Lines and Colors art blog
  • Draw yourself as a teen

    Draw yourself as a teenHere’s a great idea, started as a simple notion by webcomics artist and blogger Dave Valeza, and now snowballed into something of an internet meme.

    The suggestion was simple: “challenge: draw yourself as a teen“, supplemented with “if you are still a teen, draw your future post-teen self”.

    Word has gotten around, as people have participated and posted the results on their own sites and blogs, and the list on Valeza’s blog is now of over 400 links and growing.

    Some of the participants have done “then and now” versions, in which their teenage self is contrasted with their current identity, complete with notations on hairstyle, clothing choice and attendant paraphernalia like sketchbooks, music players and reading matter.

    Some of the drawings are more accomplished than others, of course, but many are quite well done; and even the less sophisticated drawings are often enlivened with wry observations and remarkably self-confessional critiques of former (and present) selves.

    The list is too long to explore all at once, but it makes a nice diversion to bookmark and revisit occasionally. It would be nice if there were a more formal arrangement with thumbnails and such, but that’s a lot to ask. Valeza has marked off the list at increments of 50, which can help you keep track.

    On many of the images, you have to click through several links, and various interfaces (LiveJournal, Flickr, deviantARt, etc.), to get to the full size images.

    Some of the drawings are essentially condensed tales of growth, angst and self-awareness, worthy of more filled out short stories. Others are simple drawings of a past self-image, but there is much food for thought here, both in terms of stories and artistically.

    (Image at left, left to right, top to bottom: Kennon James, Jacob “Gil” Paul, “buttface makani”, Steve Wolfhard, “lokabrenna” ,Viki Nerino)

    [Link via Drawn!]

     


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  • CRW Nevinson

    CRW Nevinson - Paths of Glory
    Though most of the horrors you’ll see in the art on these pages are imaginary, like movie monsters and fantasy creatures, some horrors are quite real, and we occasionally need to stop an remind ourselves of them.

    For those in other parts of the world, I’ll mention that today is Memorial Day here in the U.S. Though it’s a day associated with barbecues, trips to the beach and the unofficial start of Summer; it is a holiday created to honor those who have lost their lives in military service over the course of the nation’s history.

    In recent years, much of that observance has focused on World War II, the surviving veterans of which are at an age where those who remember the war directly are rapidly shrinking in number.

    It occurred to me to look back at another generation to the previous large scale conflict, World War I, from which there are fewer surviving witnesses, mostly those who were children at the time, but enough to remember that the horrors of war don’t diminish with distance in the past.

    Christopher Richard Wynne Nevinson was a British artist, associated with the Futurist movement and the less well known Vorticists, who became an official war artist in 1917. The Vorticists were a short lived but influential group of British artists who took the geometric latticework of Cubism and Futurism and sent it whirling through their interpretation of motion in the painted image.

    Nevinson brought the fractured dynamics of the group’s style to the portrayal of scenes from “The War to End All Wars”, at first in service of the image the government wanted to portray; but eventually, from his experience as an ambulance driver, in a revulsive response to the atrocities of war.

    His painting Paths of Glory, in which the stylized angles of Vorticism are abandoned for a more direct approach, (above) was initially banned by the military censors, but Nevinson managed to display it during the war outside of official channels.

    Nevinson was one of the artists chosen to paint large works for the Imperial War Museum’s Hall of Remembrance; where his painting Harvest of Battle hangs along with John Singer Sargent’s famous Gassed (see my post on Art of War).

    Art depicting the horror or war is not often brought to the fore, even in museums where major pieces are part of the collection, so it often falls to places like the Hall of Remembrance to keep it on display.

    Actually, it’s up to us to look up and remember the images with which artists have tried to impress on us the inhumanity and tragedy of war, particularly when we are asking our friends, neighbors or sons and daughters to face it for any reason.


    CRW Nevinson at the Tate Collection (10 images)
    Nevinson’s Taube and brief article from Art of War on BBC
    Nevinson’s Paths of Glory from Art and War on BBC
    Art of the First World War (9 images – scroll down for Nevinson)
    C.R.W. Nevinson on National Galleries of Scotland (6 lithographs)
    Article and one image on MyLearning
    War in the Air (1 image from Archives of Ontario)
    C.R.W. Nevinson (biographic essay by Michael Walsh from BNet
    Striking visions of the First World War: CRW Nevinson (review of exhibit at Impreial War Museum in 2000)

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  • Alexis America

    Alexis America
    As an antidote to yesterday’s scary monsters, I take you this morning to the tranquil beauty of a water garden, alight with the brilliance of water lilly blossoms, in botanical watercolor paintings by Alexis America.

    America has a series of paintings of water lillies, lotus and related water plants, their bright blooms, colorful stalks and delicate floating pads rendered in fresh, crisp watercolor (image above, top). These are presented in a web site gallery called Alexis America botanical paintings.

    The site provides little background information, but with a little digging I was able to find that America, originally from Connecticut and now living in Hawaii, also has a series of Water Paintings created as aqueous monoprints (image above, bottom).

    Aqueous monoprinting is a process closely related to traditional Italian book marbling, in which oil based paints are floated on water, taking advantage of the old adage that oil and water don’t mix, and the colors are stirred or moved around with delicate wands or by blowing air through a tube to create intricate marbled patterns. A sheet of paper is then gingerly laid atop the paint, and carefully lifted off, preserving the pattern in a single unique impression.

    I had a chance to see traditional marbling done when some Florentine artisans participated in a cultural exchange here in Philadelphia a few years ago, as part of the little known “Sister Cities” relationship between Philadelphia and Florence. If you ever get a chance to see the process demonstrated, it’s fascinating and quite demanding. In America’s monoprints, she has used the process in a more representational way that I have seen before, in images suggestive of rolling and breaking waves.

    Both her botanical and water paintings sites offer limited edition prints, though there is no indication of whether the originals are for sale or have gallery representation (or the size at which they’re done). Oddly, neither site mentions or is linked to the other; leading me to wonder if she has other sites of themed paintings, though these are the only two I turned up with a quick search. I also found a mention of her on the Tiki Art Gallery, that includes a small bio and offers prints some of her older figurative work.

    [Link and suggestion courtesy of Ocean Quigley]



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  • Chet Zar

    Chet Zar
    Chet Zar’s site has a subtitle of “Painter of Dark”. In addition to being a good sendup of a certain franchise gallery painter, it’s a pretty concise description of the tone of his work.

    In his gallery work, Zar paints monsters, gruesome, grotesque and deliberately disconcerting. His eerie “portraits” glare out at you with glazed, bloodshot, and sometimes absent, eyes; grimacing, grinning or open mouthed in apparent shock, perhaps from looking at the preceding or following monster, each more gruesome than the next.

    He creates his monstrous faces with highly defined textures. High-contrast areas of light and dark combine to suggest leathery, wrinkled skin, sometimes dark and weathered, at other times veinous and pale, as if insufficiently protected against some caustic environment. His palette for each piece is controlled within a limited range, but rich with subtle variation.

    Zar has also applied his talent for creating monsters, and other characters, to a career in movie special effects, creating sculptural prosthetic make up and effects for films like Planet of the Apes, The Ring, Darkman, Hellboy and X-Men 3.

    There is also a gallery of Zar’s work on the beinArt Surreal Art Collective, and his work is included in their Metamorphosis collection (see my post on Metamophosis and the beinArt Collective).

    Zar is an instructor at the Gnomon Workshop and their site includes a brief bio and a gallery of his work. It also features an instructional DVD, Digital Creature Painting with Chet Zar.

    His most recent show is at the Copra Nason Gallery in Santa Monica until May 31, 2008. There is a gallery of image on the gallery’s site.

    Wikipedia has a post on Chet Zar, through which I learned that he is the stepson of James Zar, a fascinating fantasy and still life painter who will undoubtedly be the subject of a future post.



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  • Daniel Hauben

    Daniel Hauben
    My wife and I were in New York City on Saturday; and while walking through Columbus Circle we came across Daniel Hauben, his French easel balanced on the edge of a fountain, painting a complex and large scale pieln air painting of a view down Eighth Avenue.

    Most often, plein air painting is associated with relatively small paintings that can be finished in one session, and a short session at that given the degree to which light can change a scene in a matter of a few hours. Presumably, Hauben works on paintings of this size and complexity over the course of perhaps several days, but I was still surprised to see an artist taking on a painting like this in such a busy public space.

    I asked Hauben for his card, but didn’t distract him beyond that with questions, and looked up his web site when I got home. His confidence in taking on this kind of challenge comes from over 25 years of plein air painting, largely in the Bronx, but also in other states in the U.S. as well as several other countries around the world.

    Hauben paints primarily in oil for his cityscapes, both plein air and in even more complex studio works that often depict large scale panoramas of the city.

    Some of my favorites, though, are his richly textured and strong-hued pastel landscapes of more rural scenes. There is also a section of landscapes in oil, easy to miss as it’s only linked from the bottom of the page of pastel landscapes.

    Likewise, it’s easy to miss the section of street scenes linked from the bottom of the cityscapes page, and more street scenes linked from the bottom of that page.

    There is also a section devoted to Puerto Rican Life in the Bronx, others for portraits, world travels and September 11th, and section for graphics as well as work in bronze and oil relief paintings.

    There is an interesting section outside the gallery, linked from the main navigation, for Inches From My Easel, excerpts from a series of anecdotes and stories of Hauben’s experiences over the course of painting on location for 25 years, and a section called Artist @ Work, with photographs of the artist painting on location across the Bronx and around the world.



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  • Sky Doll (Marvel)

    Sky Doll, Marvel Comics edition
    I’ve long been a fan and advocate of European comics, a field in which I think some of the most exciting work in the comics medium is being done.

    Japanese comics (“manga”) have made significant inroads into the U.S. market, becoming something of an obsession in some circles, but European comics have been slow to find acceptance, partly because it’s still difficult to find European comics albums here, and even harder to find translated versions of comics produced in French or Italian.

    There have been attempts over the years to bring over some comics from France, Belgium, Italy and the UK (including Marvel’s very nice reprints of material from Jean “Moebius” Giraud in the 1980’s), but they never really captured the audience they might have.

    To Marvel’s credit, they are trying again to import and translate some comics from France, this time in partnership with French publisher Soleil. They’ve started with one of my favorites, Sky Doll by Alessandro Barbucci and Barbara Canepa.

    If you don’t have access to the French originals, and missed the quick reprint in Heavy Metal, here’s a chance to pick up on the series anew. (See my previous posts on Alessandro Barbucci and Barbara Canepa and Sky Doll in Heavy Metal, in which I post additional images from the series and describe it in more detail.)

    I give Marvel extra credit here, not only for bringing French comics to the American audience, but also for starting out with an adult title, in both senses of the word. Sky Doll, though not as overtly sexual as some comics, is labeled with a Mature Content advisory and contains nudity and sexual situations.

    Don’t be put off by what might look at first glance like a cheesecake sci-fi story; the series is actually mature in the real sense, and deals with those very subjects, the objectification of women as sexual objects, personal freedom, societal control, and individual resistance to unacceptable social norms. On the other hand, don’t let me give you the impression that the story is high-handed and preachy, it actually manages to deal with those subjects in the course of a fun adventure story, amid wildly imaginative settings and striking design work, rich with detail and sparkling with ebullient color.

    The first issue of Marvel’s Sky Doll (a three issue limited series) reached the comic book specialty stores last week, and may still be on the shelves in those stores adventurous enough to have ordered it. If not, you may be able to order it directly form Marvel or from an online specialty store like Mile High Comics.

    I also give Marvel credit for doing a good job with the reproduction, capturing the intricate details of Barbucci’s drawings and often subtle tones of Canepa’s colors despite the reduction in size from the original French albums to American comic book format.

    There is an article on Newsarama about the series, that includes some pages from the story as well as some of the pages in this issue that preview upcoming Marvel/Soleil projects, Universal War One, Samurai and Scourge of the Gods.

    The official Sky Doll site, that was up for several years, has gone offline. There is an unofficial site (FR) that contains a lot of art work if you click around a bit.

    Barbara Canepa, writer and color artist for Sky Doll, keeps an active blog (in French, Italian and often English), in which she talks about Sky Doll and other projects. Likewise, Alessandro Barbucci now has a blog as well.

    Note: Some of the sites linked here contain material that is NSFW and not suitable for children.



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Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics