Lines and Colors – Page 107

Lines and Colors is a blog about painting, drawing, sketching, illustration, comics, cartoons, webcomics, art history, concept art, gallery art, digital art, artist tools and techniques, motion graphics, animation, sci-fi and fantasy illustration, paleo art, storyboards, matte painting, 3d graphics and anything else I find visually interesting. If it has lines and/or colors, it’s fair game.

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Promoting some friends and some clients of my website design business

Richard Parkes Bonington

February 27, 2008

Richard Parkes Bonington was one of the great English landscape painters at the height of the grand era of landscape painting in the 1800’s, and a notable figure in the English watercolor movement.

He is credited with carrying the influence of both of those artistic waves to Continental Europe and inspiring many European painters to take up the practice of painting with watercolor, including Delacroix.

In his tragically short life of twenty six years, and a career as a painter that lasted only ten, he produced a notable body of work; with fresh, atmospheric paintings that bent the rules of what was acceptable in painting at the time, and helped lay the groundwork on which later sharp breaks with tradition (i.e. Impressionism) would be based.

He preferred to work outdoors, and took his compositions from modern life rather than composing “history paintings” in which the landscape was subservient to some concept of classical antiquity or religious significance.

His paintings are notable for their sweeping skies, atmospheric haze and quick suggestions of texture in place of labored rendering.

Bonington on ARC
Web Gallery of Art
Ciudad de la pintura (ES)
Olga’s Gallery
Good illustrated bio on Handprint
Bio on Outdoor Painting
Artcyclopedia (links and museum listings)

Categories:
Gallery and Museum Art, Watercolor and Gouache
Mark Bischel

February 26, 2008

Mark Bischel is another of those illustrators whose work I’ve encountered, but about whom I know little. His web presence is minimalist to a fault, consisting of a series of (unfortunately horizontally) scrolling thumbnails and the larger images they link to; which can also be navigated (fortunately) by forward and back arrows.

His images range from dark and thickly textured monochrome charcoal drawings to brusquely textured oil paintings to graphic and somewhat monochromatic silkscreen, and what appear to be ink and watercolor paintings.

As fascinating as the slikscreens are, it’s the ink and watercolor pieces I find most appealing. They have a a loose, fresh feeling, and carry the best qualities of an on-location sketch, with free line work and lightly applied areas of color.

A brief search for Bischel produced little additional information other than the fact that he is a graduate of the School of Visual Arts. He has also been in the Communication Arts Illustration Annuals, which is where I encountered his work.

Perhaps Bischel will update his site at some point with additional images and maybe even a little information.

www.mbischel.com

Categories:
Illustration
American Artist’s Self-Portrait Competition

February 25, 2008

I’ve always been fascinated by self-portraits (not that I’ve done that many myself). Here is not only the artist’s personality expressed through their work, but through their own inner or outer vision of themselves.

Many of history’s great paintings have been self portraits, from Durer and Rembrandt to Sargent and Van Gogh, artists have made self-portraits into powerful statements with the full force of their personality and artistic skills.

One of the most intriguing things about self-portraits is the variety of approach, in terms of materials, the nature of the composition, attitude of the artist as sitter, and the background, setting and objects an artist can choose to surround themselves with.

American Artist, the venerable artists’ magazine, has opened the entry process on this year’s Self-Portrait Competition, in which the selected winners will have their self-portraits published in the magazine. The magazine’s web site has a slide-show of recent entries, about 70 of them at this point, which already constitute a colorful (in more ways then one) assortment of approaches and interpretations of the idea of self portraiture.

In addition, they have provided an inspirational gallery of self-portraits from the history of art, including some greats like Durer’s Christ-like advertisement for his painting skills as a young artist, Chardin’s lifted-eyebrow self-appraisal of his scarfed head, three of Rembrandt’s always remarkable self-images, Sargent’s dignified banker-esque stare, Élisabeth-Louis Vigée-Lebrun’s beautiful 3/4 length portrait with palette, brushes and full-dress finery, Anders Zorn’s frank self-appraisal, several of Ergon Scheel’s stark, gaunt visages and van Gogh’s hauntingly electric, blue and green study of intensity and emotional chaos.

That said, you can submit your own portraits, haunting or otherwise, to the competition for their entry fee of $20, and $5 for additional entries. The info page has general information and the registration page has the terms and conditions. The deadline is May 1, 2008 and entry is limited to U.S. residents.

I don’t know how many pieces will be displayed in the magazine. At any rate, it should be worth checking the recent entries page occasionally just to see the the variety and range of the entries.

(Image above, left to right, Row 1: Ted Burn, Dianne Panarelli Miller, Virginia Blechman; Row 2: Daniel van Benthuysen, Peter Nuchims, David Frank; Row 3: Johanna Uribes, Jim Kilmartin, Koo Schadler; Row 4: Cesar Santos, Spencer Sharp, F. Michael Wood, Ying-He Liu. The unfortunate shadow at the top of each image is the product of the cheesy slide show application the magazine has, for reasons that are beyond me, chosen for this display.)

American Artist Self-Portrait Competition
Gallery of recent entries
Inspirational gallery from the masters
Note: These links may change when the competition ends and a new competition is in place.

Categories:
Drawing, Painting
Une Semaine de Bonté at the Albertina

February 24, 2008

In 1934, Surrealist Max Ernst created an extraordinary collage novel (or, as I pointed out a few years ago, “graphic novel”), composed of collage images constructed of cut-outs from popular French periodicals and catalogs of the time.

The result is a fascinating, spooky, wondrous and eye-opening excursion into the mind of a Surrealist master on the cusp of World War II. Here is my post about Une Semaine de Bonté, ou Les Sept Éléments Capitaux (A Week of Kindness, or the Seven Deadly Sins) from 2005.

This month, the Albertina museum in Vienna is displaying some of Ernst’s original collages for the book (how many is unclear). This is the first time the works have been exhibited since 1936. The show runs until the 9th of April, 2008. The museum’s site has a 6 thumbnails posted of images in the exhibition, though, inexplicably, no larger versions. I’ve found corresponding images in my files and posted them above.

Though I consider it legitimately a “graphic novel” (and long-time lines and colors readers will know I’m cranky about the inaccurate use of that term), it is not arranged in comic-strip form, as my composite above might suggest. Each of these images is a full page, but they are part of a narrative sequence (the images above are out of sequence from various parts of the book). The narrative is loose and dreamlike, or “stream of consciousness”, if you will. This is actually in keeping with the Surrealists’ prose and poetry, and could more correctly be called “stream of unconsciousness”, as one of their professed aims was to create art directly from their unconscious minds.

For those of us for whom a trip to Vienna is not practical, good old Dover Books is still keeping their delightfully inexpensive version, Une Semaine De Bonte: A Surrealistic Novel in Collage, in print after all these years (as well they should, it’s a classic, despite their slightly off title). I’ve had my dog-eared copy since I was a teenager, and the work still manages to surprise and delight me with repeated viewings.

When I wrote my previous post, there was an online version of the entire book available that has since disappeared. But, as the Internet giveth and the Internet taketh away, there is now a version on Google Books that looks reasonably complete.

You will also find some images, often with larger versions, on Giornale Nuovo and La Boîte à Images.

If you are at all intrigued, though, opt for the print version.

Une Semaine de Boneé at the Albertina
Une Semaine de Bonté on Google Books
Une Semaine De Bonte: A Surrealistic Novel in Collage from Dover Books (Amazon link)
Images on Giornale Nuovo
Images on La Boîte à Images
My previous post on A Week of Kindness

Categories:
Gallery and Museum Art
Robin Chyo

February 23, 2008

We catch concept artist Robin Chyo at the very beginning of his career. A graduate of Academy of Art University with a BFA in Illustration, Chyo is working to build a career in the gaming and/or film industry as a concept designer and illustrator.

He has begun by establishing a presence in publications like the Spectrum collections of fantastic art (Spectrum 13 and 14, which is where I encountered his work), Ballistic Publishing’s Painter digital art showcase and D’artiste: Concept Art collection, as well as ImagineFX and 2DArtist Magazine.

He has also created a reasonably extensive portfolio, showcasing his abilities in the major areas of concept design for gaming and special effects centric movies, such as characters, environments, props, creatures and mechanical devices.

He has also, wisely, created a web site to make his portfolio readily available. Though it isn’t fancy (probably also a wise decision), he’s done a good job of providing the essentials — bio, resume, contact information and galleries of work that can be viewed by either thumbnails or Previous and Next navigation. He has also added a subtle id mark of his web site address to his images without marring them with ugly watermarks (are you listening, all of you watermarking fanatics?). (I should point out, though, that the “http://” in URL on the image is unnecessary.)

The baseline, of course, is that all of this is in support of very nice work. Chyo’s concept designs show a youthful verve and freedom of imagination that is sometimes more subdued in older veterans in the field. His creatures, in particular, seem more truly alien and less clichéd than most. His mechanical devices, props and character accouterments often have an interestingly organic feeling.

There is a certain brusqueness to his rendering that I find appealing, with an emphasis on textures and a muted palette with highlights of more intense hues.

Chyo lists a number of 2-D and 3-D digital graphics applications in his resume, along with traditional media like pencil, oils and acrylics. It looks like the majority of work in his portfolio is relatively straightforward digital painting in Painter and Photoshop.

All in all, it looks like he’s doing a lot of things right, and it’s probably only a matter of time before we see credits for gaming or film projects on his resume. I just hope that working within industry standards doesn’t take away his imaginative wild streak.

www.robin-chyo.com

Categories:
Concept & Visual Dev.
79 years of Best Picture Winners in Posters

February 22, 2008

Some of us are waiting with bated breath for the Academy Awards (and some of us are waiting for them to be over so we can get back to more important things, like new episodes of The Daily Show), but it’s a time of year when movies become a topic of discussion.

Movie Poster Addict, a blog with the nice subtitle “Because we all like pretty pictures”, has posted 79 years of Best Picture Winners in Posters, featuring a series of the posters that accompanied the past Academy Award winners for Best Picture from 1927 up to last year.

These aren’t the best movie posters ever (by any means), simply the ones associated with the Best Picture winners, but some of them are pretty good, and it’s fascinating to see the mish-mash of quality between the posters and the movies; some of each are classic, and some of each are eminently forgettable.

If you click on most of the images in the blog post you’ll get an larger version. The links underneath lead to the source for the poster image which sometimes includes an even larger version and some information about the movie.

Unfortunately, many of them don’t include credits for the poster artist or designer, though some do. Some of them are the work of well known illustrators, like Bob Peak’s poster for My Fair Lady, John Van Hamersveld’s Amadeus poster and Richard Amsel doing his best to emulate J.C. Leyendecker in his poster for The Sting.

Credits for some of the older illustrations are apparently lost in the mists of time, or at least out of the reach of a quick Google.

For some more interesting posters, see Movie Poster Addict’s post on the 2007 Key Art Awards, which actually are awards for artwork associated with movie promotional materials.

[Link via Neatorama]

79 years of Best Picture Winners in Posters
2007 Key Art Awards on Movie Poster Addict

Categories:
Illustration