Lines and Colors art blog
  • Franco Matticchio

    Franco Matticchio
    As far as I can tell, Italian illustrator , cartoonist and gallery artist Franco Matticchio doesn’t have a dedicated web presence, but his friend, designer Laura Ottina, has been regularly been posting examples of his wonderful illustrations on her blog, Animalarium (link is a general search for posts related to Matticchio).

    In addition, Ottina maintains a Flickr set of Matticchio’s work.

    There is also a nice post on 50 Watts, and a selection on Galleria dell’Incisione.

    Matticchio has worked for numerous publications and, in 1994, produced the storyboards and final drawings for the opening credits of Roberto Benigni’s film Il Monstro (The Monster, French version of credits on YouTube).

    Matticchio illustrations are wonderfully drawn, delightfully whimsical and have the kind of thought provoking twists often associated with New Yorker covers, though as far as I know he only done one of those.

    There are several collections of his drawings, Dreams and drawings, Pflip and Trilogy of Mr. Ouch, and a number of books for which he has provided illustrations.

    [VIa Twitter from BibliOdyssey]



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  • Jot Touch pressure sensitive stylus for iPad reviewed

    Jot Touch pressure sensitive stylus for iPad
    Those of us who enjoy drawing and painting digitally, either with a pressure sensitive tablet and stylus on a desktop computer, or with a capacitive stylus on an iPad (sorry, Apple, fingerpainting is for kids), are often frustrated with the disconnect between the two.

    Most notable is the lack of pressure sensitivity on the iPad, leaving us constantly tapping to bring up adjustment controls to change opacity or line weight.

    The Jot Touch Bluetooth pressure sensitive stylus for iPad by Adonit seeks to change that, encapsulating the pressure sensitivity into the stylus itself, and communicating that information to pressure aware apps via Bluetooth.

    Though I can’t yet give you a personal review, there are several appearing around the net, particularly a nicely thorough video review (bottom two images above) by concept artist and animator I-Wei Huang, AKA Crab Fu.

    The functionality of the stylus is limited to support incorporated into the painting and drawing apps, but many of the major titles are on board. More details in the reviews listed below.

    The Jot Touch is about $100 (Available on Amazon).

    [Via BoingBoing]



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  • Eye Candy for Today: Man Writing a Letter, Gabriel Metsu

    Man Writing a Letter, Gabriel Metsu
    Gabriel Metsu (2.6mb image file), from Codart. Original is in the National Gallery of Ireland.

    It’s astonishing how painterly it appears close up.

    See my post on Gabriel Metsu.


    Man Writing a Letter, Gabriel Metsu (2.6mb)
    My previous post on Gabriel Metsu

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  • Joe Kubert (1926-2012)

    Joe Kubert
    Joe Kubert was an American comic book artist and a major figure in the history of American comics.

    Kubert is best known for his work for DC Comics that included definitive versions of characters like Sgt. Rock and Hawkman, as well as an interpretation of Tarzan for Dark Horse. He also created his own characters and titles, including Tor, Son of Sinbad and The Viking Prince.

    In addition to the impact of Kubert’s work, which was influential on generations of comics artists, he helped directly nurture the talent of numerous young comics professionals through the establishment The Kubert School, originally the Joe Kubert School of Cartoon and Graphic Art, in New Jersey.

    The Kubert school was the first accredited school dedicated to cartooning and comic art. It’s a testament to the school that in sharp contrast to some “diploma mill” art schools, the Kubert School has a high drop out rate; young students who think they can cruise through doing pin-ups of Wolverine and big-eyed manga girls soon find they are expected to complete a rigorous program. The school’s graduates include numerous well known figures in the comic book industry.

    Kubert’s own style was remarkable for its combination of fluidity and solid draftsmanship. He had a way of using gestural lines and hatching, giving his figures solidity and movement in the same rendering. He also knew how to anchor his page compositions with spotted blacks in a way that allowed his suggestions of movement to play out with a sensation of realism often missing from the work of many mainstream comics artists.

    Joe Kubert left a lasting legacy when he died this weekend at the age of 85.

    Kubert’s two sons, Adam and Andy Kubert are also well known and respected comics artists, as well as graduates of the Kubert School.

    There is a biography, Man of Rock, and a collection, The Art of Joe Kubert, available from Fantagraphics.

    [Notice courtesy of Gregory Frost]

    [Addendum: The Comics Journal has posted their extensive interview with Joe Kubert from 1994. Gutters has posted a Neal Adams tribute drawing of Kubert and some of the well known graduates of the Kubert School.]



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  • Julian Onderdonk

    Julian Onderdonk
    The influence of French Impressionism spread out in waves from the original movement’s epicenter in Paris. Some of the waves beached in various parts of the U.S., where artists who later came to be known as American Impressionists began adopting elements of the style — first in the northeast, then somewhat later in California.

    There were more isolated ripples in other areas as well. In Texas, painter and teacher Robert Jenkins Onderdonk traveled to New York in the mid 19th century to study with American painter William Merritt Chase.

    His son, Robert Julian Onderdonk, also studied with Chase later in the New York painter’s career, and took his Impressionist influences much more completely into his own style and ran with them, going on to produce vibrantly colorful paintings of the Texas landscape.

    While his father’s interest had been in Chase’s reputation as a portrait painter, Julian Onderdonk more enthusiastically adopted Chase’s alla prima approach and practice of plein air landscape painting, capturing the light of the day directly onto his canvas.

    After painting in New York for a time, he returned to Texas and established himself as a painter and teacher, to some extent in his father’s footsteps.

    Julian Onderdonk particularly became known for his landscapes of fields of Texas bluebonnets in bloom, and is considered one of Texas’ most important artists.

    My impression (if you’ll excuse the word) is that his reputation as a painter of bluebonnets has distracted from his general work as a landscape painter.

    He is sometimes mentioned with Granville Redmond, a California Impressionist who made a more dedicated practice of painting fields of wildflowers, and Onderdonk’s fame as “The Bluebonnet Painter” (which he hated), has been reinforced by generations of lesser painters who have devoted their careers to painting fields of the Texas state flower.

    I also think that Onderdonk has been unfairly overlooked in discussions of American Impressionism, which tend to focus on the art colonies on the two coasts.

    There is a collection of his work, Julian Onderdonk: American Impressionist, that I believe is out of print but available used.



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  • Moebius drawing videos

    Moebius drawing videos
    In preparation for the exposition Moebius Trans-Forme at the Cartier Foundation for Contemporary Art in Paris in 2010-2011, illustrator, comics artist and concept artist extraordinaire Jean Giraud, AKA Moebius, was filmed doing series of short drawings using digital painting software and a graphics tablet.

    The videos, along with other related videos, are available on DailyMotion, but the folks at Muddy Colors have gathered the drawing videos together on one page.

    It’s wonderful to have these available, short though they may be; it makes me wish more extensive records had been made before the artist’s untimely death in March of this year.

    Though you can see that Giraud has drawn his rough sketch on an underlayer and is drawing his finish over that, I’ve had the pleasure of watching Giraud draw in traditional media without a preliminary sketch, and he went about it in much the same way — drawing very quickly and making parts of the drawing fairly complete as he expanded out from his starting point (see the convention sketch he did for my wife that accompanies my article on Giraud from March).

    [Via Artw on MetaFilter]



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Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics