Lines and Colors art blog
  • Aleksi Briclot

    Aleksi Briclot
    Aleksi Briclot is a Paris-based concept artist and art director for the gaming industry as well as an illustrator and comics artist.

    His game credits include lead artist on ColdFear, a horror themed action game from DarkWorks and Ubisoft, Splinter Cell Double Agent and the new titles Haze from Ubisoft and Dungeon Runners from NCSoft.

    He has done numerous illustrations for RPG books, magazines and comics, including covers for Mage, C.O.P.S. Rpgs, Privateer Press, and World of Warcraft, as well as an extensive series of paintings for the Wizards of the Coast card series Magic: the Gathering, Dreamblade.

    His comics industry work includes the videogame adaptation Alone in the Dark 4, Spawn: Simony and the new Spawn graphic album Architects of Fear, as well as covers for Marvel’s Annihilation: Conquest series and the Hellgate limited series from Dark Horse. His comics interiors are in the fully painted approach rather than the traditional line and color method.

    Briclot is also an instructor for the international ConceptArt/Massive Black workshops, and his work has been featured in several anthologies of digital and fantastic art, including being chosen for the back cover of the recent Spectrum 14.

    Briclot is obviously a busy fellow and his web site hasn’t been updated for a long time. Though the home page is hung with apologetic notes that might give you the idea it’s closed until renovations can happen, it is in fact open and you can view his gallery of earlier work.

    He is for the moment throwing more recent work up on his informal MySpace page. I’ve also found a few other resources and listed them for you below.

    Briclot often works his fantasy and horror-themed compositions in swirls of form and suggested movement, at times almost in concentric rings. His flaming demons and maniacally grimacing monsters spin out at you, with their intense colors pushing them forward from muted low-chroma backgrounds, or brightly surge from haunted layers of darkness.

    He also does terrific dragons, writhing and twisting, turning their spiky heads in imminent threat displays. His work for C.O.P.S. displays a science fiction edge that stands out a bit from his other work and would be interesting to see more of. All of his work utilizes texture to both give grit and substance to the images and to tie them together as a visual whole.

    Briclot is also involved in a European artbook called Merlin in collaboration with artist Jean-Sebastien Rossbach (and possibly others, I’m not certain). The project is represented on MySpace as if it were Merlin’s own MySpace page.



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  • Jason Waskey

    Jason Waskey
    Jason Waskey is an Seattle based artist who has applied his talents in several areas of artistic endeavor. He has been in turns a freelance illustrator, art director for a newspaper and a comic book company, instructor for the Art Institute of Seattle, comic book artist, painter and gallery artist; and is currently an art director for The Giant Software Company That Must Not Be Named.

    Somehow, his finds time to paint almost every day and post small paintings on his blog, much in keeping with the manner of many “painting a day” painters. These small works are of small common objects and have that un-fussed with quality of quickly done paintings that are an immediate response to the subject. He also writes a bit about the subject and the painting process and occasionally about other topics as well. Of particular interest on his blog are the posts linked in the right-hand column under the heading of “On Inspiration and Influence”.

    In addition to the small works featured on the blog, you can see some of his more finished gallery works in the gallery section of his web site. These are often of figures in interiors. They are open, painterly and, to my eye, seem inspired by “American impressionists” like Sargent, Hassem and Tarbell as well as the more obvious influence of Hopper. His interiors are sometimes of airy, window-lit spaces and at other times of the subdued low contrast tones of indirect interior lighting.

    There is a pop-up gallery of “small paintings for sale“, reflecting the smaller works featured on the blog.

    There is also a “what’s on the easel now” section that is not updated nearly as frequently as the blog, but features a number of step-by-step progressions through the painting process, as well as notes on the creation of larger works.

    In addition there is a “photos” section that includes photos of his palette and working setup; as well as a “links” section with links to artists, blogs and other resources of interest.

    He also has one of those excellent sketchbook posts in which real sketchbook pages (possibly Moleskine) are posted as they look, rather than as carefully selected sketches out of context. (I can’t give you direct links to the web site sections because the site in in frames.)

    Waskey is represented by the dezart one gallery in Palm Springs.



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  • 2008 Bloggie Nominations

    2008 Bloggie Nominations
    I’m normally not all that concerned with awards unless they serve a purpose other than ego massage, but I’m going to ask you to help out and nominate lines and colors for these awards because there is such a purpose here, namely the possibility of wider exposure for the blog, and by extension, for the topics, people and kinds of art featured on lines and colors.

    I haven’t done this in the two years plus that I’ve been writing the blog, but this year there is a new category for “best art or craft weblog” into which lines and colors would fit nicely. (Previously there was “arts and entertainment” in which no art blog could outmatch the popularity of film, TV and music blogs, and “crafts”, which wasn’t quite appropriate.)

    One of my stated reasons for writing lines and colors is the desire to open as many eyes as possible to the amazing visual treasures that exist in various times, styles, genres and approaches to visual art; and in particular, to expose people to visual arts in areas other than their usual favorites; in effect to cross-pollinate the genres.

    Obviously, the wider reach a blog like this has, the more effective that effort becomes; so I would like you to help me do this by taking a few minutes to go to the nomination page for the Eighth Annual Weblog Awards and nominating lines and colors in the category for “best art or craft weblog”. (That category is about half-way down the page, on the left.)

    There is a “what you need to know” section at the top of the page, but here are the most salient points:

    You must supply a URL for the weblog (for lines and colors, that would be “http://www.linesandcolors.com”).

    You can only submit one nomination form; if you attempt to re-submit at some point your new ballot will replace the previous one.

    You can nominate as many other blogs in various categories as you like, but you must nominate at least 3 different blogs total somewhere on the form for it to be a valid nomination. I’m sure you all have some favorite blogs in other categories, and additional choices in the “best art or craft weblog” that you would like to see promoted. To nominate three blogs should only take you about 5 minutes.

    You are required to supply a valid email address, but I believe they have a good privacy policy.

    If you want a chance to participate in the final judging of nominees, be sure to check the checkbox at the bottom of the page, above the space where you enter your email. Three panels of 50 participants will have the ability to vote by email in the final judging.

    The nominations close at 10 PM Eastern Standard Time (GMT-5) on Friday, January 11, 2008.

    I believe that the nomination process is more important here than the final voting. The objective isn’t to be “winner”, but to get lines and colors listed as a nominee, thereby exposing the blog, and the topics I cover on painting, drawing, illustration, comics, cartoons, concept art, matte painting, animation, paleo art, science fiction and fantasy art, digital painting, artist tools, painting-a-day, museum shows, the great classic illustrators, and all of the individual artists that I write about, to a broader audience.

    If you feel that what I’m doing with lines and colors is worthwhile, this will be a great way to show your support.

    Thanks!

    -Charley

    Addendum: Nominations have closed. Thanks to all of you who took the time to nominate lines and colors. Whether lines and colors is on the final ballot or not, you can vote for the 2008 Bloggies from January 22 to January 31.


    Eighth Annual Weblog Awards
    (Voting will be open from January 22 to January 31, 2008)

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  • Project Gutenberg eBooks, Masters of Water-colour Painting

    Project Gutenberg eBooks, Masters of Water-colour Painting
    It’s nice to start the new year by looking forward, but it can be just as instructive to look back; and there are some great resources that make looking back easier and more fruitful than ever.

    Project Gutenberg is a great idea. Not just in the sense of “great” as “terrific”, but in the sense of “great” as “milestone” or “extraordinary”.

    If you’re not familiar with it, Project Gutenberg is an attempt to digitize and archive as many public domain cultural works as possible (as opposed to archiving technical information). Started in 1971 by Michael S. Hart, and maintained and contributed to by thousands of volunteers, the archive already contains the full text of more then 20,000 books that are old enough to have moved into the public domain.

    These are archived as free eBooks in several formats, Plucker a format that can be read on a Palm device or smartphone with the open source Plucker Viewer; HTML, which can be read online or downloaded as a Zip file; and plain text in ascii and utf-8 encodings. There are also audio books, sheet music and pictures.

    Even though the length of time it takes for a book to become public domain was extended by the Copyright Term Extension Act, as the result of intensive lobbying by Disney and other corporate entertainment barons (hence its nickname as The Mickey Mouse Protection Act because the change happened as MM was about to slip into public domain), there are still a number of books in the archive printed after color printing became economical enough to include good reproductions of illustrations and other paintings, in addition to the older pen and ink illustrations.

    Unfortunately, the weak link in the Project Gutenberg chain seems to be that the scanning and preparation of many illustrated books for the archive has apparently been done by individuals with no knowledge of graphic arts basics, and/or by brain damaged rhesus monkeys, resulting in the frustrating presence of a number archived illustrated books in which the illustrations are dark, blurry, over-compressed smears, or ratty, scratchy GIF files. (The latter is sadly the state of their archive of the wonderful John Tenniel illustrations for Alice’s Adventures in Wonderland. For better resources, see my post on Sir John Tenniel).

    Thankfully, this is not always the fate of illustrated books in the collection, possibly because some graphics knowledgeable people have volunteered to help. A case in point is Masters of Water-Colour Painting by H.N. Cundall (HTML version here), a book published in the 1920’s with color plates of great watercolors, like the plate above, “Palazzo Contarini Fasan on the Grand Canal, Venice” by Samuel Prout.

    There are some other gems in the collection but you have to look for them, a process that’s not always as easy as is should be. The project has a decent search feature, if you know what you’re looking for, but is weak on browsing. Repeated searching can bare fruit, the terms “painting” and “painters” will return different results. Try the Advanced Search or Catalog Overview page, from which you can use the Anacleo, Yahoo and Google search features.

    Also, once you find a title you like, look in the “Bibliographic Record” section toward the top of that entry’s main page for the “LoC Class” link, in the case of the above title, the class is “ND: Fine Arts; Painting“, and returns some good results.

    Digging will be rewarded.

    Obviously, a project like this depends on contributions of money and time (they are always asking for help in the form of distributed proofreaders); and, though I can’t speak for the program, it looks to me like it might benefit in particular from they help of individuals with some knowledge of digital media and graphic arts.

    [Masters of Water-Colour Painting link via Acuarela]



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  • Happy Leyendecker Baby New Year 2008!

    J.C. Leyendecker New Years Babies Saturday Evening Post Covers
    As I mentioned in my Happy Leyendecker Baby New Year! post from last year, master illustrator J.C. Leyendecker is responsible for initiating the tradition of representing the New Year visually as a baby.

    Here are a few more of his wonderful New Years babies from the cover of The Saturday Evening Post. Their archive is here and here.

    Happy New Year!



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  • Asaf Hanuka

    Asaf Hanuka
    Israeli born illustrator and comics artist Asaf Hanuka studied illustration at Emile Cohl, an art institution in France. His illustration clients include The New York Times, The Wall Street Journal, Time, Rolling Stone and Forbes.

    His comics work includes collaborations with French writer Didier Desninckx on Carton Jaune! and Hors Limits, and Israeli writer Etgar Keret on Streets of Rage and Pizzaria Kamikaze, which was a 2007 Eisner Award nominee.

    Asaf also collaborated with his twin brother Tomer Hanuka on Bipolar.

    His illustration portfolio features a variety of his work, which can be stylized, straightforward or comically exaggerated. He employs the comic book art conventions of pen and ink line work filled with color, at times rendered and at other times graphically flat. Occasionally, he will even mix the two approaches in the same image as one of his techniques for controlling the focal point of the image. This is a factor that Hanuka seems to devote particular attention to, also employing tone, color and texture to make certain your eye is drawn to the exact spot in a given image where he wants it to go.

    The comics section of his portfolio includes covers and sample pages from several titles, both black and white and color. Unfortunately there are no sample pages from Pizzaria Kamakazi, but the pagess from Carton Janune look particularly interesting, with a textural approach tot the application of color the fits the setting. There is also a news section and a (not very informative) bio on the site.

    Asaf also shares the blog Tropical Toxic with his brother Tomer.



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Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics