Lines and Colors art blog
  • Bernard Völlmy

    Bernard Vollmy, watercolor
    Bernard Vollmy, watercolor

    Bernard Völlmy is a Swiss painter, now based in France, who works primarily in watercolor, but also in monochromatic and color watercolors combined with graphite.

    His watercolor themes often include subjects with water — creeks and streams, small runs or even reflective puddles. These are approached with an eye to texture and interesting value contrasts.

    Völlmy’s website is in French, but is relatively easily navigable by non-French speakers. The link I’ve posted takes you directly to his watercolor on paper gallery. You can find other galleries of images under the “Bernard Völlmy” menu tab. Among them is a section for his sketchbooks.


    Bernard Völlmy, watercolors
    www.galerie-vollmy.com (home page)

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  • Eye Candy for Today: John Sell Cotman graphite and wash drawing

    East End of Saint Jacques at Dieppe, Normandy; John Sell Cotman; graphite and brown wash
    East End of Saint Jacques at Dieppe, Normandy (details); John Sell Cotman; graphite and brown wash

    East End of Saint Jacques at Dieppe, Normandy; John Sell Cotman; graphite and brown wash; roughly 12 x 9 inches (29 x 22 cm). LInk is to zoomable version on Google Art Project, downloadable file on Wikimedia Commons, original is in the Yale Center for British Art.

    English painter, printmaker and illustrator John Sell Cotman, who was active in the late 18th and early 19th centuries, was prolific and left a trove of drawings in addition to his paintings and graphics. Here, he confidently delineates the intricately decorative structure of a large Renaissance church with graphite, augmented with subtle washes.

    The drawing exhibits both the substantial accuracy of a careful architectural drawing, and the liveliness of a more casual sketch.

    In part, this is likely due to the loosely free rendering of the roof of the lower structure, but I think it’s also due to an approach I have also noticed in the wonderful architectural drawings of Canaletto.

    In both cases, lines that over their course are ruler straight, are along the way wavering and often lightly broken. It’s a wonderful technique.



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  • Jennifer McChristian (update)


    Originally from Montreal and now based in California, Jennifer McChristian is a painter I first featured back in 2007.

    Working primarily in oil, and secondarily in gouache and watercolor, McChristian paints both plein air and in the studio. While she sometimes paints the natural landscape, her preference is to find subjects in the built environment, often taking obvious delight in the geometry of buildings, highways, streets, and bridges, and the shapes of shadow and light they produce.

    She also finds inspiration in nocturnes, working with the contrasts of darkness and artificial light in a way that strikes me as appealingly playful. McChristian also studies people, placing her figures and portraits within their environment.

    Her approach is quite interesting; she apparently works with a bright, high chroma imprimatura, reddish or almost magenta, that she allows to freely come through in areas of her brusquely textural paint application.

    I find the textural, painterly nature of her brush marks particularly appealing. Unfortunately, this character of her pantings doesn’t come through well when reproduced at the size of my example images (I’ve included one detail crop to demonstrate). Fortunately, if you click through the thumbnails on her website to the full size images, most of them are just large enough to see and appreciate this aspect of her work.

    Her website is divided into galleries for landscape, figures, drawings and an archive of older work. Her blog also serves as an archive of sorts; though no longer active, it still includes additional examples of her work as well as photos of her conducting workshops and classes.

    McChristian’s work is featured on the cover and in the lead article of the current April/May 2021 issue of PleinAir Magazine.



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  • Eye Candy for Today: M.C. Escher lithograph: Reptiles

    M.C. Escher, Reptiles, lithograph
    M.C. Escher, Reptiles, lithograph (details)

    Reptiles, Maurits Cornelis Escher, lithograph, roughly 13 x 15 inches (33 × 38 cm)

    Link is to an image sourced from this article on the website of WBUR radio, reviewing a 2018 Escher exhibition at the Museum of Fine Arts Boston.

    Here, we find the ingenious Dutch printmaker M.C. Escher indulging in a number of his favored themes: tessellated patterns, the relationship between the a two dimensional surface and three dimensional space, a shift between the graphic and the “real”, circular visual logic, geometric solids, and keenly observed still life subjects that may hold symbolic meaning.

    This is one of my favorite Escher compositions; it plays with the very nature of illusionistic art — the representation of a three dimensional world on a two dimensional surface.

    I see a potential play on words in the title, Reptiles. (Whether this translates into Dutch, or whether Escher spoke English, I don’t know.) The reptiles are represented as elements in a tessellation — as flat, interlocking patterns on the drawing surface. The repeated elements in a tessellated surface are called “tiles”. If you want to carry it further, “Rep” can be short for “repeated”. But then, I’m just projecting into Escher’s work, as its enigmatic nature makes it fun to do.

    Also, I love the snort of smoke from the lizard on top of the dodecahedron.

    For more, see my previous posts on M.C. Escher.



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  • Alexander Rothaug

    Alexander Rothaug, mythological painting and illustration
    Alexander Rothaug, mythological painting and illustration

    Alexander Rothaug was an Austrian painter and illustrator active in the late 19th and early 20th centuries. I assume he might be categorized as a Symbolist, which in itself is a loose classification as art styles go.

    Rothaug seems particularly inspired by dramatic scenes from myths and legends, often populated with stylized, exaggeratedly muscular figures and rough, visceral textures.

    It’s his use of texture that grabs my attention, particularly in the representation of rocks and stone.

    Be aware that a number of the works you will find contain nudity, even if highly stylized, and might be considered mildly NSFW.



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  • Same Energy – image similarity search with Deep Learning

    Same Energy - Image similarity search with Deep Learning

    In my previous post on Bing image search vs. Google, Yahoo & Tin Eye, I mentioned the “visual search” or “search by image” features of the major search engines, in which a reference image is the basis of the search rather than text.

    Bing and Google will search first for additional copies of the same image, and when past those, will show “similar images” or “related images”. This can be an interesting way to discover new art and artists.

    In comments on that post, a reader was kind enough to inform me of a new and fascinating entry into the field of image based search: Same Energy.

    Same Energy is based on deep learning, a subset of machine learning, which is a form of computer process that is sometimes over generously called “artificial intelligence” or “AI”.

    Although I’m sure Microsoft and Google are incorporating elements of machine learning into their image search algorithms, I believe they still rely heavily on associated text, tags and meta information. Same Energy appears to rely entirely on deep learning.

    Bin an Google similar images search

    I fed a source image of Monet’s On the Seine at Bennecourt to Bing, Google and Same Energy. The regular search engines returned many sources of copies of the same image, and then started to suggest “similar” images (images above).

    Same Eneregy similar image search

    Same Energy, while often finding a few copies of the same image, would much more readily start showing a range of similar images, often with more varied results than the big two (image above). I found its results were pretty good in terms of similarity, but often ranged wider and led to interesting discoveries.

    When you upload an image (most easily by dragging one from your desktop, there is no provision for entering a URL for an image on the web), Same Energy immediately displays a tight grid, arranged mosaic style, of numerous images (you can modify the grid under “Settings”). The image being referred to is displayed at the upper left.

    Clicking on one of the similar images places that image in the upper left, and shifts the response and field of images to similarity to that image. It also allows you to click on that new reference image and see more detail, including a link to the page from which the image was sourced (images above).

    While Same Energy seemed to have a broader interpretation of “similar” than the major search engines, it was quite good at recognizing the nature of the image and the quality of the art. I deliberately tried to get it to mistake very realistic paintings for photographs, but it almost never did. It also did not readily mix in amateurish low quality paintings with high quality work by more accomplished painters. Both of these can be unfortunate tendencies in the big search engines’ image similarity searches.

    The combination of the quick, densely displayed returns and the level of quality makes searching for similar images more engaging with Same Energy than with Bing or Google. I found myself fascinated, dragging images of widely varied styles into the interface, and often tracking down images that came up that were new to me, and bookmarking often. If you sign up for an account, the option is offered to save images and create Collections.

    Searching for images with nudity, as in figure drawing models, returns blurred images. You must click through on an image and check your acceptance to see images that contain nudity, or have been tagged NSFW, etc. Be aware that the results (many sourced from Reddit) are then pretty much unfiltered.


    I tried uploading an image from my own webcomic, Argon Zark!, and I found the returns actually gave me some insight into how others (or at least a deep learning algorithm) might perceive my style (image above).

    You can also enter text searches, but I found this feature weak at this point in the system’s development. I tried the names of several artists, and many weren’t recognized as viable search terms. There is no provision yet for setting image size, or other refinements that might possibly be added in the future. Also, I noticed the same images coming up fairly often in my searches for a given genre, for instance landscape painting.

    Same Energy is young, still in Beta, and likely has a much smaller database of indexed material at this point than the big players, who have been at it for years and with significantly greater resources.

    Jacob Jackson, the developer, indicates that Same Energy is an ongoing project and will continue to be refined and improved, even while its reach increases.

    I, for one, will be stopping back frequently to indulge.

    The upshot is, if you’re looking for alternate sizes or additional information on a given image, use Bing or Google. If you are more interested in exploring, discovering and just having fun searching through art images (or any kind of images), give Same Energy a try.

    [Timesink Warning!]



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Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics