Lines and Colors art blog
  • NGA Images

    Unlike some museum directors who still seem to feel being miserly with images of their public domain artworks is somehow in their interest (perhaps under the assumption that allowing even a few high-res images onto the web will steal the museum’s soul and capture it inside the magic picture making box), savvy museum directors are increasingly demonstrating that providing beautiful hi-res image images on the web of the public domain artwork in their collections is not only good public policy, it’s good museum policy, increasing interest and attention to the museum and its collections.

    Of course, providing high resolution images of lots of artwork in a systematic way on a museum’s website takes more than a policy change, and in large museums in particular, takes lots of work and considerable expense.

    Such an effort has recently been conducted by the National Gallery of Art in Washington, D.C.

    Rather than incorporating it into the museum’s regular website, they have created a separate website called NGA Images to allow access to their databased collection.

    Access is, in government fashion, a bit round about and not as convenient as, for example, The Metropolitan Museum of Art’s wonderful new website (see my post here), but the NGA Images website and its database of extraordinary artworks are a welcome addition nonetheless, and the museum and its staff are to be thanked and congratulated for a terrific resource.

    The “round about” part is the condition that, though you can search the database and see reasonably large preview images without it, you have to register and log in to access the higher resolution images (this is free and simple to do).

    The images may be reused by the public under their “Open Access” policy (as well they should be, since everything in the National Gallery belongs to the American public by law — see my recent rant about “public domain“).

    To search the collections you can use the simple search box on all pages or the advanced search page, or you can browse through one of the themed collections that the staff has begun to provide to introduce some areas of the collection, like French Galleries, Self-Portraits, Music and Frequently Requested.

    In all cases be aware that your search or collection returns are initially limited to the number of images par page chosen in the controls at the top of the page. You can also choose thumbnail size, background color and zooming and caption options.

    Once in a search or collection, you can use controls under the thumbnails to view more information, add to a lightbox, download the medium-resolution version and, if logged in, download the high resolution version.

    NGA Images - access high res images Unfortunately, I found the process less than intuitive and unnecessarily complex (my tax dollars at work). When signed in you should see your name at the top right of the page and not “Sign In”. Under the image thumbnails, look for the download icon with two lines, mouse over to see a tool tip that this is the link for the hi-res image. This should open a pop up with the image download options (the “Project Title” and “Usage” fields are optional. Choose a size and click to download.

    The National Gallery is a world-class museum with superb treasures in its collection. In spite of issues with the process of getting to the high resolution images, the museum has added a new treasure in providing us access to them by way of this site.

    (Images above, with detail crops: Rembrandt van Rijn, William Merritt Chase, Johannes Vermeer, Jean-Baptiste-Camille Corot, Leonardo da Vinci, Claude Monet)

    [Via BibliOdyssey]



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  • George Boorujy

    George Boorujy
    New York based artist George Boorujy creates striking images of animals, rock formations and other natural and man made objects using ink on paper.

    His website, and the few interviews I’ve been able to find, don’t include much information about what kinds of inks or other details about his process, but the results are highly detailed, textural and visually forceful.

    Boorujy’s work is currently on display in a show titled “Blood Memory” at the P-P-O-W gallery in New York that runs until April 14, 2012.

    The gallery on his website includes detail crops, sometimes more than one, for some of the images. I’ve taken the liberty of applying an outline to the full versions of his works, that often include white or very light backgrounds, so you can more clearly see his compositions (which some of the blog articles listed below obscure by only posting detail crops).

    I learned of the exhibition from the Wired Science blog, which has a nice additional gallery of his work.



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  • Picturing Spring: An Equinox Celebration on Tor.com

    Picturing Spring: An Equinox Celebration on Tor.com: Abbott Handerson Thayer, Stephen Hickman, Greg and Tim Hildebrandt, N.C Wyeth, J.C. Leyendecker, Walter Everett, Daniel Ridgeway Knight, John William Waterhouse
    In what I hope will become a regular feature, Irene Gallo, art director of Tor, Forge, Starscape and Tor.com, has reprised the idea behind her post from last December, Picturing Winter, a Solstice Celebration, as Picturing Spring: An Equinox Celebration.

    The basis of the original post was to ask several illustrators and art directors to suggest some favorite images of winter, created by themselves, other contemporary artists or artists from history.

    The result was a treat, as I mentioned in my post about it, and though it was meant as a one-off article, Gallo decided to continue because, in her words, “…the post was too much fun to put together and I learned way too much not to try it again”.

    I think her readers would agree on both counts.

    This time around the subject is spring and the vernal equinox, and the result is a similarly wonderful, and enlightening, array of illustrations, concept art, museum and gallery art from both contemporary and historic sources.

    Readers familiar with Lines and Colors know that I love this kind of mix of styles, genres and centuries, and I was delighted when Gallo asked me to participate in this round.

    My suggestions were two images by Daniel Ridgeway Knight and one by John William Waterhouse (images above, bottom three).

    The overall mix in her post is a treat, and the article includes comments by the participants and Gallo on the artists and works chosen. You may find some beautiful works and artists that are new to you.

    The images in the post are linked to larger versions, and you will find it worth looking up artists with whom you’re not familiar to find more of their work.

    Don’t forget to click on the names of the illustrators, gallery artists and art directors who made the suggestions to follow back to their own sites and blogs; in addition to the artists suggested, they themselves represent a “tip of the iceberg” dive into a wealth of dazzling artwork.

    (Images above: Abbott Handerson Thayer, Stephen Hickman, Greg and Tim Hildebrandt, N.C Wyeth, J.C. Leyendecker, Walter Everett, Daniel Ridgeway Knight, Daniel Ridgeway Knight, John William Waterhouse)



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  • Jose Emroca Flores (update)

    Jose Emroca Flores
    Jose Emroca Flores is an illustrator and a senior concept designer at Activision/Blizzard Highmoon Studios in California who has done work for companies like EA, Vivendi Universal and Nike and whose work has been featured by Spectrum, Computer Arts and the Society of Illustrators, among others.

    Since I last wrote about him back in 2007, his website has been revised and updated with new material, including sections for professional and personal work as well as a “process” section that features sketches and concepts.

    His professional section showcases his game work, which is often kinetic and action packed, sometimes with a bright palette but often with controlled colors punctuated with brighter, more intense passages for emphasis and focus.

    My favorite pieces on his site, however, are found in his gallery of personal work. These have a loopy eccentricity and are often imaginatively whimsical, as well as having a playful drawing and rendering style.



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  • Claude Lorrain: The Enchanted Landscape

    Claude Lorrain: The Enchanted Landscape
    Claude Gellée, also known as Claude Lorrain (from his birthplace, the Duchy of Lorraine, once an independent nation in what it currently northeastern France), or simply as “Claude” (rhymes with “road”), was the most important landscape painter in the 17th century, and one of the most important and influential in the history of the genre.

    Though born in France, Claude spent most of his life and career in Rome, where he bacame fascinated with the ruins of the empire and created the genre known as “classical landscape” combining those architectural artifacts with his love of the natural world.

    As much as I admire his paintings, it is Claude’s drawings that I find particularly wonderful, particularly those drawn in pen and wash in a manner somewhat similar to Rembrandt’s wonderful landscape drawings.

    Claude was also noted as a printmaker. There is a new exhibition at the Städel Museum in Frankfurt that features a broad overview of his career and his work in all three mediums. Claude Lorrain: The Enchanted Landscape is on display until 6 May, 2012.

    Unfortunately, the museum’s website doesn’t have a gallery of works from the exhibition, though there is a video on the exhibition page (in German with English subtitles).

    There is also a new exhibition at the National Gallery in London that focuses on Claude’s influence on the English Landscape master J.M.W. Turner. Turner Inspired: In the Light of Claude is in display until 5 June, 2012.

    The occasion gives me a nice excuse for an update post on Claude, for whom a number of additional internet resources have been added since my previous post.

    There are two web exhibits that accompanied previous museum exhibits and feature his drawings: Claude Lorrain: The Painter as Draftsman, Drawings from the British Museum at the Clark Institute in 2007 and Claude Lorrain: The draftsman Studying Nature from the Louvre in 2011.

    The latter is particularly of interest for its large reproductions of Claude’s drawings. There is even one in which you can see his perspective construction lines (images above, bottom, with detail, from here).

    Claude was known for his intensive outdoor studies in which he strove to capture the light of the landscape for later reproduction in his large studio works, and as such not only influenced Turner’s search for light, but that of the later French Impressionists.

    (The images above aren’t necessarily in the exhibition, I just picked them because I like them.)



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  • Chuck Jones shows how to draw Bugs Bunny and other WB characters


    Here are a few short videos (on YouTube) in which the ever brilliant Chuck Jones shows how he draws some of his iconic characters: Bugs Bunny, Daffy Duck, Pepe le Pew, Wile E. Coyote and the Roadrunner.

    “…learn how to draw a carrot, then you can hook a rabbit onto it.”

    “Depending on what our budget is, we can use three or two whiskers.”

    [Via Kottke]



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Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics