Lines and Colors art blog
  • Eye Candy for Today: Frans Snyders’ Still Life with Small Game and Fruit

    Still Life with Small Game and Fruit, Frans Snyders
    Still Life with Small Game and Fruit, Frans Snyders

    In the Rijksmuseum.

    It’t interesting to compare this painting with a similar subject by Snyders in the National Gallery of Art, DC: Still Life with Grapes and Game.



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  • “Pandora’s Box” af AFA NYC


    Pandora’s Box” is a group show at AFA Gallery in Soho, NYC, that features a number of contemporary artists working in artistic genres that dip their roots into the waters of dreams, the bizarre and the macabre, and flower in often colorful displays of the imagination.

    “Pandora’s Box” will be on display until January 31, 2016.

    (Images above: Bill Carman, Anne Bachelier, Ray Caesar, Yoko d’Holbachie, Jean Pierre Arboleda, Rebecca Dautremer, Nicoletta Ceccoli, Dorian Vallejo)


    Pandora’s Box“, AFA NYC to 1/31/2016

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  • Chris Dunn

    Chris Dunn, illustration, Wind in the Willows
    Chris Dunn is an English illustrator and gallery artist whose most recent project is a series of watercolor paintings inspired by the classic children’s story The Wind in the Willows.

    Dunn has a wonderfully finessed style, combining a visceral, tactile realism with a delightful portrayal of his anthropomorphic animal protagonists.

    There is a warmth and charm to his take on the characters and settings that is well suited to the subject.

    On Dunn’s website gallery and blog you will also find examples of his editorial illustration and other projects, but the emphasis is on this most recent series of paintings. There are prints of some of the pieces available through Dunn’s Etsy shop.



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  • Eye Candy for Today: Peter Birmann’s The Devil’s Bridge

    The Devil's Bridge in the Schöllenen Gorge on the Way across the St. Gotthard Pass with a Mule Train,Peter Birmann; pen, brush, gray and brown ink
    The Devil’s Bridge in the Schöllenen Gorge on the Way across the St. Gotthard Pass with a Mule Train, Peter Birmann

    Pen, brush, gray and brown inks.

    Link is to zoomable version on the Google Art Project; downloadable version on Wikimedia Commons; original is in the Albertina, Vienna.

    Though the rendering is distinctly european, the subject, style and compositional treatment of this piece — in which humans are dwarfed against a dramatic mountain landscape enlivened by a stream and trees — seems very much influenced by Chinese ink painting (or similar arts from Korea or Japan).

    I don’t know enough about the piece or the artist to have background on the specific influences, but art from Japan and China was being widely imported to Europe in the 19th century, with dramatic effect on many European artists.

    I might also suggest that, like the work of his possible inspirations in eastern Asia, this piece might be called an “ink painting”.

    I love the intricate rendering of the rock face and foreground hillside, as well as the delicate suggestion of the misty gorge — a study in nuanced value throughout.


    The Devil’s Bridge, Google Art Project

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  • Tom Roberts at the National Gallery of Australia

    Tom Roberts at the National Gallery of Australia
    Tom Roberts was an English/Australian painter who was one of the foremost of the Australian painters known as the Heidelberg School, or “Australian Impressionists” — a remarkable group of 19th century painters who we hear too little of here in the U.S.

    The group, and Roberts in particular, are much better known in Australia, of course, and a major retrospective of Robert’s work recently opened at the National Gallery of Australia, where it will be on display until 28 march 2016.

    The museum has a nice set of galleries of Roberts’ work (accessed from the drop-down menu under “Gallery”), arranged by subject.

    Like others in the Heidelberg School — named for the area in Victoria where they frequently painted — Roberts had a simultaneously refined and lively approach to paint application, with beautiful surface textures, muted color and subtle value relationships.

    Fortunately, many of the images in the gallery are large enough to appreciate his surface textures (be sure to use the arrows to make the galleries full-screen).

    For more, including links to additional sources, see my 2014 post on Tom Roberts


    Tom Roberts, NGA to 28 March 2016
    My previous post about Tom Roberts (additional links to images)

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  • Illustrators Magazine Issue Eleven

    Illustrators Magazine Issue Eleven; Donato Giancola, Tomer Hanuka, Kames McConnell, Mike Terry, Freya Hartas, Gustave Dore
    Illustrators is a quarterly magazine published in the UK, that I previously wrote about when they published their first issue in 2013.

    Calling Illustrators a “magazine” is a bit misleading, as it’s a 96 page perfect bound format that feels more like a large trade paperback.

    I was delighted to receive a review copy of the current issue, number 11 (the contents for issue 12 have just been announced). Like most of their issues, the format is two lead articles of considerable length showcasing the work of contemporary illustrators followed by an in-depth article on an illustrator from history, and shorter articles on additional contemporary illustrators.

    Issue #11 features Donato Giancola, one of the finest contemporary illustrators working in the field of fantastic art. Giancola is one of the foremost illustrators carrying forward the style and techniques of classical art, putting them in service of modern, thought provoking fantasy and speculative fiction themes.

    For my money, the issue is worth it’s $29.00 US price for the 30 pages of his work alone, including sketches and in-progress versions of some of his pieces.

    As someone who has been perfectly comfortable with both creating and appreciating art on the computer for over 20 years, I still find reproductions of artwork in high-quality print to be a different and very worthwhile experience. Seeing this much of Giancola’s work (scanned from the original artwork) collected in print is a treat.

    The second major article in this issue is 25 pages devoted to the wonderfully expressive line-and color style illustrations of Tomer Hanuka.

    In addition, there are 17 pages on the classic mid-20th century pulp illustrations of James McConnell, and shorter articles on caricaturist Mike Terry and the illustrations of Freya Hartas, as well as the usual book reviews and letters.

    Unfortunately, the Illustrators website does not do justice to the presentation of the publication. For reasons that continue to bewilder me, the pages devoted to individual issues show no images but the cover, and don’t overtly mention that a preview of each issue is available.

    Previews actually are available, accessed through tiny icons labeled “See what you are missing!” instead of a big headline of “View a preview of this issue” or something similar.

    Once in the preview, however, you can zoom or enlarge to full screen and get a decent glimpse of some of the beautiful artwork in each issue.

    You can order individual issues of Illustrators through the website, or purchase a four-issue subscription which includes the online editions as well as the print publication.



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Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics