Lines and Colors art blog
  • Terence Tenison Cuneo

    Terence Tenison Cuneo
    Like many young boys, I developed a fascination with trains when I quite young, and never completely lost it as an adult. I still find trains and train travel fascinating and possessed of their own aesthetic; huge gleaming machines, spouting grease and sparks, barreling through the night on slivery rails, carrying freight, passengers and the imagination of little boys to far away places.

    Terence Tenison Cuneo was a British artist known for his depictions of trains, accurate, and romantic, futuristic and nostalgic, precise and painterly.

    Cuneo started as an illustrator and then became a war artist and illustrator for the Illustrated London News in France. He came to wide notice as official artist at the coronation of Queen Elizabeth II in 1953.

    His parents were artists who met in Paris while studying with American ex-patriate James Whistler. Cuneo himself studied at the Chelsea Polytechnic and the Slade School of Art.

    Cuneo painted landscapes, portraits, battle scenes and exotic animals; but was noted for his portrayal of industrial subjects — tanks, rockets, mines, dams, factories and, most notably, trains and railways.

    He painted numerous posters and promotional images for British Railways and other railroads. In 1967 he was commissioned by the Science Museum to paint a large scale (20 x 10ft) painting of the Waterloo Station concourse.

    The largest images I’ve found for Cuneo are on Art Renewal, though there are only three. Next best is the NSMI museums collection (click through the images on the detail pages for larger versions).

    There is a Cuneo Fine Arts and related Cuneo Society website, apparently maintained by members of the family, that have some information and prints available, but the online images are very small.

    Cuneo was noted for the quirk of putting a mouse in his paintings, almost as a kind of secondary signature. He also painted a series of whimsical mouse character paintings.

    A statue of Cuneo by Phillip Jackson was placed in the main concourse at Waterloo Station; it includes a mouse almost hidden under a book at his feet.



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  • Laraine Armenti

    Laraine Aramenti
    There is much to be said for the simple, direct observation of our immediate surroundings, and the artistic expression of that observation.

    I find the results often have a visual charm that comes from the unassuming honesty of the act of observing and recording, unrestrained by the intention of “creating a work”.

    I see some of that simplicity of intention and directness of observation in the small gouache paintings of Massachusetts painter Laraine Armenti.

    You will find them as you browse through her blog, simple observations that look as though she has cast her eyes about the room and made a subject of whatever they find.

    Her direct, often delightfully graphic gouache studies are frequently accompanied by ink drawings of the same scene. I don’t know if these are preliminary or are actually done after the gouache paintings, but they are apparently done in the same session.

    You will also find small landscapes on both her blog and her website, often in oil, as well as small still life paintings in oil (images above, bottom).

    Armenti majored in etching at the Rhode Island School of Design, but also studied art history, painting and photography; and went on to pursue a three year study of the figure in the studio of Ronald Rizzi. She established an 18 year career in illustration and graphic design before transitioning into gallery art.



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  • Sam Wolfe Connelly

    Sam Wolfe Connelly
    Sam Wolfe Connelly is a young illustrator based in Virginia, who studied at the Savanah College of Art and Design (or SCAD as it’s colloquially known).

    His work has been shown in the Society of Illustrators 2010 Student Show, Creative Quarterly, the 2009 SCADDY’s and on NewYorkTimes.com.

    Connelly’s work, which is frequently a mix of digital and traditional media, utilizes a delicate lines, subdued textures and controlled colors; producing a restrained, understated look that is in keeping with his penchant for offbeat and occasionally macabre subjects.

    I particularly like the relationship he creates between his foreground subjects and the rough and sometimes patterned textures of his backgrounds.

    His website features a portfolio of finished work, along with sketches and a section of designs for T-shirts and other articles.

    Connelly also maintains a blog in which he posts and discusses work in progress.



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  • David Jon Kassan paints from life on an iPad

    David Jon Kassan paints from life on an iPad
    David Jon Kassan, a Brooklyn based artist I wrote about in 2008, recently posted a short (7 minute) video to YouTube in which he is shown in time-lapse Finger Painting on the Apple iPad from the live model.

    The iPad, for those who have been living in a cave in Tierra del Fuego until this morning, is Apple’s new touch-screen device, so Kassan is painting with his finger, a pretty blunt instrument compared to a brush, pencil or stylus.

    Kassan is painting in Brushes, a very capable digital painting app for the iPhone and iPad that allows for most of the basic tools of digital painting, including, of course, the ability to zoom in on the work.

    Though it doesn’t allow for variations in pressure, a factor most of us who do digital drawing and painting have come to rely on, it does allow for changes in brush size and opacity, as you can see in the video.

    (For another mention of the Brushes iPhone app, see my post on the New Yorker covers of Jorge Colombo.)

    Most of us associate digital painting with work from the imagination, particularly given its popularity in concept art and science fiction and fantasy illustration, but a number of people use it to sketch or paint from life.

    I’ve used a laptop, Painter software and a tablet and stylus to sketch and paint from the model, but it’s a bit of an awkward proposition. The lack of pressure sensitivity seems a fair trade-off for the easy portability and simplicity of the iPad (though you would want to make sure it was well-secured to your easel – grin).

    Unlike the use of similar applications for the iPhone and Nintendo DS, the iPad is large enough to do more than small sketches. Kassan takes the painting pretty close to the state of a finished portrait.

    Kassan has updated his website since I last wrote about him, including new work, a blog, and more videos.

    David Kassan - Drawing Closer to Life

    In particular he has released a new three-hour instructional DVD, Drawing Closer to Life (images above), that follows him through a day in the studio, documentary style, as he develops a fully realized charcoal drawing (using the same model as in the iPad painting, if I’m not mistaken). There is a trailer for the video here.

    [Via Daring Fireball]



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  • Mitch Baird

    Mitch Baird
    Oregon painter Mitch Baird paints the landscape of the Pacific Northwest, both dramatic and more intimate, with a fresh palette, confident brushwork and clear vision.

    He also applies his skills and passion for plein air painting to scenes from travels in Europe; and paints lively still life compositions and occasional figurative works.

    Baird received a BFA in Illustration from Brigham Young University, where he credits Ralph Barksdale with inspiring and energizing him in his pursuit of drawing and painting.

    As a painter, Baird finds inspiration in artists of the late 19th Century, and follows their fascination with the effects of light and atmosphere, and the natural color that reveals itself when painting on location.



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  • Nuthin’ But Mech

    Nuthin But Mech: Christian Pearce, Peter Rubin, Jake Parker, Lorin Wood, Ben Mauro, Marc Gabanna, Alex Jaeger
    Nothin’ But Mech is a group blog started by concept artist Lorin Wood and concept designer Scott Kester to indulge in their fascination with robots in all their wonderful widgety variety of shapes forms and functions.

    They invited a number of their colleagues in the film and gaming industry to participate, and the result is a fun range of all manner of robots, exoskeletons, and other devices that make their way into a loose category of “mech”.

    There is an equally diverse variety of drawing and rendering styles: pencil drawing, traditional painting, markers, digital painting and 3-D modeling, along with various combinations of the above.

    There is an impressive list of contributors, many of whom I’ve featured previously here on Lines and Colors, and the links on the sidebar provide access to their websites and blogs where you can find a great range of concept art.

    (Images above: Christian Pearce, Peter Rubin, Jake Parker, Lorin Wood, Ben Mauro, Marc Gabbana and Alex Jaeger. Links are to their sites; here are my posts on Christian Pearce, Jake Parker, Marc Gabbana, Alex Jaeger.)



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Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics