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Promoting some friends and some clients of my website design business
- Twin Willows T’ai Chi studio in Wilmington DE. Taiji classes with Bryan Davis.
- Ray Hayward, Inspired Teacher of T’ai Chi ( Taiji ) in Minneapolis, Founder of Mindful Motion Tai Chi Academy
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Stepan Kolesnikoff (Kolesnikov)

I came across the work of Stephan Fedorovich Kolesnikoff (alternately spelled Kolesnikov or Kolesnykov) while poking through some Russian language blogs, and had a “Woah! Who is this?” reaction.After searching up a bit more of his work, Kolesnikoff immediately went on my list of favorite artists who work in gouache. Though he also did very nice oils, it was his gouache paintings, with their wonderfully delineated trees, shadowed walls, gritty earth, soft fields of snow and colorfully dressed peasants, that grabbed me.
You will alternately see him mentioned as Russian or Serbian, but the best information I can find indicates that Kolesnikoff was born in Ukraine, and after studying there at the Odessa Art School, went on to study at the Imperial Academy of Arts in St. Petersburg, Russia, where his instructors included Ilya Repin.
Kolesnikoff lived and painted in Russia for some time, travelled and painted in various parts of Europe, and eventually settled in what was then known as Yugoslavia, in the region now known as Serbia.
Kolesnikoff’s primary subjects were farm workers, their toil in the fields, village life and church celebrations. His scenes were frequently of winter landscapes, in which he found fascinating contrasts of detail and open space, texture and softness.
His trees, figures and buildings were given form with carefully controlled variations in value and subtle nuances of color. Combined with his handling of the medium of opaque watercolor, and the matt areas of color it facilitates, the resulting works are a treat for the eye.
Unfortunately, I haven’t found a major single source for Kolesnikoff’s work, a search made more difficult by the fact that he didn’t die until 1955, which leaves his work subject to copyright in most countries. I’ve gathered what I can below.
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Yap Kun Rong

Yap Kun Rong is a concept artist and illustrator originally from Singapore and currently living and working in Tokyo, Japan.His credits in the gaming industry include Metal Gear Rising, Wonderful 101, and Bayonetta 2. He has also worked in comics for companies like Avalon Studios and Radical Publishing.
I particularly like his choice of color palettes, sometimes muted, but often in a wide range of high-chroma hues. He also has a nicely imaginative touch with the freeform shapes in his environments, and a knack for juxtaposing organic and mechanical forms with an eye to their contrasting textures.
There is a brief interview with the artist on It’s Art.
[Via Concept Art World]
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Superbowl art bet 2015: Bierstadt and Homer

In what has become a fledgling tradition — started in 2010 at the suggestion of Modern Art Notes writer Tyler Green — major museums from the two regions of the U.S. competing in this years Superbowl have engaged in an art loan wager.Each museum wagers a three month loan of a major artwork from its collection to the other museum on the outcome of the game. Ideally the works are chosen not only to be of comparable stature, but to be in some way related to the region represented by the museum and the football team.
This year, the Seattle Art Museum put up Albert Bierstadt’s Puget Sound on the Pacific Coast (above, top, with detail; high-resoluton file on Wikimedia Commons); and the Clark Institute in Williamstown, Massachusetts countered with Winslow Homer’s West Point, Prout’s Neck (above, bottom two; high-resolution file on Wikimedia Commons).
So we have a pair of superb coastal landscapes, one of the Pacific Northwest, the other of the Atlantic Northeast.
We know who won, of course, and the Bierstadt will be traveling to Williamstown for a three-month loan later this year. Hopefully, both museums come out winners, as the friendly competition is meant to take advantage of the Superbowl media hype to point a bit of public attention to the fine art collections in both cities.
For more, see the before the game article on Art News, and my previous posts on past events (below).
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Jakub Rozalski

Jakub Rozalski is a Polish concept artist and illustrator based in Krakow. His work, particularly in a series involving mecha in the context of rural farms, is particularly interesting for the way it combines sci-fi concepts with naturalistic landscape rendering.Though primarily digital, Rozalski’s landscapes and machines have a wonderfully painterly feeling. In many cases, his landscapes, if they were done in traditional media, would serve nicely as stand alone gallery landscape paintings.
His farmlands are inhabited by working peasants that might have come from the 19th century or earlier, juxtaposed with what appear to be World War I era soldiers and grimy retro-futuristic mechs that somehow traverse the centuries as though they had always been present.
Rozalski blends these elements with his naturalistic, atmospheric and painterly approach into a seamless evocation of an alternate history.
Rozalski does’t have a dedicated website, instead relying on an ArtStation portfolio and Tumblr blog as his web presence. Neither provide a great deal of background information on the artist, but the mecha-amid-peasants series appears to be related to a game called Scythe.
There is an interview with the artist on print24.
[Via io9]
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John Singer Sargent’s portrait drawings

John Singer Sargent, one of the best portrait painters of the 19th century, eventually tired of his role as a society portrait painter. In his later career he greatly reduced the number of formal portrait commissions he accepted, preferring to travel and pursue his own on location watercolors.However, he continued portraiture in a different sense, with informal portrait drawings, mostly in charcoal and many of notable figures of the time. Though Sargent drew in charcoal throughout his career, producing numerous life drawings as a student, his attention to this kind of portrait drawing was concentrated in his later years.
These drawings are remarkably fresh, loose and confident while maintaining the underlying precision of Sargent’s superb draftsmanship. The convey a range of personality, emotion and attitude on the part of the subject, and showcase Sargent’s masterful command of the most basic of all drawing media.
Unfortunately, I can’t point you directly to a trove of Sargent’s portraits drawings on the web, so I’ve gathered some scattered resources, including a couple of Google searches.
There is a nice, quite inexpensive booklet from Dover Books titled: Sargent Portrait Drawings: 42 Works by John Singer Sargent.
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Eye Candy for Today: Arthur Streeton’s Railway Station

The Railway Station, Redfern; Arthur StreetonLink is to zoomable images on Google Art Project; high-resolution downloadable version on Wikimedia Commons; original is in the Art Gallery of New South Wales.
The more I see of Streeton’s work, particularly in high-resolution detail, the more impressed I am — rich, subtle color, lively brush marks, beautiful economy of notation, and striking, inventive compositions.
This piece, with its Degas-like almost empty foreground, geometric arrangement of buildings, marvelous sense of scale and atmospheric evocation of a wet day, is a beautiful case in point.
For more, see my previous posts on Arthur Streeton, below.
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Charley’s Picks
Bookshop.org
(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)
John Singer Sargent: Watercolors
Urban Sketching: Understanding Perspective
Charley’s Picks
Amazon
(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)
John Singer Sargent: Watercolors
Urban Sketching: Understanding Perspective











