Lines and Colors art blog
  • George Loftus Noyes

    George Loftus Noyes
    George Loftus Noyes was an American painter, born in Canada of American parents, who started painting at an early age, and became a noted landscape painter in the Boston area just after the turn of the 20th Century.

    Noyes studied with English artist George Bartlett in Boston, and later studied in Paris at the ateliers of Gustave Courtois, Joseph-Paul Blanc and Paul-Louis Delance. It was there that he joined in the new enthusiasm among French painters for painting “en plein air“, and was undoubtedly influenced by the French Impressionist works making headlines at the time.

    Noyes was able to exhibit successfully at the Paris Salon, and on his return to Boston, established himself as a landscape painter, painting many coastal paintings. Noyes was one of the first painters to paint Cape Cod. He also painted in the mountains of New Hampshire and Vermont.

    Noyes is generally mentioned in association the the Boston School, though I can’t find any indication if he was in direct contact with artists of “The Ten American Painters” like Tarbell or Twatchman, of if he was in contact with the Cos Cob or Old Lyme art colonies.

    He did travel and and paint with Frederic Edwin Chruch, including a painting trip to Mexico.

    Noyes was also a teacher, whose Summer class students included Henry Peck, Clifford Warren Ashley and N.C. Wyeth.

    Tragically, much of his work was lost in a barn fire. I’ve found a few reproductions showing a bit of variety in his approach over time. In the image above, The Gorge, which I assume is of the mountains in New England, he reminds me a bit of Daniel Garber’s paintings of the Pennsylvania countryside.



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  • Richard Amsel

    Richard AmselWell known for his film posters in the 1970’s and 80’s, illustrator Richard Amsel started his career early when he won a contest to illustrate the poster for Barbara Streisand’s Hello Dolly while he was still a student at the Philadelphia College of Art (now The University of the Arts) here in Philadelphia.

    He soon translated that early success into a series of album covers, magazine ads, and movie posters. Many of the latter are well remembered, including posters for Chinatown, Papillon, The Shootist, Murder on the Orient Express and his iconic poster for Raiders of the Lost Ark (Left, top; see this interview with Drew Struzan, who did the other famous Raiders poster).

    Amsel’s oeuvre included great posters for great movies as well as great posters for not-so great movies. His poster for the 1980 heavy-handed camp bomb Flash Gordon, for example, was the best thing about the movie (image at left, bottom).

    Though he had a recognizable style, Amsel varied his approach to suit his subject matter, often evoking period styles of art or even paying homage to classic illustrators, as in his nod to J.C. Leyendecker in his poster for The Sting (left, middle).

    Amsel also had a long run doing cover illustrations for TV Guide, with memorable portraits of both movie and television personalities. Amsel was one of the most popular of the illustrators who did TV Guide covers, creating over 40 of them during his career.

    There is a new exhibit of Amsel’s work, Richard Amsel: A Retrospective, opening at the University of the Arts’ Rosenwald-Wolf Gallery in Philadelphia on April 15, and running to May 14, 2009.

    The exhibit, featuring over 50 pieces, is from a collection donated to the school by Dorian Hannaway, director of Late Night Programming at CBS television for 15 years, and a close friend of the artist.

     


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  • William Degouve de Nuncques

    William Degouve de Nuncques
    William Degouve de Nuncques was a French-born Belgian Symbolist painter.

    He was self-taught, though his style was influenced friends and roommates Jan Toorop and Henry de Groux.

    His art was particularly shaped by his contact with the group of Symbolist poets to whom he was introduced by Juliette Massin, also an artist, who he married in 1894.

    His paintings are often of representational scenes, landscapes, views of buildings and parks, but strongly tinged with a poetic softness and muted colors. He frequently chose to depict the subtle lighting of mist, dusk or night. He traveled and painted extensively in Austria, Italy and France and was at one time part of the group of painters known as “Les XX” (“The twenty”).

    His painting The Pink House (image above, bottom left) is said to have inspired René Magritte’s famous Empire of Light paintings (also here). (Here’s an article about that notion on The Blue Lantern.)

    Someone has put together a short video of some of Degouve de Nuncques’ work, set to a bit of Bach.



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  • MicroVisions 4

    MicroVisions 4, Chris Buzelli, Greg Manchess, Volkan Baga, Justin Gerard, Paolo Rivera
    MicroVisions is an auction, now in its fourth year, in support of the Society of Illustrators scholarship fund.

    The auction is organized by Irene Gallo, the well known art director at Tor Books and author of the excellent blog, The Art Department, along with illustrator Dan Dos Santos (see my posts on Irene Gallo, Tor Books and Dan Dos Santos).

    The participating artists, all renowned illustrators, particularly in the field of fantastic art, science fiction and fantasy illustration, each donate a small artwork, usually created specifically for the event, to be auctioned off via eBay. All of the proceeds go to the scholarship fund. The first three MicroVisions auctions raised a total of $16,000 for the fund.

    This years contributing artists are: Welsey Allsbrook, Volkan Baga, Chris Buzelli, Justin Gerard, Michael Kaluta, Greg Manchess, Paolo Rivera, Greg Ruth, Francis Vallejo and Michael Whelan.

    (See my posts about Volkan Baga, Greg Manchess, Paolo Rivera, Justin Gerard and Michael Whelan.)

    The auction will take place via eBay in late April. I’ll try to keep you informed about the exact dates, but to be sure, you could follow Irene Gallos posts about MicroVisions 4 on The Art Department. (Anyone who is interested in science fiction or fantasy illustration should be reading The Art Department on a regular basis anyway.)

    (Image above, left to right: Chris Buzelli, Greg Manchess, Volkan Baga, Justin Gerard, Paolo Rivera)


    MicroVisions 4, the line up (via The Art Department)
    MicroVisions (all posts on The Art Department)

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  • Studio Spaces

    Creative Workspaces and Home OfficesFor some reason, I just love to look at the studios and workspaces of artists, designers and other “creative” workers.

    In part, I suppose there is a thought that one might get usable ideas form the way others have arranged their work area; but mostly I think it’s just curiosity and the vaguely inspirational nature of being around or in artists’ working areas.

    Even art school studio and work spaces, which always seem to have a “same as it ever was” feeling to them, can feel inspirational, just because of the associations they have for those of us who attended classes at one time or another.

    Parka Blogs, who I profiled here, has a post about Creative Workspaces and Home Offices, with links to a number of individual workspace articles from blogs (including Man Arenas, who I profiled here); as well as links to collections of workspace and studio photos on Flicker.

    Some of them are: The Creative Workspace Pool, The Workspaces – No Computers Pool, The Art Studio Pool, The artist STUDIOS Pool, The Professional Creatives at Home Pool, and even The Inspiration Boards Pool, devoted to those collage-like amalgams of inspirational and reference images most of us have accumulating push pins above our drawing tables and computers somewhere.

    (Images at left: “sweet sweet life“, “lavadera“, “the arborgeist project“, “jacanegra“)

    [Via Drawn!]

     


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  • Paint the Parks 2009

    Paint the Parks 2009, Robert Gunn, Thomas Marcotti, Robert Highsmith
    Paint the Parks 2009 it the third installment of an annual competition sponsored by PaintAmerica, a non-profit association ‘devoted to providing opportunities for artists all across America”.

    They sponsor two artist competitions, PaintAmerica Top100, which happens in the fall, and Paint the Parks100, for which the call for entries deadline is May 31, 2009.

    The competition is designed to highlight the U.S. National Parks, and the entries must be realistic (to some degree) representations of scenes from one of the 390 areas supervised by the National Parks Service (the inclusion of National Monuments and Historic sites expends the possibilities considerably).

    The current entry form hasn’t been posted yet, so I don’t know the entry fee, but you can download a Regions Map from this page that lists the eligible National Parks, Monuments and Historic sites.

    There are prizes for each of three national regions, and a grand prize, a $10,000 Purchase Award. There is also a Mini Competition with a $5,000 Grand Prize for paintings of 180 square inches or less. There are more details here.

    Winning paintings will be be featured in a touring exhibition and online, providing additional exposure.

    There is a PaintAmerica blog, on which you can find more information, as well as see paintings from last years winners from both competitions.

    (Image above: Robert Gunn, Thomas Marcotti, Robert Highsmith)

    [Via Nita Leland (whose latest book is Confident Color)]



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(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

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