Lines and Colors art blog
  • Mark Reep

    Mark Reep
    Color, particularly in this era of hyper-kinetic, cathode ray, plasma and LCD display multi-media dazzle, can sometimes make us jaded about our appreciation for the subtle charm of monochromatic works. Like city dwellers taking the time to get away to the country, we might find it worth the trouble to slow down and look for quieter pleasures.

    Mark Reep creates black and white tone drawings of imaginary landscapes. He has repeated themes of stratified cliffs, punctuated with rocky outcroppings or freestanding pillars of rock jutting up through valleys of mist and cloud, often with a lone tree managing to cling to life in the otherwise barren stone formations. The scenes sometimes depict waterfalls and often include stone bridges, arches, stairs or other signs of human structures.

    His works are a combination of ink, graphite and charcoal. Reep works on sheets of acid-free smooth Bristol board, eschewing textured drawing surfaces for the freedom to create his own textures. Ink tones are created with the painstaking process of stipple (see my post on Virgil Finlay). The graphite and charcoal are sometimes applied in their powdered form, allowing the artist to work with them almost like a wash in paint.

    There is a page on his site reprinting a gallery talk in which Reep describes his process, techniques and tools (including those terrific Pigma Micron pens that many pen and ink artists, myself included, swear by). There is also a tutorial by Reep on the WetCanvas site, and notes on altering inked passages and drawing from the imagination on his site.

    Reep also has a blog, Dreams in Black and White, in which he posts recent drawings and discusses process.

    Some of the images on his main site are frustratingly small. (Even though the originals are sometimes small, details are lost in the low-resolution environment of a computer monitor.) The ones on the blog often have larger versions.



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  • Gary Locke


    There is a style in illustration, particularly advertising illustration, in which exaggerated, cartoon-like drawings are rendered in detailed style usually applied to more realistic images. It’s a nice idea that is harder than it looks and consequently rarely done well.

    Gary Locke is one of the few illustrators who gets it right. His wonderfully exaggerated figures, usually in comically theatrical poses, have just the right degree of distortion, rendering and draftsmanship to gel into a whole that works. He even gets me to enjoy the big head/small body caricature style, a form I usually dislike.

    If you read mainstream comic books, you’ve probably seen his Coke ads, often portraying sports figures grinning their way through impossible situations, distorted Coke bottles in hand.

    His site features several ways to view his images by category, including advertising, editorial, animals, character development, caricature and sports. Some of these overlap; character development, for example, features many of his wonderful cartoony animal characters.

    There is also a sketchbook section, with more quickly rendered drawings that let you see the draftsmanship that underpins his more rendered images. The more finished images are created in watercolor and “mixed media” (I suspect gouache among other things).

    His advertising clients include 7-UP, Pepsi, Warner Bros., Coca-Cola, RadioShack and Fisher-Price and he has done editorial illustration for publications like Time, Sports Illustrated, Sporting News and U.S. News and World Report.

    Note: After being off-line for several days from, ironically, the morning of the post, Locke’s site is up and running again.



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  • Mark Zug

    Mark ZugEarly in his career illustrator Mark Zug got what he considered a dream job, illustrating Harlan Ellison’s I, Robot: The Illustrated Screenplay (out of print but can still be found). Since then he has illustrated numerous science fiction and fantasy novels, done editorial illustration for magazines like Popular Science, Amazing Stories, TSR’s Dragon and Dungeon and other gaming magazines.

    Beyond that he has focused on paintings for fantasy game products, creating memorable illustrations for Magic: The Gathering in particular. He received the Jack Gaughan Award for Best Emerging Artist in 2001, and a Chesley Award for Best Gaming Related Illustration in 2005.

    His paintings have a muscular feeling to them, both in the physical characteristics of the heroes, demons monsters and mages he portrays, and in the handling of the paint. His combination of tactile textures and color contrasts give his images a bold physical presence that makes them pop and seems particularly suited to the subject matter.

    You’ll find both newer and older work in his online galleries, including his interpretation of Frank Herbert’s classic Dune. My favorites are in the Magic and Zbooks sections (image at left Claidi’s Journal).

     


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  • “Painting a Day” Blogs (Round 5)

    Duane KeiserI will often, if not always, try to mention Duane Keiser in my posts about Painting a Day blogs, because he started the idea back in December of 2004 (followed shortly by Julian Merrow-Smith). I originally posted about Keiser in October of 2005. Keiser is still at it; he has allowed himself to be more relaxed about his schedule after keeping it faithfully of over two years. He still keeps painting and posting at close to a painting a day, however, and now has a second blog called On Painting, in which he comments on the process and the phenomenon that he started as well as covering topics of interest to painters in general.

    http://duanekeiser.blogspot.com/
    http://keiseronpainting.blogspot.com/

     

    Jeff HayesI’ve posted about longtime painting blogger Jeff Hayes and his blog State of the Art before, here and here. Jeff has been posting his immediate, intimate and often theatrically lit still lifes for some time, as well as small landscapes.

    To my eye his still life paintings are becoming increasingly more refined in the application of color, in particular reflected color bounced between objects and their surroundings. He has pushed his output up a notch and has been doing a painting a day since August. It is also worth going through Jeff’s site for his commentary on painting techniques.

    http://jeffhayesfinearts.blogspot.com/

     

    Hall Groat IIHall Groat II, who has been a working artist for 20 years and is also an Associate Professor at Broome Community College in New York, has been posting his small paintings, as well as larger works, in a blog titled Painting Eight Days a Week.

    His subjects include the small still lifes of fruit, eggs, vases and other traditional still life subjets as well as brightly colored candies, mixed drinks in stemware, musical instruments, antique jewelry and perfume bottles. His colors often move away from natural color to brightly pushed expressionistic hues. He uses textures both to define objects and as painting elements in themselves.

    http://hgroatii.blogspot.com/

     

    Susan Martin Spar has worked for 20 years in graphic arts, but her gallery style paintings reflect her interest in Dutch and Renaissance painting. Her A Painting a Day blog showcases her small daily paintings of still life and landscape subjects.

    I particularly enjoy her fascination with reflective objects like vases, jugs and tureens whose metallic surfaces reflect fruit or other objects in her still life arrangements, or even an image of the artist herself, reflected as she paints.

    http://susanmartinspar.blogspot.com/

     

    Texas based painter Carol Marine is a relative newcomer to the painting a day ranks, starting in October of this year with her blog Carol Marine’s Painting a Day. Her work stands out, however.

    Her subjects are often the still life staples of fruit, dishes, jars and vases that lend themselves well to small immediate works, but her handling of them is striking, with strong painterly textures and bright, pastel-like colors, at times contained in Cezanne-like bits of outline. Her bold compositions and daring sense of color contrast make her a painter to watch.

    http://carolmarine.blogspot.com/

     

    Daily Painters BlogBlogger and painter Micah R. Condon is attempting to collect many of the Painting a Day bloggers’ images each day and aggregate them on his Daily Painters Gallery, which features small images from each of the listed painters each day, linked to their sites. Condon also offers a Yahoo! Widget that displays the daily painters.

    http://www.dailypainters.com/

     

    A Note: One paradigm I’m not fond of is the tendency for some painting a day artists to arrange their blog posts so that the link from the posted image is not directly to a larger image, but to their eBay store, from which you must often click on another preview image to get to the larger image. (Even Duane Keiser does this, but that doesn’t mean it’s a good idea.)

    A suggestion: if we have to go through that process every time we want to look at an image closer, we may get tired and click away to another site. You may also make people feel like you’re “pushing” them to buy. Have a clear “Click here to bid” or “Click here to buy” text link, but link the thumbnail to a larger image on your blog. Hook us with the full size image, then take us to the store.

    More to come. I have many daily painters and not quite daily painters that I would like to feature on lines and colors, but these “painting a day” features are more work intensive than even my usually loquacious posts, so it may take a little while to get to them.

    Addendum: After going back and forth with a few painting a day painters about my comments above, I’ll proffer the following advice to painters who are offering their paintings for sale on their blogs; take it as you will.

    Supplement the image posted in the blog with a larger one. Offer clear and consistent text links to both the larger image and the purchase or bid link (eBay or whatever). Link the blog image itself to either (though I recommend the enlarged image). My thought about the size of the larger image would be to provide something that is large enough to see the painting in detail, but that can be viewed inside a browser window at the most common monitor resolution of 1024×768 without scrolling, i.e. a maximum of about 980×640.



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  • August Hall

    August Hall
    August Hall is a California based illustrator and concept artist. He has done work for Industrial Light and Magic, Pixar Animation, and Dreamworks. He has also done covers for DC Comics’ Vertigo line. That’s about the extent of what I know about him except that I like what I’ve seen of his work. The one online collection of his work that I’ve found is on Allen Spiegel Fine Arts, which is apparently a rep for several sci-fi and comics artists.

    The work in that gallery, though not identified by project, seems to be mostly book or editorial illustration, with a few pieces that feel like movie concept art.

    Allen Spiegel Fine Arts apparently publishes books with work from the artists they represent, Hall is represented in a compendium of work from many artists called asfa presents 108 drawings. He is the author and illustrator of a children’s book called Song and Juniper and the illustrator of When I Met the Wolf Girls by Deborah Noyes.

    Some of his illustrations have a children’s book sensibility, some are much darker. There is a wider variety of stylistic approach. All of them though, are imaginative and engaging. One element that seems to weave its way through all of his work is a fascination with textures. His images are rich with a tactile sense of stone, fabrics, skin, and natural elements like foliage and rain that are represented more as textures than objects.



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  • Jack Davis

    Jack Davis Jack Davis, along with Will Elder and Wally Wood, formed a triumvirate of great comics artists who worked with demented genius comic writer Harvey Kurtzman to create some of the funniest and best drawn humor comics ever created, the Mad comic books from the middle of the last century.

    If you have never seen reprints of the Mad comics from the ’50s and your picture of Mad is from the current day magazine, you have no idea what you’re missing. In reaching for a comparison I was tempted to say that it’s like comparing the warmed over yogurt of the past decade’s Saturday Night Live shows to the comic brilliance of that show’s hilarious and ground breaking first three seasons, but a more apt comparison might be the unmatched comic genius of Ernie Kovacs, whose surreal and incredibly imaginative skit comedy established a standard for television comedy that has never been matched.

    Similarly, the genius of the original mad comics has never been matched, although it has been the inspiration for subsequent generations of irreverent, “thumbed nose in the face of society” comics like the underground comix of the sixties, independents of the ’80s and many of the more adventurous web comics of the 90’s and beyond.

    Davis, although not possessed of Wood’s level of draftsmanship or Elder’s manic sense of comic detail and command of facial expression, was the one who stretched the limits of comic drawing to a previously unknown degree. His outlandishly loopy characters, drawn with a flurry of energetic lines, projected an incredible sense of comic movement and riotous glee in their impossible contortions.

    In addition to his terrific Mad work, which kept up into the comic’s transition into a black and white magazine (the first few years of which maintained a high level of the original quality), Davis worked with Kurtzman subsequently in his other humor magazines, Help, Trump and Humbug and assisted Kurtzman and Elder on Playboy’s Little Annie Fannie (see my post on Elder). Davis became known for his wonderfully fun portrayals of monsters and did work for all of E.C’s horror comics, as well as humorous monsters for posters and trading cards. There is a web archive of his monster trading card series You’ll Die Laughing.

    Davis also did work for Mad imitators like Cracked, Crazy and Panic, as well as creating artwork (usually with caricatures) for movie posters and magazines like TV Guide, Time and Esquire as well as a roster of advertising clients.

    Davis received the National Cartoonist’s Society’s Milton Caniff Lifetime Achievement Award in 1996, their Ruben Award for Best Cartoonist of the Year in 2000, and was inducted into the Comic Book Hall of Fame (The Eisner Award) in 2003 and The Society of Illustrators Hall of Fame in 2005.

    Art of Jack Davis is out of print, but you can still find it used. You can also find his horror comics work in reprints of the EC Comics like The EC Archives: Shock Suspenstories Volume 1 (and similar titles) and his wonderful Mad stuff in Mad About the Fifties, along with brilliant work by Wood and Elder.


    Jack Davis on American Art Archives
    Portflio on ispot
    Monster cards and bio
    Illustrated bio on Planet Cartoonist
    Illustrated bio on Comiclopedia
    Bio on Toonpedia
    Illustrated bio on Crazy Camp Songs
    Page on Monster Kid Magazine
    Bio on Wikipedia
    Interviewed by Jim Woodring in The Comics Journal
    Spotlight on Rankin Bass

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Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

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Urban Sketching: Understanding Perspective
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World of Urban Sketching
World of Urban Sketching

Daily Painting
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Drawing on the right side of the brain
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Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics