Lines and Colors art blog
  • Betty Boop: Snow White

    Betty Boop: Snow White, Fleischer StudiosA friend of mine recently reminded me of the amazing Fleischer Studios Betty Boop cartoons from the 1930’s (see my posts on Max Fleisher and the Max Fleischer Superman cartoons).

    Betty Boop, in her original incarnation, was sexy, surreal (in the accurate sense of that word), imaginative, beautifully done and entertaining on several levels.

    These were cartoons done when animation as an art form and entertainment medium, while no longer in its infancy, was in its wide-eyed childhood, exploratory and robust with the heady enthusiasm of youth. Animators were delighting in the possibilities animated drawings presented, particularly in freedom from the restraints of physical laws and the conventions of formal narrative.

    People, objects and animals bend, morph, disintegrate and reintegrate. The laws of physics are rescinded. The artists indulge in dream-like displays of the bizarre and wonderful. Characters, and logic, assume pretzel-like configurations.

    All of this is done with wit, style, imagination and wonderfully snappy drawing. The backgrounds, at times surprisingly dark and strange, are filled with wonderful details that are easy to miss on first viewing.

    This example, Betty Boop: Snow White, is one of the best. Directed by Dave Fleischer and animated by Roland C. Crandall, this 7 minute masterpiece takes our darling Betty (created by animator Grim Natwick) through the Snow White story.

    But if Disney’s Snow White is a symphony (and it’s a wonderful milestone of animation), this is an improvisational jazz piece by players at the top of their form for inventiveness, exploration and animation “chops”.

    The piece, in fact, makes extensive use of the music of the great band leader Cab Calloway, often an integral feature of the Betty Boop cartoons, in this case a smashing rendition of St. James Infirmary Blues, to which all manner of bizzare imagery is set.

    You can view it on the Animation Archive, where you can find a treasure trove of early animation (a good place to start is the Film Chest Vintage Cartoons collection).

    There is also a site devoted to the Betty Boop cartoons in general that makes them easier to browse (something the Archive is not the best for) and links to them both on the Archive and YouTube.

    [Suggestion courtesy of Susan Casper]

     


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  • Maria Kalman (update)

    Maria Kalman
    As I mentioned back in February, illustrator Maria Kalman is continuing her illustrated blogging for the New York Times with her current blog And the Pursuit of Happiness.

    In her piece for July 30, 2009, Can Do, she focuses on my favorite of the United States’ “founding fathers” — inventor, raconteur, publisher, writer, ambassador, ladies man and all around interesting fellow, Ben Franklin.

    (I’ll take advantage of this article to point out for the benefit of any “Freedom Fries” wingnuts who happen on it, that if Franklin hadn’t convinced the French to jump into opposing the British during the Revolutionary War, thereby pulling our fat out of the fire, we would still be a colony of England. I’ll also mention a favorite quote from Franklin, one that is terribly appropriate for our “war on terror” paranoia-filled times: “They that can give up essential liberty to obtain a little temporary safety deserve neither liberty nor safety.”)

    I digress; but then, so does Kalman, delightfully wandering from Franklin to Mellville to Tesla and back again by way of a Jell-o mold competition and a green-eyed man named Fritz; celebrating along the way the inventive spirit that runs through the fabric of U.S. history like a bright fiber-optic thread.

    [Via Daring Fireball and Kottke.org]


    Can Do, from And the Pursuit of Happiness on NYT
    My previous post on Maria Kalman

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  • Brooks Shane Salzwedel

    Brooks Shane Salzwedel
    Brooks Shane Salzwedel draws ephemeral landscape images in layers of graphite, tape and resin.

    His unusual, and painstaking, approach gives his images a delicate feeling of depth and otherworldly mystery. He often juxtaposes artificial constructs, like metal towers, with natural forms, both emphasizing the contrast in form and the odd harmony of their place in his compositions.

    His images are largely monochromatic, with occasional touches of faint color, but within their gray and black tones they have a palette of “colors” that are reminiscent of Chinese or Japanese ink painting.

    If you’re in Southern California, you can catch the last few days of the Momentum show at Gallery Nucleus in Alhambra, which features work by Salzwedel and five other artists.

    From September 12 to October 10, 2009, he will have a solo show at Black Maria Gallery in Los Angeles.



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  • Art Babble

    Art Babble, Research in progress: Van Gogh and contemporaries
    Art Babble is a terrific site that promises to get even better, and probably rapidly.

    Art Babble, the tagline for which is “Play Art Loud”, aggregates art related videos from a variety of sources, most notably museums like the Art Institute of Chicago, Museum of Arts & Design, Museum of Contemporary Art San Diego, Norman Rockwell Museum, Rubin Museum of Art, San Jose Museum of Art, The Solomon R. Guggenheim Museum, Van Gogh Museum, and Yerba Buena Center for the Arts; along with Public TV station KQED.

    For the most part these seem to be high end, professionally made videos that delve into a variety of art subjects. I’ve only had chance to watch one full video so far, and perhaps I got lucky, but I found it fascinating, illuminating and nicely erudite without being stuffy or overly technical.

    Research in progress: Van Gogh and contemporaries (images above), from the van Gogh Museum in Amsterdam, is a short in which a restorer from the museum examines a painting by Van Gogh and a painting by Monet side by side, utilizing a range of approaches, from naked eye to microscope to x-ray to ultraviolet, and explores similarities in their painting technique, the use of broken color and the choice to allow the ground to show through the brushstrokes to add to the color and texture of the painting.

    if the other videos are of this quality, I’ll be looking for a lot of spare moments to return to the site.

    You can view the list of videos by topic (“Channels”), by artist, by series or by the participating institution.



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  • Cheeming Boey

    Cheerming Boey
    Cheeming Boey draws on styrofoam coffee cups with a sharpie pen.

    Those of us who have a tendency to doodle on whatever surface is handy may not think that surprising, but the degree of skill and work that he puts into his unusual medium is outstanding.

    His subjects range from cartoons to detailed stippled portraits to elaborate decorative drawings inspired by the style of Japanese prints.

    The drawings use the entire circumference of the cop, connecting with themselves in a continuous band. The flicker set of his cup drawings features them set against a mirror and also often includes multiple views of the same cup.

    There is a photo sequence of his process and a video as well.

    Boey’s cups sell in galleries for $120 to $220 and are sometimes placed in plastic cases. There is an article on him on the OC Register.

    You’ll often hear disparaging remarks about unorthodox art materials, particularly when they’re not “archival”. I dont’ know about the Sharpie ink, but Boey’s styrofoam “canvas”, as any eco-warrior will tell you, will last for a long long time.

    Addendum: The Sharpie blog has an interview with Boey

    [Via digg]


    Coffee Cups by Cheeming Boey (Flickr set)
    OC Register
    rectangletriangle (Googlepages – links to blogs)

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  • Wizard of Oz characters reinterpreted

    Various Styles of The Wizard of Oz Illustrations: Julian Totino Tedesco, Lee Gaston, Tony Papesh, Skottie Young, Enrique Fernandez
    As a fun addition to my previous article on W. W. Denslow, here’s a piece on The Design Inspiration that has collected some contemporary artists’ interpretations of the major characters form the Wizard of Oz book and film: 25 Various Styles of The Wizard of Oz Illustrations.

    To this list you can add Nancy Dorser, Marvel Comics’ Skottie Young and Image Comics’ Enrique Fernández (also here).

    (Images above: Julian Totino Tedesco, Lee Gaston, Tony Papesh, Skottie Young, Enrique Fernández)



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Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics