J.C. Leyendecker, Norman Rockwell
    I know those of you in the U.S. are more than weary of this election cycle — and I’m certainly with you on that — but this is too important for me not to say my piece.

    I’ll leave it to others to tell you how vital this election is in the general sense, and limit my comments to the state of the arts in the U.S.

    Too often the actual issues are drowned out in the heated swirl of vitriolic “my side is right and your side is full of it” rhetoric.

    In terms of the arts, I believe the outcome of this election will have a distinct and dramatic affect on:

    • the future of arts education funding in schools
    • the future of arts funding in the U.S. in general
    • the availability of public funding for museums in particular
    • the continued existence of the National Endowment for the Arts
    • the continued existence of the Federal Council on the Arts and the Humanities, which makes many major art exhibitions possible by indemnifying the loan of artifacts from one museum to another, particularly in the case of international museum loans
    • the standards by which contributions to art institutions are considered tax deductible
    • the accessibility of college-level arts education to low and moderate income individuals
    • the standards by which copyright law could be applied differently to large corporations than to individual creators
    • the rules of arbitration by which freelancers could be denied payment or have their rights stripped by large companies without recourse to legal remedy
    • the economic state in which art is purchased, and the availability of money to purchase art by individuals who are not in the wealthy upper percentage
    • the relative freedom of individuals to effectively display and sell art on the internet (as opposed to the control over internet speed and content desired by the big telecoms — which is currently just barely restrained by government regulation)
    • the pervading cultural attitude in the nation about whether art is even of value to society.

    So, I implore you

    Don’t think the election won’t affect you as an artist or as someone who appreciates art.
    Don’t forget that down ballot (congressional) races affect this too.
    Don’t assume the election is a done deal.
    Don’t think your vote doesn’t count.
    Don’t say you’re too busy.
    Don’t say you’re too tired.
    Don’t say you have better things to do.
    Don’t stay home.

    For art’s sake, go out and vote.

     

    (Images above: James Montgomery Flagg [top three], J.C. Leyendecker, Norman Rockwell [bottom three])



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  • Vladimir Kush (update)

    Vladimir Kush, surreal, butterfly ship
    Vladimir Kush is a Russian painter now living in the US, who I first wrote about in 2007.

    Kush paints in a style derived from Surrealism, but that might more correctly be thought of as Magic Realism.

    Since my last post, his website has been expanded with additional work, but it has also become more overtly commercialized, with an emphasis on prints, limited editions, and a series of brick and mortar galleries (perhaps following in the tradition of Thomas Kinkade).

    Despite the commercial emphasis, I still find Kush interesting and fun, with clever juxtapositions of commonplace objects casting them into alternate meanings and roles.

    He often explores repeated themes, most notably that of butterflies, and his most recognizable work is the butterfly-sail ship shown above, middle.

    His website offers relatively small images, presented in a pop-up-and-close fashion that is not conducive to extended browsing. You may find it easier to browse through the larger images in some of the third-party articles linked below for an overview, and then come back to his site for more depth and additional images.



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Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics