Lines and Colors art blog
  • William Stout: Hallucinations

    William Stout: Hallucinations
    Long time readers of Lines and Colors will know that I have long been an admirer of the work of William Stout. Stout is well know as a paleontological artist, film concept designer, illustrator and comics artist.

    His style ranges as widely as his areas of endeavor, but I take particular pleasure in his ink and watercolor drawings.

    Stout has a terrific pen and ink style, and his black an white illustrations pop with judiciously applied texture and finessed line work; but when he combines that skill with his talents as a painter, he creates images with visual charm that I find wonderfully appealing.

    There have been a number of his illustrations that I’ve encountered over time, scattered here and there for different publications or purposes, that I’ve long wished were available in some more complete form.

    I was delighted, then, to receive a review copy of a new book from Flesk Publications that is the first of a pair of editions collecting some of Stout’s best ink and watercolor images.

    William Stout: Hallucinations collects his images of characters from film, pulp fiction, pop culture and even Aasop’s Fables, all rendered with that wonderful snap and zing of his pen style and the rich depth of his watercolors. Dragons, fauns, trolls and monsters fill the pages, along with character from the Wizard of Oz and John Carter of Mars.

    There are sample images that can be viewed on the Flesk site. You can see more of Stout’s work on his own website.

    It’s actually no surprise that I like Stout’s ink and watercolor style so much, in that the list of artist that Stout credits in the introduction with influencing this style are also among my favorites from the great Golden Age of illustration: Arthur Rackham, Edmund Dulac, William Heath Robinson, John Bauer, Gustaf Tenggren and John R. Neill.

    Flesk Publications is offering the book in two editions, a hardbound, signed limited edition of 500, and a paperback edition.

    The companion volume, William Stout: Inspirations, which collects his ink and watercolor images of women from fantasy and fairy tales, will be released in September of this year.

    Both Flesk Publications and William Stout will be at this week’s Comic-Con international in San Diego, CA.



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  • Franz von Stuck

    Franz von Stuck
    German symbolist and Art Nouveau painter Franz von Stuck (sometimes simply “Franz Stuck”) began his career as an illustrator and cartoonist for popular magazines; but after winning a gold medal at his first painting exhibition, and experiencing subsequent critical success, he began to devote himself to painting, engraving and sculpture, as well as architecture.

    Von Stuck studied at the Munich Academy, and later returned to take up his role as a professor, counting among his students noted modernist stars like Paul Klee, Wassily Kandinsky and Josef Albers.

    Stuck was one of the founders of the Munich Secession, a group of like minded artists who withdrew from the official auspices of academic art and established styes outside the mainstream (the most widely recognized of these groups was the Vienna Secession, which included Gustav Klimt).

    Von Stuck was highly successful and critically well regarded in his time, though his fame and influence faded toward the end of his life. He is sometimes compared to Arnold Böcklin, by whom he was greatly influenced. The comparisons are often unfavorable, but Von Stuck went his own way and was responsible for wonderfully intense interpretations of mythological subjects and literary subjects, like his portrayal of Lucifer (above, third down).

    He designed and constructed his own frames, which he considered an integral part of the work. He was a talented sculptor as well as a painter, at times applying both skill sets to works like his striking painted relief of Beethoven (above, bottom), based on a mask of the composer once thought to be a death mask, but later established as a mask made from Beethoven’s face during his lifetime. Von Stuck’s portrait evokes the kind of fiery intensity we associate with “Ludwig van’s” stirring work.



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  • Jamie Burton

    Jamie Burton
    Indiana born, Seattle based illustrator, painter, comic book artist and 3D gaming environmental artist Jamie Burton studied at the John Herron School of Art in Indianapolis, and then at the Joe Kubert School of Art in New Jersey, where he prepared for subsequent work as a comic book inker for DC Comics.

    Burton transitioned into concept and environmental art for the gaming industry, but still likes to let his imagination roam freely with his paintings and poster designs.

    His website has sections for paintings, illustrations, ink drawings, sketches and posters. In the paintings section you will find examples of his wonderfully wild and offbeat depictions of characters, animals, environments and all manner of flights of fancy.

    There is also a Merchandise section on his site with prints and originals. He also has a blog where you can find pieces not included on his site, and sometimes larger versions of works that you will see there.

    Burton uses a high-chroma palette, often casting entire elements or groups of elements in an almost monochromatic scheme, punched up with lots of complimentary color relationships and set off with deep value contrasts, to make his pieces “pop”. He works in a variety of media — pencil, ink, acrylic, oil and digital.

    In his paintings he mixes in areas of patterns, frequently with an Aztec or Mayan feeling, suggestions of masks and bizarre costumes, to create a fun visual mix, zapped with electric colors and delivered with a good dose of humor.



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  • Walter Gotschke

    Walter Gotschke
    Walter Gotschke is one of the names intimately linked with the early history of automotive art, a subset of illustration that followed the rise of the importance of automobiles themselves in the 20th Century.

    Gotschke was born in the Czech Republic, but spent much of his career in Germany while it was under nazi rule and was drafted into military service during WW II. His portrayals of German cars, including many advertisements for mercedes and Diamler, were accompanied by illustrations of WW II era aircraft and other non-automotive subjects.

    His illustrations of various automobiles also included Italian, American and other car makers.

    Gotschke is perhaps most often associated with his lively, sketch-like gouache illustrations of classic racing cars, roaring around tracks, their distinctive grilles punching through dust and smoke, as daredevil drivers coaxed the machines through twists and turns.

    These were often briefly noted, with crisp strokes of gouache, hazes of wash and bright but not preternaturally intense colors. Gotschke also created more developed paintings, some of which you will find on the official website under “Art Prints: Cultural History” (image above, top).

    The site itself suffers a bit from awkward navigation, and you’ll find that searching through the Picture Library quickly moves from the English language areas into the German language part of the site.

    A little digging, however, will uncover many examples of Gotschke’s watercolor and gouache representations of the 20th Century’s obsession and fascination with the automobile.

    [Suggestion courtesy of David Teter]



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  • ColorJack

    ColorJack
    Like many of the online interactive color visualization and color picking utilities, ColorJack offers multiple interfaces with different options and capabilities.

    The most interesting of these, and most popular of the ColorJack options, is their Color Sphere, or Color Theory Visualizer (image above, top). More than simply a color picker, this displays the secondary, tertiary and multiple other colors in some of the most common color harmony relationships (complimentary, split-complementary, triadic, etc.); and allows you to dynamically see their relationship in the color space as you move the chosen color within the sphere, or adjust one of the color’s characteristics in the bars to the right of the sphere.

    Another interface is the Color Galaxy (above, second down); it displays the color wheel position of various named colors, displayed from a color index chosen from a drop-down menu at top left. This would be more useful to painters if there were a choice traditional painters pigments, though you will find some of them in the “CNE” choice. There are choices for Munsell’s catalog listings, though you need to be familiar with his cryptic indexing system for it to be particularly useful.

    Other options include the obligatory swatches feature, an online drawing app they call Sketchpad (above, third down), other color pickers, color relates articles, and a blog (image above, bottom).

    Navigation between the sections is inconsistent, but you’ll find interesting features if you’re willing to flip around and investigate.



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  • Marc Gabbana (update)

    Marc Gabbana
    Since I last wrote about illustrator and concept artist Marc Gabbana back in 2005, his website has been revised and expanded with many more of his wonderful concept illustrations for films like Matrix Reloaded, Martix Revolutions, Star Wars Episode I and II, Monsterhouse, War of the Worlds, Beowulf, and the recent Disney production of Dicken’s A Christmas Carol.

    Gabbana has a versatile style, ranging from atmospheric realism to highly rendered but delightfully cartoony flights of sci-fi whimsey. He also works in a variety of media, preferring digital for his recent concept illos, but working in acrylic, pencil, ink and marker for older pieces.

    One of the things I enjoy most about his acrylic paintings and some of his more playful digital paintings (images above, middle), in addition to his terrifically fun use of brilliant colors and dynamic value relationships, is his approach to texture. Look for the detail crops of some of his robots and machines in which he delights in the pitted surfaces of worn metal.

    His portfolio also includes illustrations for advertising, various publications, comic book covers, model kits and other products, as well as personal images in which he lets his imagination run wild.

    Gabbana now has a blog, called Black Hammer, and has just released two instructional DVD’s through Gnomon Workshop, Visual Development with Marc Gabbana Volume One and Volume Two. You can see a couple of excerpts from them on Sketch Theatre.

    He also did the recent cover for Airbrush Action magazine’s 25th Anniversary issue (May-June, 2010, digital version orders here), that includes a ten page article on Gabbana. In addition he created the illustration for the Spectrum 15 Call for Entries (images above, top, see my posts on Spectrum 14 and Spectrum 13).

    As you explore his site and look back through the film concepts, be sure not to miss Gabbana’s beautiful pen and marker concepts for the Star Wars movies (above, bottom).



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Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics