Lines and Colors art blog
  • Vladimir Kush

    Vladimir Kush
    Vladimir Kush is a Russian painter who studied at the Moscow Art Institute and is now living in the U.S. He works in a vein of fantastic art obviously influenced by Surrealists like Dali and Magritte, but with a distinctly different emotional context.

    His paintings have something of a visionary mystical quality and many of them feature recurrent themes like butterflies, sailing ships, fruits and other natural forms, and visions within cloud formations.

    His images often deal with interesting combinations of visual elements. Sailing ships are masted with stalks of gladiolus, their blossoms unfurled as sails. Giant butterflies catch the wind on another ship (above), or form the blades of fantasy windmills. Giant mechanical fish and dragonflies and a monumental rhinoceros undergo maintenance. The rising sun is revealed to be the yolk of a giant egg or the pearl of an oyster. A half pear is envisioned as a lute, and a half apple as a butterfly. Through many of the works, beautifully stylized and textured clouds roil and tumble revealing visions of seas and harbors or taking on forms like hot air balloons.

    Unfortunately, the images on Kush’s own web site are too small to get a real feeling for his paintings. Fortunately, his work is represented on the web on the sites of galleries that carry his prints or originals.

    There is a nice selection with large images on the Reflections Gallery, and another selection with somewhat smaller images on the Art Center Gallery. There is a particularly nice selection of images featured on the Dark Roasted Blend blog, some of which are linked to even larger versions on Flickr.

    There are print collections of his work, but I’ve had trouble establishing their availability (it may be primarily through galleries rather than traditional book sources). One is called Metaphorical Journey and seems to be pricey ($200) as a used book on Amazon. On the books page of Kush’s site two other titles are shown, The Bronze Drops of Time and Journey to the Edge of Time, which is apparently new and more readily available.

    Journey to the Edge of Time isn’t a collection, per se, but a coffee-table science fiction book, arranged as diary with many of Kush’s paintings as illustrations. The authors are Oleg Kush and Mikhil Kush, though I don’t know their relation to Vladimir.

    Link suggestion courtesy of Karl Kofoed


    www.vladimirkush.com
    Journey to the Edge of Time (Amazon link)
    Vladimir Kush on Dark Roasted Blend
    Vladimir Kush on Reflections Gallery
    Vladimir Kush on Art Center Gallery

    Categories:


  • Dan Gheno

    Dan GhenoDan Gheno is an artist and teacher who places a special emphasis on figure drawing. He teaches at The Art Students League and The National Academy School in New York and is Prefessor Emeritus, The Lyme Academy College in Old Lyme, Connecticut.

    I’m particularly fond of his life drawings because his approach is similar to my own, in that it is a combination of line and tone, heavily influenced by an admiration for the drawings of masters like Michelangelo, Raphael and Rubens.

    Gheno also credits his approach to an early fascination with comic book art, and the corresponding desire to develop the ability to draw the figure from his imagination; a path that gave him the impetus to approach figure drawing with special emphasis on a solid sense of geometry underlying the form and a feeling for the volumetric nature of the human form in three dimensional space.

    One of the key skills that sets comic book artists apart from other illustrators or cartoonists is the need to develop a consistent ability to invent and quickly draw figures from the imagination, portraying the human form, however exaggerated, in an enormous variety of positions and spatial relationships, often with severe foreshortening.

    Dramatic foreshortening and dynamic projections of the figure in space are also hallmarks of masters like Michelangelo, Raphael, Carracci, Tiepolo and Pontormo; and I’ve always suggested that comic book artists and illustrators who work with the invented figure would do well to supplement their life drawing with the study of these artists’ drawings, along with more traditional sources of instruction like the books of Andrew Loomis, George Bridgeman and Walt Reed. (Would-be comic book artists who study only the work of other comic book artists are simply lost.)

    To that list of instructional inspiration, I would easily add Dan Gheno, not only for comic book artists and illustrators, but for any artist interested in drawing the figure.

    Though Gheno has not yet written a book of his instructional methods, he has over time written a series of articles on figure drawing for American Artist magazine and American Artist’s Drawing magazine. These have been collected into a special issue of Drawing Highlights that is now on the newsstands.

    This is essentially a figure drawing instruction book in magazine form and is a tremendous resource for under $10. Gheno supplements his clear and thoughtful instruction not only with his own accomplished drawings, but with the work of a variety of master draftsmen, including the artists mentioned above and a host of others, like Rembrandt, Ingres, Goltzius, Rodin, Durer, Da Vinci, Prud’hon, Greuze and Charles Dana Gibson.

    There are articles on drawing the figure, the hand, the head, actions and gestures and the seldom covered subject of drapery on the human form, i.e. folds in clothing.

    You can also find somewhat truncated versions of some of these articles on Gheno’s web site in the Teachings section.

    Unfortunately, Gheno’s site is one of those awkward, mid-90’s style nightmares with scrolling pages full of centered text and oversize linked headings, but you’ll find it worth the trouble to dig around and find your way to his drawings, metaphorical figurative paintings, landscapes, teachings, reading list and materials list. (The navigation links that should be on the home page are strewn down this page. Click on the large text links that look like headings for the subsections; the images are linked to their larger versions. In the galleries, only the images with red dots are linked to larger versions, the others are empty links that will leave you 404.) Gheno has also provided a nice set of links to art resources he has found of value.

    There is also a transcript of an online chat with Gheno on the American Artist site. The special issue of Drawing Highlights should be on the newsstands for a few months (or until it sells out).

    Addendum: The managing editor of American Artist was kind enough to write and let me know that the issue of Drawing Highlights mentioned here can be ordered directly from them through this link.



    Categories:
    , ,


  • the asia drawing portal

    startdrawing.org: the asia drawing portal
    This is a tremendously rich source of articles and links to artists either working in Asia or of Asian descent living elsewhere.

    Though the emphasis is a bit more focused on contemporary artists, the site is a bit like lines and colors in terms of the different genres covered: illustration, gallery art, comics, concept art and animation, in both traditional and digital media; but goes even further to include architecture and product and toy design.

    There doesn’t seem to be a month-by month navigation, as common in many blogs, but you can navigate by category or by geographic region in the upper right or simply move through the pages with previous and next links at page bottom.

    The blog has a wonderful variety of styles and approaches and, if you like the mix on lines and colors, and Drawn!, I think you’ll appreciate the nice stew of styles, genres, and approaches in contemporary Asian art that the blogs creators, josef lee and junming, are constantly cooking up.

    Image above, clockwise from upper left: Aya Kato, Hoang Nguyen, MAC56 (Yorga) and Yanyan Ye.

    Note: The site has been discontinued and is no longer available


    Discontinued

    Categories:
    , , , , , , , , ,


  • Chris Sheban

    Chris Sheban
    OK, admittedly I’m a sucker for the kind of parody/homage to Vermeer seen in children’s book illustrator Chris Sheban’s take on Vermeer’s “Young Woman with a Water Pitcher“, hanging on a kid’s bedroom wall in the illustration above. Add in my affection for paleo art and dinosaurs in general (I want one of theose brachiosaurus lamps) and I couldn’t help but be fascinated.

    I was delighted to find that Sheban’s other work is just as terrific. His illustrations are wonderfully imagined and executed, composed of rich, atmospheric colors, a subtle play of light and striking characters; and enlivened with a beautifully textured rendering style.

    Unfortunately, I haven’t been able to find much biographical info or details on his working methods, as Sheban doesn’t seem to have a web site. I found a few stray bits of information, he lives in Illinios and trained in Perugia, Italy, but that’s about all I could find.

    Fortunately, his work is represented on the web on the site of his artists rep, The Graphic Artists Guild and two illustrator portfolio sites.

    I was particularly disappointed to see that many of the books he has illustrated, apparently including I Met a Dinosaur, for which he received a Gold Medal from the Society of Illustrators and which I presume included this image, are not currently in print (undoubtedly a result of the insane overemphasis on what’s new at the expense of all else, that’s indicative of the sorry circus of self-destructive madness that is the modern publishing industry, but, I digress).



    Categories:


  • Bill Watterson: 15 Questions

    Bill Watterson
    Bill Watterson is one of my all time favorite comic strip artists, which is saying something, because my tastes run toward the greats from the early part of the 20th Century like Herriman, McCay, Raymond, Foster, Kelley and such, but Watterson is one of the few contemporary cartoonists I would put in their company.

    I’ll write a more complete post on Watterson at some point, but a recent post on Digg pointed to a nice little interview of sorts, in which Watterson responds to reader questions. This is part of the press materials for the release of The Complete Calvin and Hobbes on the Andrews McMeel site.



    Categories:


  • Chris Ware: On Cartooning

    Chris Ware
    A recent post on kottke.org reminded me of this interview with Chris Ware (who I profiled in February ’06) on the PBS site, as part of their features accompanying Tintin and I, their program last july on Hergé (who I profiled at the time and also mentioned in reference to the major exhibition at the Pompidou Center last December).

    Ware gives his fascinating thoughts on Tintin, Hergés’ ligne claire drawing style (obviously a huge influence on Ware), the creation of comics characters, and a variety of other topics in this fairly long interview.



    Categories:


Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics