Lines and Colors art blog
  • The Totoro Forest Project

    Totoro Forest Project - Katsuya Terada, Jackson Sze, Charles Vess, Hermann Meija
    Hayao Miyazaki, arguably the foremost director of anime (Japanese animation), has long been concerned with issues of the conservation of the natural world. It is evident in his work, in films that deal directly with the subject, like Princess Mononoke, and as a pervasive theme through all of his films, though the subject is never handled in a simplistic, heavy handed or preaching manner.

    Miyazaki has also been active in real-world preservation efforts, in particular the ongoing effort to preserve Sayama Forest, a large urban park just outside the limits of Tokyo that served as the inspiration for my favorite of his films, My Neighbor Totoro (see my post on Hayao Miyazaki).

    Economic and population pressures from one of the world’s most populous cities is putting increasing pressure on the forest, as is happening to forests worldwide.

    In what is partly a direct effort to save this particular forest, partly an effort to set an example and send a message about not squandering our natural treasures worldwide, and partly an acknowledgement by artists of their admiration for Miyazaki and his accomplishments, a number of artists, including Daisuki “Dice” Tsutsumi, Enrico Casarosa, Ronnie Del Carmen and many others from Pixar Animation Studios, are participating in a benefit auction of artworks to benefit the “Totoro No Furusato National Fund”, a non-profit that is working to preserve the forest.

    The forest itself has become associated with Miyazaki and his character Totoro, who is a kind of forest spirit, and the project is called the Totoro Forest Project.

    Unfortunately, despite the fact that Eric Orchard was kind enough to let me know about this well in advance, I got the dates wrong and I’m late in telling you about it. The online auction ended yesterday. I apologize for the late notice; I thought the online auction began today, but today (September 6, 2008) is actually the date for the live auction event at Pixar Studios.

    You can still browse the gallery of works on the site, and make a direct contribution to the preservation effort, or purchase the book of art from the project, the proceeds of which also go to the non-profit. (The site isn’t clear about how to purchase the book yet, but says it will be available today.)

    A selected group of the works will be featured in a special exhibition at the Cartoon Art Museum in San Francisco from September 20th to December 7th, 2008.

    About 200 artists participated, including many I’ve featured here on Lines and Colors, such as Erik Tiemens, James Jean, Ian McCaig, Khang Le, Kazu Kibuishi, Kevin Dart, Peter de Seve, Neil Campbell Ross, Manuel Arenas, Chris Appelhans, Chris Turnham, Christian Alzmann, Bobby Chiu, William Joyce, Tadahiro Uesugi, Shino Arihara, Sam Weber and many others.

    (Image above: Katsuya Terada, Jackson Sze, Charles Vess, Hermann Meija)



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  • New Web Site for The Pennsylvania Academy of the Fine Arts

    Pennsylvania Academy of the Fine Arts - Cecilia Beaux, George Inness, Thomas Eakins, Childe Hassam, John White Alexander, Charles Courtney Curran, John Sloan
    The Pennsylvania Academy of the Fine Arts, where I had the privilege of studying as a painting major, is the oldest art school in the United States. Modeled after the academic schools of Europe, it has a long tradition of training American artists and a correspondingly long history of collecting American art for its associated museum.

    The school and museum share a web site, which has just been completely redesigned and rearranged, and it is now much easier to browse the museum’s extraordinary collection. The collection is particularly rich in beautiful 19th Century paintings.

    You can search for individual artists, view their paintings, sculpture or works on paper separately, or view all works together. You can also simply browse the collection as a whole by the same criteria, a delightful exercise that will lead you to unexpected treasures. In addition you can browse by artist, medium or period.

    My one complaint (as usual) is the size of the images. There are larger versions associated with most of the works, and though adequate for getting a feeling for the work, still much smaller than they need to be for real appreciation. Hopefully that will be supplemented with additional images or some kind of image zooming feature in the future.

    In the meanwhile, once you find a piece you like, you can search the web for additional images or information on that artist (here’s a great new visual search engine, SearchMe, that has an interface like the Mac “Cover Flow” system used on their new OS and on the iPhone/iPod Touch, and makes visual browsing more efficient).

    Even better, of course, if you have the option, is to visit the Academy here in Philadelphia, where they always have a superb selection form the permanent collection on display in the beautiful Furness building.

    (Images above: Cecilia Beaux, George Inness, Thomas Eakins, Childe Hassam, John White Alexander, Charles Courtney Curran, John Sloan. Links are to my previous posts on those artists.)



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  • More Fractals on COLORlovers

    Fractal images on COLORlovers (Apophysis)
    The COLORlovers blog, which I mentioned in this post and in my post on the History of the Color Wheel, has posted an article with a nice collection of Fractal Art.

    I find these kinds of images, created by manipulating the paramaters by which certain mathematical functions are interpreted, to be endlessly fascinating; both for their intricate beauty, and for the intriguing relationship they have to natural forms, organic and inorganic.

    Most of the images in the article are linked to originals on Flickr, where you can view large, high-resolution versions; and get an appreciation for the delicate latticeworks of color and form, and the descend-into-infinity nature of their recursive relationships .

    Many of the Flickr sets are part of photo streams that are associated with the Club Apophysis group pool, named for the open source fractal flame Windows software, Apophysis.

    The COLOURlovers article also includes some nice examples of fractal patterns found in nature, with images of plant forms, seashells, river basins and coastlines, and goes on to mention and show some of the winners from the Benoit Mandlebrot Fractal Art Contest 2007, named for the mathematician who coined term and created the original mathematical expressions on which images like these are based.

    See my previous articles on Benoit Mandlebrot, the Benoit Mandlebrot Fractal Art Contest 2007 and Flame Fractals.

    (Above: fractal images by longan drink, exper and Lynn)


    Fractal Art: Complex and Beautiful Color Inspiration on COLURlovers
    Club Apophysis group pool on Flickr
    Apophysis (fractal generation software for Windows)
    My previous posts (with links to fractal software and other resources):
    Benoit Mandlebrot Fractal Art Contest 2007
    Flame Fractals
    Benoit Mandlebrot
    COLOURlovers

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  • Scott McCloud’s Info-comic for Google Chrome

    Scott McCloud's Info-comic for Google Chrome
    In his role as one of the main analysts and thinkers on the subject of the comics art form, and the author of several widely acclaimed books on the subject in which he discusses the medium in the medium, presenting his thoughts in the form of graphic narrative; Scott McCloud has in the process become the the foremost proponent of an unsung aspect of the visual storytelling medium — its astonishing ability top convey information as well as tell a story.

    The comics medium has been utilized for informational purposes for a long time, notably by the government, military and in industrial applications, where the combination of images and words can convey information more clearly, and often more rapidly, than words alone.

    Rarely, if ever, has it been used at the level exhibited in McCloud’s books, Understanding Comics, Reinventing Comics and Making Comics. There he utilizes comics as an informational medium with a grace, artfulness and intelligently structured approach to the graphic narrative that brings it into a different category, more akin to first rate essay writers than the prosaic uses of comics for instruction that preceded him (there are some exceptions, of course, like Larry Gornick’s Cartoon History of the Universe, but McCloud is working at a different level). See my previous post on Making Comics.

    Google has now put McCloud’s expositional graphic narrative skills to use to introduce and explain the concepts behind their new open source web browser, Google Chrome, in the form of a 38 page comic book.

    Presumably there are print versions of this, but you can read it online from Google’s site (and also on Blogoscoped, where it appears with a numbered page index). My one disappointment is that McCloud has conceded to the demands of print format and arranged the pages vertically, instead of fitting them to the horizontal format of the omputer screen, which is where I will wager the majority of people will wind up reading this, even though it was intended for print.

    There is also a brief article on McCloud’s site about the project.

    Google, apparently feeling the need to rebuff any attempts by Microsoft to use their browser market dominance to lead web users away from Google to their own search engine, has jumped into the open source browser fray, occupied by Firefox and others, with a new offering. (“Open source” means a computer application in which the underlying code is not proprietary, and can be worked on by anyone with the skill and interest to contribute, and is not “owned” in the same sense as a commercial product.)

    They have gone to lengths to explain what they are doing, and how, and what they are doing differently. Normally these concepts are pretty abstract, and not that easy for an outsider to grasp; much like the concepts behind, say, graphic narrative, and how it is both similar and different from other mediums.

    So Scott McCloud was an obvious and superb choice for the task. Even if you’re not particularly interested in why or how Google’s new browser works, it’s worth checking out McCloud’s graphic exposition, simply to see how it works. Look at the way he has seamlessly blended images and words to convey these abstract and sometimes technical concepts. It’s so smooth that, like his books, you have to intentionally step back to notice the process.

    Like most artful of writing, it doesn’t intrude on your conscious impression of the work, but carries you along without your awareness. You almost learn in spite of yourself, a fascinating example of the power of words and pictures working together to tell a story, and/or inform and educate.


    www.google.com/googlebooks/chrome
    On Blogoscoped (with index)
    Article on www.scottmccloud.com
    My previous posts on Making Comics, and here
    Previous post on McCloud’s Hearts and Minds (webcomic)

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  • Art and the River

    Art and the River - Pennsylvania Impressionist paintings at the Michener Museum - Edward Redfield, Harry Leith-Ross, Daniel Garber, Kenneth NewmakerIn the late 19th and early 20th Century, New York and Boston were major centers of American Impressionism. These were American artists who had traveled to Europe and encountered the French Impressionists and their daring new approach to painting, or had been impressed by their work in exhibits mounted in the U.S., and incorporated some of their techniques into heir own uniquely American approach to painting.

    This influence was less evident here in Philadelphia, the third major East Coast art center of the time, perhaps because of the traditional values emphasized by the dominant figure of Thomas Eakins and his followers at the Pennsylvania Academy of the Fine Arts.

    Instead, New Hope, Pennsylvania, a small town in nearby Bucks County, became the focal point for the group painters who are now known as the Pennsylvania Impressionists, as I mentioned in my article on New Hope, PA and Lambertville, NJ from last year.

    For these painters, New Hope and the surrounding area became their own Giverny, their artist colony on the river, akin to the American Impressionist centers in Cos Cobb and Old Lyme Connecticut (see my post on Impressionist Giverny: American Painters in France, 1885-1915).

    The James A. Michener Art Museum, in Doylestown, which has one of the most important collections of Pennsylvania Impressionist works, has mounted an exhibit in their smaller satellite museum in New Hope called Art and the River.

    The exhibit focuses on interpretations of the Delaware River and related waterways in the area of the New Hope colony and features works from a number of the major figures of Pennsylvania Impressionism, including Daniel Garber, Edward Redfield, William Lathrop, Harry Leith-Ross, George Sotter and Fern Coppedge, as well as some less well known artists like Kenneth Newmaker (see my previous posts about Daniel Garber and Fern Coppedge).

    The exhibit also features work from the New Hope modernist painters from the 1930’s and a selection of contemporary Bucks County artists like Paul Matthews, Daniel Anthonisen, Jan Lipes and Robert Beck and several others.

    The museum has a page and press release about the exhibit, but they contain few images. The Michener does have a long list of articles about Bucks County Artists, with four of five images for each. Unfortunately, these are rather small. You can supplement them with somewhat larger images from commercial print supplier Encore Editions, which has a fairly large catalog of Pennsylvania Impressionists. I’ve linked to a few highlights below, and I plan to feature many of these artists in more detail in future posts.

    I’ll also mention an excellent and beautiful book, Pennsylvania Impressionism, edited by Brian H. Peterson, who is Senior Curator at the Michener. There is also a large and beautiful, though perhaps less scholarly definitive book, New Hope for American Art, published by Jim’s of Lambertville, a local gallery that specializes in Pennsylvania Impressionist works, and written by the gallery’s owner, Jim Alterman. The gallery is a co-sponsor of the Art and the River exhibit. I had a chance to stop by the gallery on this visit, and was duly impressed with their selection of Pennsylvania Impressionist artists.

    Though the exhibit is not large, it’s extensive enough to give a nice cross section of some of the Pennsylvania Impressionists, as well as some contemporary painters who have found a connection, and source of inspiration, in the same place on the river.

    Art and the River at James A. Michener Art Museum runs until until October 5, 2008.

    (Image above: Edward Redfield, Harry Leith-Ross, Daniel Garber, Kenneth Newmaker)

     

    Art and the River at James A. Michener Art Museum until October 5, 2008, Press Release

    Some Pennsylvania Impressionists included in the exhibit:
    Daniel Garber, on Michener and Encore
    Edward Redfield, on Michener and Encore
    William Lathrop, on Michener and Encore
    Harry Leith-Ross, on Michener
    George Sotter, on Michener and Encore
    Fern Coppedge, on Michener and Encore

    Contemporary Bucks County artists:
    Paul Matthews
    Daniel Anthonisen, on Michener
    Jan Lipes, on Michener
    Robert beck, on Michener

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  • Junko Ono Rothwell

    Junko Ono Rothwell
    August and September are times when many people think of travel, and travel makes me think of travel sketches.

    There is a particular pleasure in travel sketches; they carry a personal view and flavor quite unlike travel photographs, in that the artist is showing you their vision and feeling for the place and time in addition to a representation of its appearance.

    Junko Ono Rothwell, an artist based in Georgia in the Southeastern U.S. has posted a number of her travel sketches in watercolor and pastel on her web site. These are from her visits to Italy (above, left), France (above, right) and Ireland.

    Her sketches bring to bear her experience in painting landscapes in both oil and pastel. Her landscapes here in the U.S. often focus on marshlands and small streams, both Groegia and on the mid-Atlantic coast.

    On her site you will also find her nicely realized still life paintings, also in both pastel and oil, and her watercolor floral studies. There is also a selection of figure work.

    Her pastel renderings make good use of the textural characteristics of the medium, which lies somewhere between painting and drawing, and she brings some of that surface texture into her oil painting to very nice effect, with textural paint strokes and a wonderful use of broken color.

    Rothwell studied in Japan at Okayama University and in the U.S. at Cornell. Her work has been in exhibitions and collections in both the U.S. and Japan and has been featured in a number of books and magazine articles on pastel, floral painting, and landscape.

    Rothwell’s landscapes are done en plein air (see my recent post on pochade boxes), catching the fleeting atmospherics and light only available to the painter’s eye on location, just as she captures the immediate feeling of of a foreign place and time in her travel sketches.



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Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics