Lines and Colors art blog
  • Judith Pond Kudlow

    Judith Pond Kudlow, still life and figurative
    Judith Pond Kudlow is an artist living and working in New York City, where she co-founded with artist Andrea J. Smith a classical atelier named NYK Academy, formerly the Harlem Studio of Art.

    Kudlow’s primary subjects are still life and figurative, the former in particular is appealing for the feeling of harmony in her compositions. Her exacting draftsmanship privieds a solid structure from which her reserved color palette and controlled values project a feeling of quiet presence.

    I get the impression that she uses soft edges in many places, but it’s difficult to tell; the frustratingly small images on her website, particularly of her figurative work, reveal little about the nature of her surface or rendering.

    There are slightly larger images of her still life subjects on the websites of the Principle Gallery in Virginia, and Anderson Fine Art Gallery in Georgia.

    Kudlow has an instructional video, published by American Artist, titled Classical Painting: The Realist Sight Size Method.



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  • Eye Candy for Today: Johann Tischbein chalk portrait

    Profile Portrait of Miss Wieling, Johann Heinrich Wilhelm Tischbein, red chalk drawing

    Profile Portrait of Miss Wieling, Johann Heinrich Wilhelm Tischbein

    Red chalk on paper, 14 x 10 inches (35 x 26 cm). In the Metropolitan Museum of Art

    This forceful but delicate profile portrait is made graphically strong by the artist’s use of dramatic value contrast between the face and background. His approach is precise, with careful attention given to the edges — delineated with a lost and found line — where the face meets the background tone.

    Despite the rather formal profile pose and the exacting nature of the approach, Tischbein’s confident control of the chalk gives the rendering a freedom that keeps the drawing from feeling stiff. The handling of the mouth is particularly sensitive.



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  • Raymond Berry

    Ray Berry, textural landscapes in oil and encaustic
    Virginia artist Ray Berry walks a line between representation and suggestion, his strongly seasonal landscapes reveal themselves on closer inspection to be strikingly physical applications of paint.

    He works both in oil and the difficult hot wax process of encaustic, the latter giving even greater leeway for producing a textural surface, to the point of being almost sculptural.

    The brusque application of paint and rough scumbling over many surfaces gives Berry’s forms intriguingly indistinct edges that can be perceived as simultaneously soft or hard. In his landscapes it can impart a tonalist quality, and in his still life pieces, a fascinatingly shifting object-to-ground relationship.

    The textural paint application in his landscapes can also give their otherwise still, contemplative subjects an element of suggested movement — from the nature of the directional masses within the surface of the paint itself — adding the the push-pull of contrasting elements.

    Berry’s work will be on display at an exhibit titled “Hidden Hanover” at the Flippo Gallery of Randolph-Macon College in Ashland VA, from tomorrow, April 19, to May 31, 2015.

    [Via Duane Keiser (see my previous posts on Duane Keiser)]



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  • Eye Candy for Today: WT Richards’ Lago Avernus

    Lago Avernus, William Trost Richards, watercolor and gouache
    Lago Avernus, William Trost Richards

    In the Metropolitan Museum of Art. Watercolor and gouache on blue paper, 4 1/2 x 9 1/9 inches (11 x 24 cm).

    Lago Avernus (“Lake Avernus”) is a lake in a volcanic crater in the Campania region of southern Italy. Once believed to be the mythical entrance to the Underworld, the lake’s quiet beauty has been the subject over time of paintings by a number of artists.

    Richards has chosen a vantage point from which we see a good bit of the surrounding countryside, giving the lake a beautiful setting.

    Like most of the great masters of the medium of watercolor, Richards was unabashed about using gouache to add highlights when he wanted them.

    Here he’s applied gouache highlights to the foreground trees with casual, wonderfully painterly strokes that look almost like drybrush oil. I also love the light textural marks he has scrubbed across the surface of the foreground foliage.

    Given the richness of the surface and level of detail, it’s easy to forget that Richards is working quite small in this piece (as he often did in his location watercolors), at less than 5 inches high.


    Lago Avernus, Met Museum

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  • Maxwell Doig

    Maxwell Doig, figures mixed media
    The most frequent subjects of UK artist maxwell Doig are isolated figures on wonderfully textural backgrounds.

    The figures seem isolated both in the compositional sense and in the feeling of emotional detachment; they are often absorbed in their own interests. Though obviously posed, frequently in repeated positions, they seem oblivious to both the artist and observer.

    Doig also occasionally paints other subjects, though after seeing several of his figures, the other subjects feel oddly like backgrounds with the figures missing, an eerie feeling.

    The artists most often lists his materials as “mixed media”, which appear to me to likely be acrylic or watercolor with gouache, and perhaps touches of pastel or colored pencil.

    Doig is represented by the Albemarle Gallery in London.

    [Via Artist A Day]



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  • Boris Bakliza

    Boris Bakliza, concept art and illustration
    Boris Bakliza is an illustrator and visual development artist from Serbia, working in the publishing, gaming and animation fields.

    I enjoy his penchant for combining springy, cartoony drawing with textural rendering, particularly in his depiction of worn or weathered metal surfaces.



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Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
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The Art Spirit
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Rendering in Pen and Ink
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Urban Sketching: Understanding Perspective
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World of Urban Sketching
World of Urban Sketching

Daily Painting
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Drawing on the right side of the brain
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Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics